This is very fun - especially with the re-release of my erotic romance Brushes by the wonderful Sizzler Editions: a brand new column on romance writing by myself just went up at Romance Beat.
Here's a tease - for the rest just click here,
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“Love is a better teacher than duty.”–Albert Einstein
It’s unfortunate that romance has been labeled … well, let’s be blunt and say ‘formulaic.’ Part of this, of course is more than a bit true – but then it’s the truth for every genre in every form of entertainment: the audience wants what it wants and so the business side of things wants to give them that.
From comic books to television, from science fiction to erotica, from movies to food … if you want to create it there always seems to be ‘the way’ to do it. In the case of romance, though, ‘the way’ for many authors/editors/publishers seems to be been boiled down to such a A to B to C to D formula that there’s little, or absolutely zilch, room for innovation. Even more than quite a few publishers of romance have taken to spelling out this recipe for success in their Call For Submissions or on their Write For Us websites.
Now there’s nothing wrong with knowing your audience – in fact it’s a universal key to success both critically and financially: if you look, say, at blockbuster or bestselling [Insert Genre Here] you can see, in hindsight, how the creator(s) looked right into the heart of their readers/watchers/eaters and delivered exactly what they were looking for.
Which is where those formulas always seem to spring from: hindsight. But the problem with hindsight – and I know this is an old chestnut – is that it means looking backwards. The books/movies/TV shows that rocket off into the stratosphere, yes, may have known and respected their audience but they also did something that’s even more important:
They took risks.
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