Tuesday: Nov. 10: Tit-Torture For Boobs: Breast Play With M.Christian @ SFCitadel

(from M.Christian's Classes And Appearances)

This is gonna be a blast: come check out this really fun - if I say so myself - class!

Btw, I need a demo.  Let me know if you are game before or at the class.  First volunteer gets in for free!

And be sure and check out my survey for what classes you want me to teach for 2016.

Tit-Torture For Boobs: Breast Play

Breast play offers wonderful opportunities for intensely powerful scenes - but also comes with serious, even dangerous, risks. In this breasts-on seminar, participants will learn how to treat tits, both male and female, with exactly the right measure of sensuality and intensity to play well but also safely. Clothespins, nipple clamps, pinching, suction devices, gentle impact, bondage, and more will be demonstrated - as well as how to deliver effective aftercare. Additionally, participants will be given instruction in first aid, the dangers of breast play, and the limits of what boobs can take.

SF Citadel
181 Eddy St, San Francisco, CA

Class from 8pm to 10pm, doors open at 7:30pm
Cost: $20 at the door, or $15 in advance
https://www.purplepass.com/sfc1172015

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M.Christian has been an active participant in the San Francisco BDSM scene since 1988, and has been a featured presenter at the Northwest Leather Celebration, smOdyssey, the Center For Sex and Culture, The National Sexuality Symposium, San Francisco Sex Information, The Citadel, The Looking Glass, The Society of Janus, The Floating World, Winter Solstice, and lots of other venues. He has taught classes on everything from impact play, tit torture, bondage, how to write and sell erotica, polyamory, cupping, caning, and basic SM safety.

M.Christian is also a recognized master of BDSM erotica with more than 400 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and many other anthologies, magazines, and other sites; editor of anthologies such as the Best S/M Erotica series, Pirate Booty, My Love For All That Is Bizarre: Sherlock Holmes Erotica, and more; the collections Dirty Words, The Bachelor Machine, Love Without Gun Control, Rude Mechanicals, and more; and the novels Running Dry, The Very Bloody Marys, Me2, Finger's Breadth, Brushes, and Painted Doll. His site is www.mchristian.com

Thursday, Nov. 12: Sex Sells: How To Write And Sell Erotica @ Center For Sex And Culture In SF!

(from M.Christian's Classes And Appearances)

I love teaching all my classes, but Sex Sells: How To Write And Sell Erotica is especially near and dear to my heart.

And the very good news is that I'm going to be doing this special class for the Center For Sex And Culture in San Francisco on Thursday, November 12th!

Here's the write-up ... and here's a link so you can pre-order tickets.

The market for erotic fiction and nonfiction is booming! There actually is a secret to writing great erotica - and you'll discover just what that is in this fun, hands-on workshop with well-known erotica writer and teacher M.Christian.

For the beginning writer, erotica can be the ideal place to begin writing, getting published, and - best of all - earning money. And for the experienced writer, erotica can be an excellent way to beef up your resume and hone your writing skills. M.Christian will review the varieties of personal and literary expression possible in this exciting and expanding field. He'll also teach you techniques for creating love and sex scenes that sizzle.

Plus: current pay rates, how to write for a wide variety of erotic genres, where and how to submit your erotic writing, and more.

Sex Sells: How To Write And Sell Erotica
The Center for Sex and Culture
1349 Mission St.
San Francisco, CA 94103

Thursday, November 12th
6:00PM to 8:00PM

$20 (purchase pre-event tickets here)

M.Christian has been an active participant in the San Francisco BDSM scene since 1988, and has been a featured presenter at the Northwest Leather Celebration, smOdyssey, the Center For Sex and Culture, The National Sexuality Symposium, San Francisco Sex Information, The Citadel, The Looking Glass, Floating World, Winter Solstice, and lots of other venues. He has taught classes on everything from impact play, tit torture, bondage, polyamory, cupping, caning, and basic SM safety.

M.Christian is also a recognized master of BDSM erotica with more than 400 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and many other anthologies, magazines, and other sites; editor of 2t anthologies such as the Best S/M Erotica series, Pirate Booty, My Love For All That Is Bizarre: Sherlock Holmes Erotica, and more; the collections Dirty Words, The Bachelor Machine, Love Without Gun Control, Rude Mechanicals, and more; and the novels Running Dry, The Very Bloody Marys, Me2, Finger's Breadth, Brushes, and Painted Doll. His site is www.mchristian.com

Beyond Romance Likes Skin Effect!

(from M.Christian's Technorotica)

This is very touching: the great Lisabet Sarai reviewed by brand-new erotic science fiction collection, Skin Effect: More Science Fiction And Fantasy Erotica, for Beyond Romance.

Thanks so much, Lisabet!

Normally, when I write a review, I treat the book as a stand-alone entity, without considering prequels, sequels or other books in a series. In reviewing Skin Effect, however, it’s almost impossible not to make some reference to The Bachelor Machine, M. Christian’s first collection of science fiction erotica, which I reviewed back in 2009. For one thing, there’s the subtitle, “More Erotic Science Fiction and Fantasy Erotica”, pointedly implying the existence of the previous volume. Then there’s the author’s Afterword, which explicitly compares the perspectives in the first book to those in this one. Even the title is a reference to the earlier book, the name of one of the stories therein (which is not included here). In any case, I couldn’t really read this collection without being reminded of the earlier volume. The stories are equally inventive, but extremely different in tone. To me, they suggested a more mature, subtle and balanced vision of the future. 

The world of The Bachelor Machine is largely dystopic, a dark environment of crumbling infrastructure, poisoned nature, desperate individuals, oppressive and dehumanizing technology. The stories in Skin Effect reflect a greater degree of hope as well as the expected impact of more recent technological developments—constant data streams gathered by wearable sensors; software agents that relieve us of the need to learn or remember; the omnipresent social media-sphere, where every thought, action and emotion is immediately visible to one’s audience and one’s worth as a human being might be measured by the number of spectators one can muster. Like those in the earlier book, however, these tales ask difficult but intriguing questions about reality and human existence. What does it mean to talk about one’s life history, when memories can be implanted or erased at will? What happens to sex when changing gender is almost as easy as changing clothes and every possible sexual variation is available via simulation? Is there something special or unique about direct experience, unmediated by technology? Is that sort of genuine, first-hand, totally disconnected experience even possible anymore? 

One of my favorite stories in the collection is the simple and elegant “Prêt-à-Porter”. A rather shy, serious young woman purchases a – garment – made of the ultimate intelligent fabric, fabric that transforms itself into whatever sort of clothing or costume its wearer desires—and which shapes its owner’s desires in the process. 

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It was ... warm, like a another person's skin. She knew it would be, but the comfort of it was still calming – making the release of that second breath slow and easy. It moved up her body like a splash from a shallow pool, the warmness of it making her relax even more. 

As it flowed, it stayed black – but just as she noticed that, it changed: rolling through a rainbow of hues, shades, and saturations. As it flowed, it stayed glistening like colorful latex – but as she noticed that, as well, it changed: tumbling through an array of textures, contours, weaves, and shapes. 

She couldn't help it: she laughed. It was like a puppy, fresh out of the box and eager to play. It didn't take her mind long to imagine the artificial, intelligent, endlessly chameleonic material as wagging a form of artificial, intelligent, endlessly chameleonic, tail. 

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“LMS”, the last story in the volume, is another high point. Set in a nearer term future than most of the tales (a future in which humans still design web sites!), this tale features an insecure, depressed protagonist who is pried out of his fugue of self-loathing by an encounter with a transsexual who sincerely admires his work. This is a sexy but surprisingly sweet love story, set in a world where your Facebook numbers can determine your personal fate. 

“A Kiss Goodnight” presents the next stage in evolution, as an aging pioneer in the study of artificial intelligence is seduced by the “ghost in the machine”, the sentient, self-aware outcome of his own research. The language in this tale is utterly gorgeous, whether the author is describing the taste of a peach (a real peach, grown on an actual tree—something exceedingly rare) or the nature of the professor’s elusive partner. 

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Shimmering shoals of software; ripples of digital entities flashing in and out of existence – some on a scale of centuries, others faster than anything alive could ever blink, the on and offs of their own basic (in its own way primitive) DNA coding drifting, merging ... vast snowflakes of algorithms wheeling and spinning against an infinite spectrum of quantum uncertainty ... breaking, splintering, only to merge into new complexities, new potentialities. It was a flashing, flickering, fairy kingdom of brilliant streaks, pops, swirls, cascades of illuminated data coming and going, evolving and learning, growing and refining ... flowering unique forms for unique tasks while deep, immense structures, eternally pondering monoliths of infinite potentials and possibilities, thought their long computational thoughts ... knowing every permutation and branch of possibility and, within it all, a cool and perfect understanding of their original architects, the first programmers, far more than they could ever know themselves. 

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Despite this awe-inspiring vision of distributed intelligence, the physical coupling between the professor and his digital partner is compelling, even world-shattering, flesh and blood sex a kind of fundamental language that in some sense transcends species.
This is the message of “The Potter’s Wheel” as well, a fascinating tale in which a woman who supports herself by selling her experiences via social media is chosen to meet the Potter of Gujyo-hachiman, a Living Treasure renowned for his exquisite porcelain. Living off the ‘Net at his monastic retreat in rural Japan, more or less purely in the physical world, the Potter helps Peers reconnect with fleshly, unmediated desire.
Although a few are listed as previously published, all of the stories in Skin Effectwere new to me, with the exception of “The Bell House Invitation”, which I’d called out as one of the sexiest stories in The Bachelor Machine. I was delighted to have the chance to savor this unique ménage once again. Indeed, the story might be more consistent with the worldview spun by this volume than in its original home. 

All in all, Skin Effect is a solid collection of speculative erotica. I have to be honest and admit that I found it less erotic, overall, than The Bachelor Machine. However, that may say as much about me (years older than I was when I read the first book, and far more jaded) than it does about the book. I think it’s fair to suggest that the sex in these stories is sweeter and more sincere, less about thrills and more about connections. That’s fine, as far as I’m concerned. I want more than heat in my reading; I want original ideas and graceful language. In this regard, there’s no question that M. Christian delivers.

Up Now: 5 Science-Fiction Novels That Pushed The Limits of Sexuality On FutureOfSex!

(from M.Christian's Technorotica)

This is very, very cool: my grand new article 5 Science-Fiction Novels That Pushed The Limits of Sexuality just went live on the excellent FutureOfSex site!

Here's a tease - for the rest click here.

Erotic visions of the future from renowned sci-fi literature.

Like a lot of genres, science fiction took a bit of time to discover that one special, yet very basic, component of humanity.

Yes, I’m talking about sex.

But unlike mystery, horror, romance, thriller—and every flavor of literature you can name—when these science fiction authors explored eroticism, it didn’t just change that genre. Using visions of the future, they changed the way many people came to look at sex itself.

While there are many writers working today who are exploring sexuality in science fiction (hint, hint), here are five works that I personally feel went way above and far beyond the known limits of both sex and science fiction.

Oh, and be prepared for some very minor plot spoilers—but I promise not to give too much away.

[MORE]

What Classes Do YOU Want Me To Teach?

(from M.Christian's Classes And Appearances)

As 2015 is - gasp - rapidly drawing to a close I thought it would be fun to ask all of you out there to vote on what classes you want me to teach for 2016!

I'm particularly game to hear your suggestions for classes that may not be on my usual hit parade ... or venues and events that might be my cup of tea.

Here's the link to the survey.

Have fun!

A DARK DOINGS AT MISKATONIC U Special: Made In DNA

(from M.Christian's Meine Kleine Fabrik)

Continuing the celebration of the release of Dark Doings at Miskatonic U (that I had the extreme honor of editing) here's a quickie interview with the author of one of the new Miskatonic tales in the book - the wonderful Made In DNA:

Q: What's your favorite part of the Lovecraft mythos

The creeping darkness the work introduces into your soul. There isn't any particular "monster" in the series I really dig as they all create this overwhelming sense of foreboding. It's the whole package.

Q: What do you think is the lasting "allure" of Lovecraft's work?

Though steeped in monster culture, the work never stops playing with your mind. It's the moonlit shadows and the inexplicable noises that lurk around the other side of a door or turn of a hallway.

Q: What's the scariest thing, for you, in Lovecraft's work?

The monsters.

Q: What's your area of study at Miskatonic University?

Sex Magicks.

Up Now At FutureOfSex: Part Three of The Ten Greatest Sexual Innovations to Come

(from M.Christian's Technorotica)

This is fantastic news: part three of my three part series on The Ten Greatest Sexual Innovations to Come is live!

Check it out at the Future Of Sex site ... in the meantime here's a teasing taste:

Our first series on future sex technologies took a gander at developments in sensory tech: virtual reality, augmented reality, and direct neurostimulation. Then we journeyed into a future erotic world of cyborgs, body switching, and genetic engineering.

We’ve looked at what changes may come to our senses, including the changes to how we’ll experience eroticism. Then we explored the possible coming changes to our physical selves: how we’ll interact with the world.

So what’s left?

As that old chestnut goes, the greatest sex organ in the human body is the brain—and the future promises incredible changes to that very special part of ourselves. Hang on for a ride into the future of our erotic mental landscape with an exploration into neurochemistry, memory manipulation, personality reproduction, and artificial intelligence.

[MORE]