Saturday, October 31, 2009

Dark Roasted M.Christian

Here's a brand new Dark Roasted Blend piece on huge musical instruments: magnificent pipe organs


The jokes pretty much write themselves: ‘organ,’ ‘blowing pipes,’ ‘wind,’ etc., etc., so on, so forth …. But the giggling stops when you start to investigate the history, science, and simple magnificence that has gone into the creation of some of the world’s most incredible pipe organs.

As with a lot of important technological – as well as artistic – achievements, trying to determine who made the first one of these things is a bit fuzzy. Some experts give the ancient Greeks most of the credit – specifically the genius Ctesibius of Alexandria. Those early Greek organs were simplistic compared to the height of organ science … stop giggling … but the basic principle is still the same: force air through a pipe and you get sound. Make the pipe smaller, tighter, and the note that comes out is higher. Make the pipe larger, wider, and the note that comes out is lower.

What’s interesting is that portable organs were not just created but common in certain parts of Europe during the Middle Ages. They were probably about as mechanically simple as Ctesibius’s early invention, but it’s still remarkable that the technology was there and transportable by horse and wagon.

But when you want to talk about big organs … I asked you to stop giggling … you have to talk about the permanently installed ones.

As with astronomical clocks, large organs quickly became the blockbusters of their time. If yours was a town of any notoriety then you pretty much had to have one – the bigger the better. The fact that they were used by churches, like the aforementioned fancy clocks, couldn’t hurt either, as they had the deep pockets to afford them.

Here’s another bunch of interesting organ facts … what are you? 12? … the organ created for Halberstadt, Germany was a monster for its time. Its bellows had to be worked ceaselessly by ten men – who were, no doubt, music fans. The technology is impressive today, and was simply astounding when it was created in (ready for this?) 1361.


Because the technology of a pipe organ is relatively simple, making them bigger was pretty much a matter of just scaling them up: bigger pipes, bigger air supplies, etc. While there were a lot of monster organs … now you’re just embarrassing yourselves … there are some that took the musical instrument from noteworthy to astounding.

One of the largest is still played today: created in 1911, the Kotzschmar Memorial Organ in Portland, Maine, is a beautiful piece of engineering as well as musical artistry. Although much of its technology is hidden – which is often the case with organs – what is visible is simultaneously elegant and powerful, which also perfectly defines the music of its haunting notes.

Another great organ … are you finished? … can also still be heard. Created in 1904 for the St Louis World’s Fair, the Wanamaker Grand Court Organ in Philadelphia is a monster among monsters. Everything about the instrument looks like it was designed not just to make sound but a LOT of VERY BIG sounds: it has not one, not two … but, to get to the point, 28,482 pipes set in 461 rows. Its keyboard looks more like something used to launch a space shuttle rather than create music. But the organ definitely creates music – on a scale commensurate with its standing as the second largest pipe organ in the world.

Okay, get your giggles, guffaws and chortles out of the way. You ready to hear about the world’s largest organ? Unfortunately – as with a lot of big organ claims -- you’re likely to be disappointed.

Next time you’re in Atlantic City, swing on by and check it out in the Boardwalk Hall. Built in 1932, the organ makes that beast in Philadelphia look like a sickly kitten. While the Wannamaker Organ boasts those 28,482 pipes, the Boardwalk Hall organ has – ready for this? – about 33,000 pipes. I say ‘about’ because even the owner/operators of the machine aren’t sure. Even the engineering for the organ looks like something that might have been built to power the Muzak in the Tower of Babylon elevators.

The Boardwalk organ holds a total of three Guinness World Records: largest pipe organ in the world, largest musical instrument, and – it must have been a literal blast to have been there when this was set – the loudest musical instrument ever constructed. When asked how he felt about winning this last award, the keyboardist was heard, barely, to answer “what?”


Alas, the organ remains … you were waiting for me to make another joke, weren’t you? Well, I would if we weren’t talking about such a legendary musical instrument. The Boardwalk organ, alas, is largely silent: having been damaged by weather, water, budget cuts, and poor attempts at repair, it can still be heard but at only a fraction of its true potential and power.

And there’s nothing funny about an organ that isn't operating at full capacity.

Tuesday, October 27, 2009

I Am Spotframe

Even though I'm a diehard Apple fan, I have to admit I'm thoroughly enjoying my xbox 360. If there are any other gamers out there, look me up. My handle is Spotframe (don't ask me why, it was the name they assigned me).

Right now I'm into GTA4 multiplayer. Join in if you have the game ... but be warned: I'm a "bad ass mofo."

Sunday, October 25, 2009

More Sexy Yet Spooky Fun


Keeping with the season - and nicely dovetailing with my article that just appeared in Forum UK - the great folks at Phaze Books just released a pair of my stories, "Begging Ivory" and "Thicker Than Ink" as part of their HeatSheet erotic horror line. Click here to order this mini-collection, and here's a quickie description of the stories:
From an acclaimed author of erotic fiction comes two tales of titillating suspense. Begging Ivory: An antique object not only brings pleasure to it new owner, but assists in freeing her from an abusive relationship. Thicker Than Ink: Some tattoos are beautiful, others intricate and ornate. Still others provoke a variety of emotions - arousal, ecstasy, even a desire for revenge.

Thursday, October 22, 2009

A Sexy Yet Spooky Article In Forum UK


If my fans in the UK run out to their nearest newsagent they can pick up the newest, October, issue of Forum UK (Vol. 43, No. 11) and find an essay by yours truly on sex and fear called BOO! Why A Good Scare Can Be Great For Your Sex Life.

Here's a teaser:
You can't run. You can't hide. No matter how hard you try, it creeps up on you, tenses, pounces, and then traps you in an terrifyingly inescapable truth: a good fright –a really nightmarishly fine bout of terror – can really put the libido into overdrive.

There are as many theories about why scares and sex go hand-in-bloody-hand as there are movies featuring unstoppable forces of demonic fury. In other words, a lot. In fact one popular idea about why we have such a strong connection between the two is because for many folks, the first time they are introduced to anything really sexual, it’s thanks to a horror flick. Or, to put it in UK terms, because they'd watched a video nasty.

And no wonder it's a popular idea: From Jason to Freddy to Michael (that silly fisherman guy in the pathetic I Know What You Did Series), the formula is the same: boy meets girl, girl gives boy head, boy (and then girl) loses head. For lots of teens, these kinds of films are the first time they'll see anything really sexual, even if it's just the first sight of bare boobs. You don't have to have a degree in psychology to figure out that if the next scene has those same jiggling tits sprayed with arterial blood there might be a connection between getting rabidly turned on and getting totally freaked out. Add to this that, for a lot of people, a horror film was the first chance to get really close to the opposite sex, even if the embrace was one of terror. Think of it this way: no one ever got lucky after a Disney matinee.

[For the rest yer gonna have to buy the mag]

Tuesday, October 20, 2009

Masquerade: Page 7

Here's another preview of a very special project: Masquerade was illustrated by my great pal, and a fantastic artist, Wynn Ryder, from a story by ... well, me ... for an upcoming graphic novel anthology called Legendary.

I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.

Saturday, October 10, 2009

Redux: Eros Ex Machina

Now and again, I'm going to post little bits on some of the fun projects I've done ove the years. Just a little trip down memory lane. Hope you enjoy!

Eros Ex Machina: Eroticising The Mechanical (anthology)

Rhinoceros Publications (March 1, 1998)

A
s the millennium approaches, technology is not only an inevitable, but a deeply desirable addition to daily life. Eros Ex Machina: Eroticising the Mechanical explores the thrill of machines our literal and literary love of technology. Join over 25 of today's hottest writers as they explore erotic relationships with all kinds of gizmos, gadgets, and devices. Featuring stories by: Kim Addonizio. Bill Brent, Pamela Briggs, Pat Califia, Rene Charles, M. Christian, Stephen Dedman, Jack Dickson, Janice Eidus, Amelia G, Paula Guran, Gerard Houarner, Maxim Jakubowksi, Kevin Killian, Nancy Kilpatrick, Marc Laidlaw, Marc Levinthal, Anita Mashman, Carol Queen, Stephen Mark Rainey, Shar Rednour, Mike Resnick, Thomas Roche, Chadwick Saxelid, D. Travers Scott, Simon Sheppard, John Shirley, Cecilia Tan, and Lucy Taylor.

Sage Vivant's Intro To Licks & Promises

Here's a special treat: Sage Vivant's intro to my new collection of erotica, Licks & Promises (from Phaze Books). It's no secret that I adore Sage, but this intro touched me tremendously.
WARNING: The stories in this book may make you cry. There. I’ve said it. I know that’s not the best way to introduce an erotica story collection, but I can rarely read an M. Christian story without some kind of visceral reaction. So, I just wanted you to know up front that if you can get through this book without developing a lump in your throat or wiping tears from your cheeks, I honestly have to question your humanity.

Christian knows that sex is not purely about bodies, desire, and sex toys. He goes deeper, much deeper, dispensing with the puerile, predictable situations so common in erotic literature these days. He entreats his readers not to settle for the obvious clichés and the usual storylines where two (or more) people end up with their clothes off. Instead, he forces readers to consider the behaviors and thought processes that got those people naked in the first place — because that’s what the story is really about. The trembling, sweating, engorged body parts are just a bonus.

In the process of taking you on an emotional journey, however, Christian leaves you plenty hot and bothered. The man seems to instinctively know the perfect spot in his narrative for a well-placed nipple. He recognizes when a wet pussy needs filled and when it’s better to have it ache. He sends your libido careening on a roller-coaster ride that he alone controls. You’ve never been so grateful to be in such skilled hands, even as the landscape blurs by at lightning speed.

Along with intelligence and maturity, empathy abounds in these stories. Even when the characters make mistakes, stumble through circumstances, and generally screw up, Christian manages to show us their vulnerable side. He is not content to point out only how nasty or foolish people can be — he wants us to understand their motivations, learn what it feels like to trust or have trust revoked. He will show us where someone hurts and how sex healed the hurt. Or caused it.

In Christian’s world, lust is the springboard to passion, not a synonym for it.

The richness of language, the complexity of emotions, and the mysterious role of sex characterize M. Christian’s remarkable erotica. They celebrate life and castigate it at the same time. They explore disappointment and erupt with joy when you least expect it.

I defy you to get through this volume without shedding an appreciative tear, even if you’re touching yourself as you do it.

Tuesday, October 06, 2009

Adult eBook Shop

Here's some great news for all my fans - both of them - living in the UK: the great folks at the British-based Adult eBook Shop has a page featuring a lot of my new books, including my very recently released Rude Mechanicals collection!

Monday, October 05, 2009

RUDE MECHANICALS Is Out!

I SO love this new world of publishing! Remember how I mentioned that Rude Mechanicals, my new erotica collection from Renaissance E Books, was going to be published soon? Well, 'soon' is right now! Below is the description, and here is the link to buy it.

Bondage, science fiction, fetishism, real realities and virtual realities collide in this unique collection by one of the most popular authors of erotica - ever!

"M. Christian's stories squat at the intersection of Primal Urges Avenue and Hi-Tech Parkway ... feral-eyed, half-naked ... Truly an author for our post-everything 21st century."
- Paul Di Filippo, author of the Steampunk Trilogy.

Two unforgettable novellas highlight Rude Mechanicals: In "Hot Definition," the story of a future just around our corner, Neko experiences the ultimate domination from the woman who is her master; and in "Speaking Parts," the second novella, two lovers, one with a camera-shutter eye, come together in a scorching, obsessive, edgy relationship that will take them both to the limits of sexuality and beyond. Plus four provocative, physically explicit short stories of sex and technosex.

"M. Christian writes like a dream!"
- Paula Guran, DarkEcho

Sunday, October 04, 2009

Ashley Lister Likes Licks & Promises

This is very great: Ashley Lister's review of Licks & Promises, from the always-great Erotica Readers & Writers site:

It’s not an understatement to say that M Christian has a well-deserved reputation for excellence. He is the author of more than 300 short stories, the editor of 20 anthologies, four collections of his own short fiction and the author of four (or five) novels. (There is, as yet, no official confirmation as to whether he is the M Christian behind ME2). M Christian’s Confessions of a Literary Streetwalker column is one of the most popular parts of ERWA and this is probably because he speaks with authority about erotica as an author who knows his craft.

However, for anyone needing proof that Christian knows what he’s talking about, they need look no further than Licks & Promises. Licks & Promises is a collection of Christian’s scintillating erotic stories, published by Phaze books, and the contents will not leave the reader dissatisfied.

Sage Vivant provides an Introduction to this collection, relating her appreciation of Christian’s work and acknowledging the breadth of his skill. As Vivant explains:

Christian knows that sex is not purely about bodies, desire, and sex toys. He goes deeper, much deeper, dispensing with the puerile, predictable situations so common in erotic literature these days. He entreats his readers not to settle for the obvious clichés and the usual storylines where two (or more) people end up with their clothes off. Instead, he forces readers to consider the behaviors and thought processes that got those people naked in the first place — because that’s what the story is really about. The trembling, sweating, engorged body parts are just a bonus.

My favourite story in this collection comes early in the book. ‘Dead Letter’ is a tale about an author, which is probably why I enjoyed it so much. Filled with humour, irony and a richness of character, ‘Dead Letter’ introduces us to the story’s protagonist/writer through the eyes of his bored-but-besotted wife. The complexity of their relationship is vividly relayed, without hampering the pace of the story. The humour is sharply observed, only a little cruel, and tinged with empathy for the human condition. The denouement is as clever as it is moving. The following passage illustrates the depth of character, detail and humour.

Helen of Troy — diaphanous, luminous, and ethereal — glided into the room and banged her shin on the coffee table.

Dammit! She bit her lip so as not to put speech to it. Hopping, balancing with a hand tightly around an ornately carved bedpost, she vigorously rubbed her barked ankle.

“W-what —?” came Randolph’s sluggish voice from a point somewhere below a mountain range of goose-down pillows.
Crap! Both feet down, ankle clearly more painful than damaged, she smoothed her sheet, adjusted her dime-store tiara, took a deep breath, and crooned out a melodious “Oooooooooooo!” Then she whispered down low near her husband’s ear, “From the great beyond, I have come!”

“W-who is there? Who is it?”
The lights in the room were dim, so much so that everything seemed washed with a brush dipped in inky shade and shadow. The bed was a pale rectangle, the pile of pillows a gray smudge, her husband’s face a pale mask haloed by silver hair — and that damned coffee table completely invisible.

There are lots to be enjoyed in this collection. The quality of the writing is outstanding and the depth of characterisation is enormous. For any serious aficionado of erotic fiction, Licks & Promises is a necessity for the bedside bookshelf.
Ashley Lister
September 2009

Friday, October 02, 2009

Dark Roasted M.Christian

Here's a brand new Dark Roasted Blend piece on keeping very special time: beautiful astronomical clocks and such.


Because that’s what everything was to them, many believe early man saw the universe as a living thing. Each flash of lightning, every star in the sky, the rain that fell, the ground beneath their feet – everything around them was part of some huge, living and breathing creature.

But then that changed. The Greeks, and their intellectual ancestors, looked at the world and while they saw life they also began to see a mechanism to it all, a precise and ordered regularity.

Alhough we know the ancient Greeks were extremely intelligent, just how smart was hinted at in 1901 – and then confirmed many yearsnlater. At first the hunk of rusted iron that was pulled from the sean near the African island of Antikythera was just a curiosity, a bitmof archeological weirdness. It was only decades and decades later that modern science was finally able to pry apart the secrets of ancient science. Very, very ancient science.

The Antikythera device, as it’s called, is a meticulous and precise assembly of 72 gears – a simply staggering work of craftsmanship.nWhat’s even more astounding is that scientists think the device wasman astronomical calculator: an elaborate, incredibly accurate computer that was built in 150 to 100BC.

What’s even more chilling -- as well as exciting – isn’t that the Antikythera devicemexisted but that it could very wellmbe the first hint at how technologically advanced the ancient workmengineers were. The device is certainly miraculous but it was also a common working machine; not a rarity but instead what could be something that navigators used everyday. Who knows what other mechanisms and devices have yet to be found?

A few hundred years later the universe was still a mechanical place but the engineering that went into creating machines to predict and understand it became even more complicated and elaborate. Clocks got a shot in their developmental arm because they – when used with star charts and sextants – were essential navigation tools. It wasn’t long until clock mechanisms were used to track not just the hours, minutes and seconds of commerce and shipping but also the stars and planets in the sky.

One of the more incredible astronomical clocks – and there arem certainly a lot of very incredible examples of such things – is the legendary Prague Astronomical Clock. To say that it’s elaborate would be a ridiculous understatement. The clock is an insanely complicated instrument to not only tell the time but also to track the movements of the stars and planets – at least the ones they knew about in the 1400s when the clock was built. It's easy to think that making something as complicated as the Prague clock was a one time, supremely rare thing. Although the clock wasn’t a common working gizmo like the Antikythera device, it also used technology and craftsmanship that existed in many other Medieval cities – and even, a century or so later, insanely miniaturized to the point where, if you were rich, you could carry what was basically a tiny version in your pocket.


While complicated, one of the greatest things about the Prague clock is that it isn’t just a working clock; it almost deserves to be called a monumental kinetic sculpture. It ticks and tocks and ticks its tocks in ways, to quote from the Bible, that are “a wonder to behold.” So wondrous, in fact, that you can find computer models online demonstrating just how elegant and beautiful the mechanism is – which says a lot that we use 21st century technology to appreciate the skill of a 1400 clock maker.

Another beautiful example of astronomical clock engineering is the famous Wells Cathedral clock. Begun a few years before Prague’s, the clock is another accurate and heavenly (literally as well as figuratively) mechanism. Like its Prague kin, the clock is a beautiful as well as accurate view of the world as an enormous clockwork machine, a carefully assembled, meticulously crafted, creation.


Unfortunately, the growing ubiquitousness of these clocks’ technology spelled their doom. As more and more people could afford to carry watches there was less and less of a need for a huge, central – and, naturally, elaborate, town hall clock. It simply didn’t make financial sense to keep building them – which is a sign that humanity's growing, view of the world was mechanical: tocks and tocks as well as dollars and sense.

What’s ironic is that with the coming of the 21st century – and, living in a world ruled by the careful calculations of software -- humans are starting to understand, and even plan to use, the uncertainty of a quantum universe: an existence where things are never quite what they seem and chaos is part of How Everything Works.

Still, the incredible Antikythera device, the Prague and Wells Cathedral clocks, are beautiful in their antique mechanisms – as well as the nostalgia of when the world was as precise and orderly as the back and forth swing of a pendulum.

Monday, September 28, 2009

Pauline Likes Rude Mechanicals

This is very, very, very, nice: my great pal, Pauline, just sent me this review for my soon-to-be-released new collection, Rude Mechanicals. Thanks, sweetie!

In his latest collection of erotic short stories, RUDE MECHANICALS, M.Christian excels himself. He gives us stories that allure and arouse; stories that are so exquisite that we are compelled to keep turning the pages. Christian is a wonderful story teller; he takes us gently into areas we would probably have never ventured into. Places we never dreamt existed; strange, sometimes dark habitats, that scare and delight. And as if the superb stories weren’t enough, Christian loves, absolutely adores, words. He’s a poet. Using the right word, in the right place, economic where it matters, flamboyant when it’s appropriate; he’s a master craftsman, always dancing ahead of the reader, teasing, even taunting; follow him if you dare.

In “Blow Up,” Christian is writing about one of my favourite things. Fetish. The protagonist isn’t interested in Betty, the curvy shop assistant in the toy store. She makes a pass at him and he notices, and admires her round bounciness, but only in relation to his purchase. He makes a note of her phone number, mentally acknowledging that it will be useful to him later, when new stocks of his fetish arrive. Here, Christian places the reader in the position of voyeur. We see that this man is a connoisseur; he has established his ritual into a fine art. Christian paces the writing carefully and we watch as the narrator prepares himself, in a routine long established. He knows which shaving creams work best for him, and buys them in bulk. The ones which sting and chafe the skin. He knows which oils to anoint himself with. Which are too sticky, or too thin. His fetish is intriguing, and a reader can’t help speculating on the well travelled paths he has walked along, to arrive at, what is for him, perfection.

“Billie,” reads like a ‘road film.’ Billie, is a biker, tough and butch. She and her Harley conquer the Pacific Highway. It’s a love affair; Billie is a top. No-one tops her. Not even the open road. She brandishes the Harley like a weapon, daring, intimidating the road, challenging it. “She is a Daughter of the Open Road, a disciple of Harley Davison.” Adrenaline rushes, it’s overwhelming. Billie cries out at the road -- then someone overtakes her. The shock; the anger, is almost too much for Billie to deal with, and what follows is a crazy race that will almost certainly end in death. The roar of the bikes is all consuming -- then Billie sees the biker’s face and everything changes…

In “Beep,” Christian takes a playful look at those messages left on our voice mail. They could be from anyone. You’ve won a holiday! the lottery! Or more likely, will you please call your bank about your overdraft! This message is none of these; it’s from a Mistress, and she wants his cock. NOW! His cock belongs to her. She sadistically purrs her instructions, and tells him what she’s going to do to him. Her intentions, are wild and erotic, even pornographic. His cock is instantly hard at the sound of her voice; steel wrapped in satin. It’s both chilling and hot and very, very sexy -- with a wonderful twist at the end.

Those gadgets have feelings too. Spare a thought for the lonely vibrator, discarded, abandoned, unloved and probably, unwashed, beneath your bed. In “I am Jo’s Vibrator,” the vibrator tells its story. It tells us about itself; it sells itself to us. Then, it tells us about its experiences with Jo and Patrick. Jo and Patrick approach the ‘Rabbit Pearl Vibrator,’ with trepidation and apprehension. They are nervous, Patrick more than Jo. Would Jo like the rabbit more than him? The rabbit knows better. Sex toys are for the pleasure of men and women. Jo and Patrick are very happy and so is the Rabbit Pearl Vibrator.

M.Christian’s writing is meticulous, but there’s nothing forced about it. It flows easily, from a lively mind, to his fingertips, to the keyboard. RUDE MECHANICALS is a big accomplishment, from a very accomplished writer. These erotic stories make us laugh, like in “Beep.” Sometimes, sex can be intimidating and the anticipation can almost overwhelm, as in “Blow Up.” There’s the dark side of desire in “Speaking Parts,” as Pell yearns for the enigmatic Arc. This story is like a lament, for a future that probably will never be.

But, for me, these erotic tales tell me that sex, in all its forms, is something to be celebrated. It’s joyous, it’s fun; it’s also hilariously funny. Well it is, isn’t it?

Tuesday, September 22, 2009

Masquerade: Page 6

Here's another preview of a very special project: Masquerade was illustrated by my great pal, and a fantastic artist, Wynn Ryder, from a story by ... well, me ... for an upcoming graphic novel anthology called Legendary.

I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.

Saturday, September 19, 2009

Whew!

My very sincere apologies to all the very patient folks out there who sent in stories for Best S/M Erotica Vol. 3. I really didn't think it would take me this long to get to them.

But, the news -- both good and (I'm afraid) bad -- is that I finally have gone through them all and have made the selections. Everyone should have gotten the word about their stories as of today.

And for all you folks who didn't make the cut ... well, if it at all makes you feel any better I've gotten more than my fair share of rejections as well ... so I know at least a little bit how much it may hurt. But, as I always like to say: the only time a writer fails is when they stop writing. So keep at it!

Next up: getting through the submissions to Sex In San Francisco. Stay Tuned!

Wednesday, September 16, 2009

Ily Goyanes Talks To Me (Part 2)

Here you go, folks: part 2 of my interview with Ily Goyanes of Examiner.com. Click here for the rest of this second installment.
In this second part of my interview with M. Christian, the versatile author discusses the craft of writing and shares his tips, views, and experience.

IG: How would you describe the act of writing?

MC: I view writing as work. I don’t believe in having a muse, and I don’t wait for inspiration. I don’t believe in sitting in a coffee house and staring into space. I playfully call myself A Literary Streetwalker With A Heart of Gold in that I'll do a story, pretty much any kind of story, for anyone, anytime. I'm also different in that, unlike a lot of erotica writers I don't have a mission. I want sex to be accepted, sure, but I'm not trying to change the world through smut. I just want to give people a good story that might just change your mind about sex.

[MORE]

Sunday, September 13, 2009

Belive It Or Not -

- I'm actually, honestly, truthfully reading the submissions to Best S/M Erotica Vol. 3. I promise to get back to all you wonderfully patient contributors very, very soon.

Saturday, September 12, 2009

Ily Goyanes Talks To Me (Part 1)

As promised, here's a teaser of my great interview (Part 1) with Ily Goyanes of Examiner.com. Click here for the rest of this first installment.
M. Christian writes, well, just about everything. A writer’s writer, Christian approaches the art of writing as work, and it shows in the countless novels, stories, anthologies, blogs, and yes, even a graphic novel, which display his unique imprint. Blending myth, horror, science-fiction and fantasy, and sprinkled liberally throughout with graphic sexual content, his writing works like a double espresso shot first thing in the morning. Consistently pushing the envelope, his stories can also sometimes push the imagination to places Freud might be scared to venture. His erotica knows no boundaries, as his characters run the gamut from trans to bisexual, twin brothers to vampires. This is part one of a two-part interview with the prolific author, in which he shares some of his thoughts on life, food, and keeping it real.
Tune in next week for Part Two with M. Christian: On Writing to hear him wax philosophical on the craft of writing and offer some practical advice for writers.

IG: How do you identify in regards to sexuality?
MC: I like to say I'm sexually straight, politically gay, and socially bi. Sexually straight, because -- even though I do so much GLBT work -- Mr. Happy doesn’t respond to anything but women. Politically I say I'm gay because I vote an extremely gay ticket and consider gay rights to be one of the most important human rights issues in the world today. I’m very comfortable with men, so that’s why I say I'm socially bi: I have no problem hugging or kissing my male friends – gay or straight -- or saying 'I love you' to them. More than anything, I never lie about who I am. I never pretend to be gay just to further my career. Alas, sometimes things can be a tad confusing: A long time ago I worked with an editor, a wonderful guy, who asked a friend we had in common: ‘what kind of guys does Chris like?’ and this friend answered ‘women’. I felt so bad that my editor might have thought I led him on or something that I called him up and explained that I thought he knew I was straight. At the end of the call we were both laughing but, importantly, we both understood that we loved each other – no matter who we liked to sleep with.

[MORE]

Sunday, September 06, 2009

Dark Roasted Blend, Time Magazine, and John Malkovich?!

The only thing I can say about this is ... WOW! Dark Roasted Blend, for which I've written a bunch of articles and such, was recently mentioned in Time magazine by, of all people, John Malkovich!

Here's what he said:
"Dark Roasted Blend is a perfect morning wake-up - a site filled with images of Earth's strange dreamers, oddballs, visionaries, travelers and destinations"
-- Time, August 31, 2009, p. 55, John Malkovich's Short List.

Saturday, September 05, 2009

Coming Together

I'm thrilled to be a part of this great new project: Coming Together. Stay tuned for more info but in the meantime here's an announcement about the project from its driving force, Alessia Brio:
PITTSBURGH, PA – September 3, 2009 – To complement its recently-unveiled novella ebook line, COMING TOGETHER today announced Coming Together Presents, a line of full-length works to be released in both print and ebook. Each title in this line will benefit a charity chosen by its author. The line will be edited by renowned erotica author Lisabet Sarai.

"I was absolutely thrilled when Lisabet agreed to tackle this project!" said Coming Together's Alessia Brio. "She's in charge of who & what gets published and will set her own pace. I have total confidence in her ability to select quality work & polish it to its highest shine."

Sarai, whose credentials as both a writer and an editor are impressive, is no stranger to Coming Together. Her exceptional stories are featured in several volumes.

With the trademark erotic cocktail anthologies accepting material under ten thousand words and Coming Together: Neat publishing novellas between ten and fifty thousand words, the latest addition means the ground-breaking organization's erotic altruism now covers work of any length. The organization has always prided itself on the diversity of its fiction and hopes its recent expansions will diversify its audience by capturing the attention of readers who follow particular authors.

For the time being, publication under Coming Together Presents is by invitation only, but Brio hopes to institute a query process like that used for its new ebook line. Presents will launch with three titles by three stellar wordsmiths: M. Christian, C. Sanchez-Garcia, and Remittance Girl. Their collections will benefit Planned Parenthood, RAINN, and the ACLU, respectively.

Brio is thrilled with the charities selected. "They're wonderful additions to Coming Together's diverse family of causes without being duplicative. And the authors? I couldn't ask for a better starting lineup!"

About her contribution, Remittance Girl said, "These stories were written in the shadows, in a place where the rights of the individual and freedom of speech have no protection under the law. I have admired the 'Coming Together' collections for a very long time. It gives me great pleasure to know that the proceeds of this collection will go to support the ACLU, an organization defending those very rights with such dedication."

"I'm extremely pleased to be with the great and talented folks at Coming Together -- and to have an opportunity to support Planned Parenthood," adds Christian. "As Margaret Sanger, Planned Parenthood's founder, said: 'No woman can call herself free who does not own and control her body. No woman can call herself free until she can choose consciously whether she will or will not be a mother.'"

When asked why he selected RAINN, the Rape Abuse & Incest National Network, Sanchez-Garcia replied, "Because I've always believed Woman is the ultimate fountain of pleasure for Man and the worst sin against God and nature you can do is abuse her."

COMING TOGETHER is a registered, voluntary nonprofit association governed by a board of directors. It was launched in June 2005 to provide a venue for rising talent while simultaneously raising money for worthwhile causes. To date, it has published 13 volumes of erotic fiction & poetry featuring the work of over 165 authors, poets, and illustrators.

CONTACT:
Alessia Brio, founder & managing editor
412.254-3324 (voice/SMS)
866.837-6407 (fax)
presents [at] eroticanthology.com
http://www.eroticanthology.com/presents.htm

Wednesday, September 02, 2009

Rick Reed Talks to Me



Check it out: It's my turn to be part of Rick Reed's fun author-interview series. Here's a tease:
1. If you could invite any famous person, dead or alive, for dinner, what would you eat?

I'd invite Jesus Christ to sit down at my table, with me on the left, of course. I'd then serve him up -- just to see if his body and blood turns to bread and wine in my stomach.

2. Who do you think you are?

I have a penis.

3. What’s your problem?

I have a penis.

Tuesday, September 01, 2009

Dark Roasted Science Fiction: Dune, The Santaroga Barrier and The Green Brain By Frank Herbert

Here are three brand new reviews of classic science fiction novels for Dark Roasted Blend:



Dune

Without a doubt, Dune is a legend – as is Frank Herbert, its author. The book, and Herbert, has awards; and there’s the Dune movie, the Dune miniseries, the Dune games, The Dune sequel … and the sequel, sequel, sequel (five in all). It’s considered by many to be the most successful/popular science fiction to date.

Here’s the thing, though: is Dune really (or, "simply") science fiction?

Now don’t get me wrong, Dune is a fantastic, incredible novel: wildly imaginative, brilliantly plotted, amazingly told, and totally original. It also certainly has many speculative details: a far-far future settling, an alien world, genetic memory, and so forth.

But if you strip away a good percentage of those speculative ideas what remains behind could very easily be an excellent novel. The story of Dune really has less to do with the SF details and more with Herbert’s skill as a storyteller. Dune is a carefully crafted tale of politics and intrigue: the characters – from the Savior of Dune and the Fremen, Paul Atreides (aka Muad'Dib), to the Head of House Harkonnen, The Baron – are maneuvering and manipulating everything around them on a complex social chessboard. A great example of this is the famous banquet sequence where nothing is as it appears and every gesture and manner is a carefully planned strategic exercise.

Dune is also often called an early ‘ecological’ novel, meaning that Herbert addresses what’s now a pretty common theme: that nature is an essential – and very fragile – necessity. The Fremen are a perfect example of this: they live not on their desert world but with it, respecting it’s tremendous power as well as it’s precarious health. Again, if you take out the sandworms and the spice they create Dune could still stand as a powerful statement about the need for man to also live with this plant and not just use it up and toss it away.

There are many other elements in Dune that also could be taken away from the book’s far-future settling: the book’s exploration of Islamic culture (especially in relation to ecology), an examination of collapsing civilizations and decadence, and even a chance for Herbert to further look at the world through a zen lens.

In the end, it’s because Dune can stand without it’s science fiction elements that makes it such a great, and long-lasting, masterpiece. Herbert understood humans, even though he was setting their stage twenty thousand years from today, and understood nature, even though Dune is on another world. With Dune he created a perfect allegory, one that that speaks to the truth of humanity, and nature, today just as it did when it was written – and probably will for a very long time.



The Santaroga Barrier

Something’s odd about Santaroga: sure, on the surface it might appear to be like any other community full of normal-looking people, but look a little closer – like psychologist Gilbert Dasein is hired to do – and Santaroga begins to look anything but average.

For one thing the town is far from accepting of anyone who isn’t a local. They aren’t hostile, at least not openly, but if you weren’t born in their valley they won’t buy from you, trade with you, or accept you in any way: it’s the Santaroga barrier – and what’s beyond it makes for a totally original novel and a fantastic read.

Everyone knows Herbert for his Dune books but what a lot of people, unfortunately, don’t know about this Grand Master of science fiction is that he’s written, in my mind at least, even better novels – and the Santaroga Barrier is one of them. It’s also unfortunate that many people think science fiction has to have aliens, time travel, robots, and all those kinds of flashy, shiny, and far too-often grandiose concepts. What Herbert does in The Santaroga Barrier is show that science fiction can be based on a very simple idea, an idea that – when handled by a superb writer – can be more powerful and fascinating than anything flashy or shiny or grandiose.

Without spoiling too much of the plot, Dr. Gilbert Dasein slams headfirst into the Santaroga Barrier, propelled by duty to his employers, his professional curiosity and by his own interests: a girl named Jenny who left him in Berkley, where she as a student and he a professor, to return to Santaroga.

One of the best elements of the story is a hauntingly slippery word that Dasein keeps hearing among the locals in relation to their lives and, especially, to their food: Jaspers. It takes him some time but eventually Dasein gets to see through the barrier, at the societal wall the Santarogans have put up around their town. What he sees is what makes the book to entrancing: Jaspers is a ‘consciousness fuel’ additive the locals have been culturing and using for generations. What it does, though, is create a unity among the citizens: a form of collective will.

But that’s not all: there’s something else beyond the barrier – a something else that’s killed everyone else who has tried investigating the town. Oh, sure, they might look like accidents but Dasein comes to realize that there’s nothing accidental about them, and if he doesn’t figure the puzzle out he might be next.

Okay, that’s a teaser of the plot, but there’s something else about The Santaroga Barrier that keeps this book on my ‘favorites’ shelf: Herbert’s superb skill as a writer. There’s something almost hallucinatory about the style of the book; it reads like a dream or a hallucination without resorting to overly flamboyant, pretentious language – a skill few had done well and only writers like Herbert mastered.

In the end, The Santaroga Barrier is a totally imaginative novel told with sparkling language and genius skill: the work of a master storyteller at the height of his game.



The Green Brain

Unfortunately, as with many other books by Frank Herbert, the fame and success of Dune has overshadowed The Green Brain: making it another book only hardcore Herbert fans even know about. This is really unfortunate because while The Green Brain is not Dune it shares a common theme -- as well as revealing more of Herbert’s masterful skill as a storyteller.

Herbert has often been called one of the first ‘ecological’ science fiction writers. True or not, his work definitely shows his concern about the health of the earth as well as man’s place in it. Dune explores that relationship, as does Hellstrom’s Hive, and – especially – does The Green Brain.

Set in a comfortable familiar future, The Green Brain is about a society in open war with nature – the jungle to be exact. Needing room to expand, the world has cut, carved, burned, poisoned and smashed its way into the heart of the wilderness. The characters in The Green Brain, for the most part, are soldier/exterminators fighting guerilla infestations of weeds, roots, seeds, animals and – especially – insects, all the while pushing their native habits towards extinction.

While Dune and Hellstrom’s Hive are more subtle about the ethical and moral issues surrounding man and his relationship to the environment, The Green Brain is deceptively simple: as man fights against nature, nature begins to evolve to terrifyingly fight back. ‘Deceptive’ because as with all of Herbert’s books even if the conflict is clear there are always other factors keep the story from becoming cartoonish.

One of the best things about The Green Brain is the excellently-presented idea of nature, and it’s evolving intelligence, as being alien yet familiar, like it’s a different side to the earth’s own mind – a different side that’s more than a little irked that humanity continues to be insanely stupid about not maintaining a respectful balance with it. Part of that anger, coupled with nature’s superb adaptability, comes out in the jungle’s new weapon: a collaborative hive of insects that excellently mimic what’s threatening them: us … human beings.

Yes, The Green Brain is not Dune but it’s still an excellent read and well worth picking up – as it everything else by Herbert. And, who knows, maybe you’ll start looking warily at insects … or people with very, very green eyes ….

Tuesday, August 25, 2009

Pauline Likes Love Without Gun Control

This is very special: a lovely review of my science fiction/horror/just-plain-weird collection, Love Without Gun Control, by my wonderful pal, Pauline. Thanks, sweetie!

I am a junkie! A poor pathetic thing, crawling up the walls, shredding fragments of wallpaper and plaster beneath my broken finger nails, screaming for my next fix. Hollow eyed, I plead with M.Christian for just one more story. He’s a hard man. He turns away, telling me it’s for my own good. Then finally, finally, he relents. And I blubber my thanks through a mess of snot, spit and tears.

M.Christian sends me LOVE WITHOUT GUN CONTROL. And like any true addict, I find a vein, stick in the needle and overwhelm myself with the fix.

I’ve read all of his stories. Every tantalising word he’s ever written. I worry that one day he’ll stop. No more stories. What the hell will I do?

You see he never fails to surprise me. His stories move seamlessly from straight erotica to gay erotica and now, in LOVE WITHOUT GUN CONTROL, he gives me a collection of science fiction and horror.

In ‘Needle Taste,’ there is haunting despair, from the disciples of Owlsley, a serial killer. They take mind bending chemicals to enhance his hideous deeds. His followers can’t leave him alone and live in a desperate, deadly fascination of what has happened to those he has brutalised and killed. Prair replays the final moments of Owlsley’s capture in his mind and repeats the killer’s mantra; “the only sin is letting them go unpunished.”

‘The Rich Man’s Ghost’, reads like a fable and Christian tells the story with the skill of Aesop. Hiro Yashido sees a ghost, and to see a ghost means doom. He has not only seen the ghost, the ghost has seen him. His wealth, his overwhelming success in high finance is nothing. He will have to embrace his worst nightmare, poverty. Hiro Yashido fears nothing. He has not achieved his great wealth by walking on tiptoe. But he does fear the ghost and it’s curse. Ghosts walk between the bite and the bytes of the datasea and they are jealous. Hiro Yashido works hard to dispel the ghost’s curse and the ghost ponders on whether, or not to release him.

‘Wanderlust’, takes us out on the road. The story reads like a classic ‘road’ film and we embark on the archetypal American journey. The landscape unfolds with panoramic camera sweeps; gasping, breathtaking images of mountains, snow, jagged peaks and windswept pines. A cheap doll, embodies the idea of perfection, of absolute love. It is conveyed to the driver in his own overwhelming, Christ like beauty. He stops at a roadside gas station. The people he meets are spellbound by the ecstasy of his beauty. But sheer love has its opposite and hatred, and ugliness and the abject fear it brings, must have its say. He wants to say sorry. But all that he can do is drive away.

In ‘Orphans’, Christian gives us a drifter, seemingly, a man without purpose. He hitches lifts and meets people. Is he running from something, or running to something? He doesn’t know. Or he won’t say. What is the virus they speak of; the wasting disease that has taken their loved ones? Is it loneliness? Or is it something else? He apologises, it’s all he can do. Is this an allegory, a story for our times? Christian doesn’t tell us; but he certainly makes us think.

As if all that weren’t enough, Christian retells the story of Robinson Crusoe in ‘Friday’.

Combining Daniel Defoe’s style with a futuristic slant, the traveller’s ship crashes into the earth. Like Defoe’s hero he is stranded, like him he has to improvise to survive and like him he has his Friday.

As I said earlier, what the hell will I do if M.Christian ever stops writing? There’s a gem here, a jewel, a real talent. Where does all of this come from? Where does he get his ideas and images? “…eyes as dark as knots in old trees…” “…titles for them were as irrelevant as trying to take apart a static charge before a lightening strike…” Beats me! I’ve saved the title story until last. ‘Love Without Gun Control,’ and I’m going to read it now! Excuse me while I drool!

Monday, August 24, 2009

Hey Webmasters: Sales Down? Stay Tuned

As I mentioned, the Cybernet Expo was a real blast and I met some very great folks and made some cool connections, including Jay and Connor of YNOT who put the whole marvelous shindig together. Especially great and cool is that YNOT asked me to put down my thoughts and observations about what adult sites and enterprises can do to increase their audiences.

Here's the intro to what I did, with the rest up here on the YNOT site.


While I was attending Cybernet Expo, presented by the great folks here at YNOT, a common complaint I heard repeatedly was how the paying audience for adult sites has been dropping, dropping, dropping to a dangerously low level.

Yes, we all know that the economy has been seriously depressed and shows very few signs of bouncing back anytime soon, but as I heard tale after tale of how sales have dropped and viewers have vanished, I realized there was a clear solution to keeping viewers, and gaining new ones – a solution that might mean the difference between profits and losses.

And what, I hear you ask, is that solution? What is the secret I have discovered that may keep your adult enterprise in the black rather than the red? What is the key to making your site stand out from the hundreds, if not thousands, of competitors?

Stay tuned, folks. Stay tuned.

But first, an observation: let's face it, men are your audience. Okay, that might not – at first – appear to be a profound observation, but bear with me. The thing with men, you see, is that we all have a pretty simple sexual response; one that's gotten even simpler during these trying economic times. Why pay for adult content when a second's search of the Web can get you whatever you need to get your (ahem) satisfaction? Why pay for the cow when the milk – in the form of huge numbers of sample sites – is not only free but largely satisfying? Even guys with very specific tastes can find whatever they want free of charge, after only a few minutes of search engine sleuthing.

[MORE]

Friday, August 21, 2009

RUDE MECHANICALS - The Cover

Okay, okay ... I know this migh be getting a tad obnoxious, what with the (ahem) number of things I have in the works. But this cover of my upcoming collection from Renaissance E Books by Wynn Ryder is just too damned wonderful not to share.


Thursday, August 20, 2009

Ily Goyanes Talks To Me

Keep your eyes out for an upcoming - and very special - interview with Ily Goyanes from examiner.com. In the meantime, here's a teaser from Ily:
Christian has written everything from erotica to horror and science fiction. He pushes the boundaries of genre and style by being able to transform his voice into that of anyone or anything. In his extensive repertoire you can find trans, lesbian, and gay characters, as well as maybe some others who defy definition. Christian often writes about bondage and sadomachism in his novels and short stories, of which he has written many.


Tuesday, August 18, 2009

Masquerade: Page 5

Here's another preview of a very special project: Masquerade was illustrated by my great pal, and a fantastic artist, Wynn Ryder, from a story by ... well, me ... for an upcoming graphic novel anthology called Legendary.

I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.

Sunday, August 16, 2009

Blogs, Blogs & Blogs

Check it out: some friends of mine - all of them fantastic writers - have just launched new blogs:
Jason Rubis - who I can't say enough good things about as a writer as well a friend - has started Pulp Transcendence: "a one-stop source for all things Rubis." His recent publications include stories in Drollerie Press’s Needles & Bones and Circlet Press’s Like Clockwork

My brother, s.a., has launched Omnibus, which is about "Lost Art, Design, Culture, Food"

And lastly, but certainly not least-ly, my wonderful friend Billierosie has begun her billierosie blog. Here's what she says about it: "The blog is for fun. My wandering thoughts. I like satire and positive thinking. My interests are in the Arts; theatre, literature, painting, sculpture. Erotica and fetish."

Tuesday, August 11, 2009

LOVE WITHOUT GUN CONTROL - Out Now!

While I put together a format announcement I just had to share that my collection of science fiction and horror stories, Love Without Gun Control, just went live on Renaissance E Books!
Here's the blurb about this very fun bunch of - for once - non-erotic stories:
"Unique and truly fascinating," writes Mike Resnick! M. Christian isn't as good as his peers say - he's better! This "best of" collection, featuring the cream of his fantasy, horror, and science fiction stories, is a dazzling achievement.

Only M. Christian could have imagined what happens when a boy's uncle blows Tibetan days powder in his face, or when a woman gave birth to a new species … but not one of flesh and blood, or when the Goddess of the Road gave the gift of beauty to a mortal man.

You will find these and eleven other unforgettable tales from the man Stephen Dedman, author of The Art of Arrow Cutting and Shadows Bite, hails as "A chimera, an amazing combination of tour guide and magician. Whether he's writing science fiction, horror or fantasy, he can take you to places you've never imagined, show you sights no-one else will get to see, introduce you to some fascinating people, and guarantee that the trip will be memorable from start to finish."

Among the contemporary classics featured in this stellar collection are:

Some Assembly Required
The Rich Man's Ghost
Medicine Man
Wanderlust
Buried & Dead
Nothing So Dangerous
Shallow Fathoms
Constantine in Love.

M. Christian's fantasy and science fiction has appeared in Talebones, Space & Time Magazine, Skull Full Of Spurs, Graven Images, Horror Garage, Song of Cthulhu, and other science fantasy publications.
  • "Speaks with a totally unique and truly fascinating voice. There are a lot of writers out there who'd better protect their markets: M. Christian has arrived!" - Mike Resnick, Hugo and Nebula Award winning science fiction author

  • "M. Christian's stories squat at the intersection of Primal Urges Avenue and Hi-Tech Parkway like a feral-eyed, half-naked Karen Black leering and stabbing her fractal machete into the tarmac. Truly an author for our post-everything 21st century." - Paul Di Filippo, author of the Steampunk Trilo

  • "An amazing combination of tour guide and magician. He can take you to places you've never imagined, show you sights no-one else will get to see, introduce you to some fascinating people, and guarantee that the trip will be memorable from start to finish. Buy a ticket and fasten your seat belt: you're in for a wild ride!" -- Stephen Dedman, author of Shadows Bite

  • "Writes like dream whether he's creating fantastic visions or ghastly nightmares. With this collection, you get both!" -- Paula Guran, DarkEcho

Saturday, August 08, 2009

Amanda Young Talks to Me

I'm excited to have been interviewed by the wonderful Amanda Young. Here's a teaser - the rest is on Amanda's site.
Q: How long did you write before you received your first contract for publication?

A: I first decided I wanted to be a writer back in high school, but it took me close to ten years before my first story appeared in print (FutureSex Magazine, if you want to know). But ten years after THAT I have 300+ stories in print, five collections, five novels, and have edited over 20 anthologies. Making up for lost time you could say.

Q: So, if you don’t mind sharing, would you tell us about your latest work in progress?

A:I’m a very hard working writer and so I have oodles of things in the works right now. And, yes, ‘oodles’ is a technical term. Let’s see: a new novel (a gay thriller), a new collection (Licks & Promises) new editions of two of my favorite short story collections (Bachelor Machine, and Dirty Words), a film that should be shooting soon, a comic project, two new anthologies (Best S/M Erotica 3 and Sex In San Francisco), my regular column on writing smut (”Confessions of a Literary Streetwalker” for the Erotica Readers and Writers site) and other stuff that’s slipped my mind ….

Q: Out of all the stories you’ve written, which is your favorite?

A:While I have some that I think came out rather well I don’t really have a favorite because … well, because that means looking back, which is something I try not to do. So I’d say that my favorite is the story I haven’t written yet.

[MORE]

LICKS & PROMISES - Out Now From M.Christian

Phaze Books is proud to announce the publication of a brand new collection of M.Christian's erotic fiction:



Licks & Promises is a new erotic short story collection from a master of the genre. If you like your sexy stories sweet, silly, scary or simply outrageous, this is the book for you!

Featuring classic M.Christian stories plus some tales that have never been seen before - as well as an introduction by the wonderful Sage Vivant - this is an erotica collection you'll read, re-read, and remember for a very long time!

Featuring the stories -
The Train They Call the City of New Orleans
Dead Letter
Dust
The House of the Rising Sun
In Control
Kiss, Kiss, Hug, Hug
Mile After Mile
The Naked Supper
Nighthawks
Regrets
The Tinkling of Tiny Silver Bells
Water of Life
The Will of Dr. Mabuse
The Waters of Biscayne Bay
The World Game
One After Another
Her First Thursday Evening
Here's what people are saying about M.Christian:
Reading M. Christian is like climbing on for a sexual magic carpet ride through different times and places, diverse bodies, and infinite possibilities.
- Carol Queen, Sex writer, speaker, educator and activist

M. Christian is the chameleon of modern erotica. One day punk, another romantic; one day straight, another totally perverse and polyamorous. But always sexy and gripping
- Maxim Jakubowksi, Editor, Mammoth Book of Erotica series

M. Christian is a literary stylist of the highest caliber: smart, funny, frightening, sexy -- there's nothing he can't write about ... and brilliantly.
- Tristan Taormino, Sex educator, author, columnist

M. Christian speaks with a totally unique and truly fascinating voice. There are a lot of writers out there who'd better protect their markets -- M. Christian has arrived!
- Mike Resnick, Hugo and Nebula Award winning science fiction author

M. Christian's stories squat at the intersection of Primal Urges Avenue and Hi-Tech Parkway like a feral-eyed, half-naked Karen Black leering and stabbing her fractal machete into the tarmac. Portraying a world where erotic life has spilled from the bedroom into the street, and been shattered into a million sharp shards, these tales undercut and mutate the old verities concerning memory, desire and loyalty. Truly an author for our post-everything 21st century.
- Paul Di Filippo, author of The Steampunk Trilogy

With his amazing versatility and silky smooth prose, M. Christian helped forge the erotica revolution of the 1990s and he’s still going strong
- Donna George Storey, author of An Amorous Woman
Order A Copy Today:
Phaze Books
Paperback: $11.95
Kindle: $4.80
Fictionwise: $5.40
ISBN-978-1606591840
If you're interested in reviewing Licks & Promises please email M.Christian:

zobop@aol.com
mchristianzobop@gmail.com