Thursday, June 09, 2011

Love ya, Stephen -

"I began writing seriously when I was about thirteen. Out streamed poetry, stories and novels, the latter of which were always aborted early, usually half way through the second chapter. It took my friend Douglas Adams to encourage me to go further and he did this by pointing out that the reason I had never managed to finish a novel was that I had never properly understood how difficult, how ragingly and absurdly difficult, it is to do. “It is almost impossibly hard,” he told me. It is supposed to be. But once you truly understand how difficult it is,” he added, with signature paradoxicality, “it all becomes a lot easier.” It was many years later that Clive James quoted to me Thomas Mann’s superb crystallisation of this. “A writer,” said Mann, “is a person for whom writing is more difficult than for other people.” How liberating that definition is. If any of you out there have ever been put off writing it might well be because you found it so insanely hard and therefore, like me, gave up and abandoned your masterworks early, regretfully assuming that you weren’t cut from the right cloth, that it must come more easily to true, natural-born writers. Perhaps you can start again now, in the knowledge that since the whole experience was so grindingly horrible you might be the real thing after all. Of course finding it difficult and managing to complete are just the first stages. They are what earn you the uniform and the brass buttons, as it were. They don’t guarantee that what you complete is any good, or even readable. That is quite a different kettle of wax, a whole other ball of fish." 

- Stephen Fry

Monday, June 06, 2011

Bibrary Bookslut Likes Finger's Breadth

OMG!  The good - nay, the great - just keeps on coming: the fantastic Sally Sapphire at Bibrary Bookslut just posted this very touching review of my brand-new gay/erotic/thriller Finger's BreadthThanks so much, Sally!


To be effective, the act of literary intercourse between horror and erotica should be deeply unsettling. It should leave the reader feeling excited by uncomfortable, overwhelmed by equal parts dread and anticipation.

If you’ve ever read any of his work (and shame on you, if you haven’t) you know M. Christian understands this better than most. With his latest, he has woven a tale that permits the reader but a finger’s breadth of space between fear and arousal. His deft control of the story makes us feel the blade of the assailant, but it’s his subtle manipulation of our emotions that makes us desire the cut of the victim.

The story starts out with simple, if deliciously perverse, premise. A mysterious figure is haunting the underground community of San Francisco, abducting young gay men and cutting off the tip of their little finger. That’s it. No other torture or mutilation, just that missing tip of a finger. With his ounce of flesh taken, they’re free to go.

As creepy and unsettling as the abductions are, it’s what comes after that comprises the bulk of the story. Suffice to say, things get weird, for both the abductees and the community at large, as the story develops in directions that you can’t begin to imagine. It’s a testament to M. Christian’s writing skill that we never question what happens, no matter how weird it gets. Instead, we’re encouraged to embrace the guiltiest of pleasures by indulging in the tale, until we’re so deeply involved that we can’t pull away from the final horrors ahead - and then are left delighted, and deliciously spent.

I had a chance to give this an early read (I’m actually quoted on the publisher’s website, which is very exciting!), and only a desire to take a break and collect my thoughts prevented me from reading it in one sitting. If you’re at all intrigued, then I urge you to give it a read – you won’t be disappointed.

Sunday, June 05, 2011

Filthy (Boys) Reviews

As the new edition of my queer collection, Filthy has just been released by the wonderful Renaissance/Sizzler (now called Filthy Boys) here's a quick blast of some reviews the book has gotten.  Enjoy!


Erotica That Reads Like Literature
I have enjoyed M. Christian’s work for a long time. His solo collection Dirty Words and his two multiple-author anthologies co-edited with Simon Sheppard, Rough Stuff and Roughed Up, are among my favorite volumes of erotica.
Which brings me to Filthy: Outrageous Gay Erotica, a new collection of gay erotic stories by M. Christian. To say this is a great book is an understatement. It runs the gamut of emotions, from anger to sadness to ecstasy to envy.
Here are capsule reviews of some of my favorite stories from Filthy…
“The Greener Grasses” in one short story captures the entire paradox of trying to reconcile a leatherfetish lifestyle into the humdrum world of 9-to-5 jobs and dishes to be washed more than volumes of scholarly non-fiction ever has.
“Flyboy” is a wistful tale of a man who has two lovers, one flesh and blood and one as big as all outdoors. Guess which one gets him in the end. You might be surprised.
“Love” reads as a tender valentine to all the gay men, imaginary or otherwise, who have inspired the author over the years to create his amazing tales of erotica.
“Suddenly, Last Thursday” is a haunting, harrowing riff on Tennessee Williams’s play Suddenly, Last Summer.
And “Friday Night at the Calvary Hotel” is an amazing tale that gets my vote for one of the top ten best short stories ever.
Filthy transcends its genre of erotica and enters the realm of literature.
I hope you enjoy it as much as I did.

#

What makes a good short story? Felice Picano, in his forward to Filthyhttp://www.assoc-amazon.com/e/ir?t=reflectisedge-20&l=ur2&o=1 offers some of the more traditional takes: a deft handling of voice, of place, of character. But really, what makes a good short story - what makes a great short story - is a truly good idea.
Luckily for Christian – and luckily for us – truly good ideas are not in short supply in this collection.
A perfect example comes in "Sunset Boulevard," one of many tales that puts a queer twist on an old story. Christian, riffing brilliantly on the campness of the original movie, recasts the central fading screen siren as an aging gay porn star. And it might seem risible to allow the gloriously queeny Norman Desmond to intone, "I am big. It's porno that got small," but Christian pulls it off.
Christian isn't shy of a little shameless genre straddling with his startlingly imaginative ideas either. In "The Hope of Cinnamon" we enter a future world in which gay men have mastered the art of time travel in order to save their queer brothers from oppressive regimens of the past. But this tale is also a good example of how the short story format can be frustrating for the reader when presented with such a dazzling concept as this one. The idea is simply too big for the form. The problem presented – that the rescued men cannot cope with a life in nirvana – isn’t so much explored as thrown at us before we are hustled away for the next story.
This is where the book wears thin. The stories in this book are short, averaging ten pages of in-out wham-bam. After a while it starts to feel like Christian is torturing his readers, deserting his unsatisfied readers for fresh thrills before they have quite achieved emotional climax. Too much is left undone and unsaid. This collection could have featured just the five best ideas – including the wonderfully disturbing quasi-religious "Friday Night at The Calvary Hotel" – and served up five wonderful novellas.
In the final story – the most enjoyable of the whole collection – Christian once again attempts a daring feat and pulls it off neatly as he spins us a tale of a young gay reader so besotted with an author of outrageous gay erotica he takes a pilgrimage to his grave. Angered by his discovery en route that his hero was in fact in a relationship with a woman, he means to urinate over the author's last resting place, but ends up recalling too many of the author's purplest passages and doing something entirely different. It is no surprise when Christian reveals the name on the headstone of this soiled grave.
While Filthy is a wonderful book, and just the thing if you are in the mood for an enjoyable quickie (or twenty), it's not the place to turn if you are more in the mood for a story that can go all night.
– Mathilde Madden, Reflection's Edge

#

I read a guide to reviewing books recently. It said a reviewer should be impartial. I can see that point of view; the work should be judged on its own merit. However, it's impossible for me to pick up a book by M. Christian and not have expectations that are based on previous works I've read. So I guess it's only fair to begin this review with full disclosure: I'm a fan.
I'm torn over the idea of erotica as a distinct genre, and M. Christian's work is fuel for this internal debate. In The Hope of Cinnamon, a future society rescues gay victims from Nazi death camps and brings them forward in time to a sanctuary. Gen, one of the Helpers who works to integrate the Rescued into their new home finds out that few of the Rescued successfully survive the transition. He decides to travel back in time to experience the death camps for himself so that he will have a better understanding of why the Rescued fail to thrive in a society that fully accepts them. While this story does touch on sex and sexuality, it is a great example of speculative fiction that prompts further examination of our time and how current and future gay generations need to be aware of the history of gay culture and see it in proper historical perspective instead of viewing it, and judging, through hindsight.
As much as I hate the term coming-of-age tale, Utter West is a near-future story that shows a character coming of age, and more. Pony is the narrator's hero, the one who escaped their suburban hell and went beyond it to something wonderful and mystical - or so the narrator wants to believe. Unaware that he's destroying the beautiful myth that's grown around his disappearance, Pony comes back as an ordinary adult, prompting the narrator to break free and take the journey Pony failed to make into the beyond of the Utter West.
If noir is more your style, enjoy M. Christian's homage to Sunset Boulevard, Hollywood Boulevard, or sink into the corner pocket of the night world of pool hustlers in The Hard Way. That Sweet Smell is really the scent of corruption, but keep telling yourself it's success, because in this story, that delusion is all the narrator has to cling to.
Moby is purely tall tale, told with the flair of real yarn-spinner. Could anyone stink that much, be that cussedly mean, or be that hung? It's all in the telling - joyously and outrageously over the top.
Or maybe you're in the mood for bittersweet romance and love. Flyboy is the soaring romance we all long for, crashed down to earth by the military's Don't Ask Don't Tell policy. And Love is a writer's story, about how much it means to us when our stories are wanted, and how hard it is to separate the pure love of acceptance from the physical.
And then there's horror. Friday Night at the Calvary Hotel is the hardest story to read in this collection for it's intense mix of sadism, masochism, religious imagery and sex. Stories like that cling to you long after you've put the book down. You decide if that's a good thing or a bad thing, but I like that. Suddenly, Last Thursday is horror of a different stripe - lush and gothic, where you might have to read a line several times before your brain accepts what it's telling you. That slow dawning of realization is delicious and shivery.
In the movie Sunset Boulevard, Joe Gillis says, "Sometimes it's interesting to see just how bad bad writing can be." Yes, but it's gratifying to see just how good good writing can be too. It's unfortunate that erotic writing has a reputation for bad writing, but sit down with this collection and let M. Christian change that prejudice.
– Kathleen Bradean


#

“Filthy” is subtitled “Outrageous Gay Erotica”, it could also be called “the book that stole my Saturday”. It arrived in the mail and I intended to slot it into my reading queue after several other books that have been waiting patiently for my attention. I flicked over the somewhat dry preface to the first story and it was all over.
In 'The Greener Grasses' M. Christian shows us immediately that this is not a collection to be trifled with, picked up and put down. I was thrust immediately us into the point of view of a real flawed, sexual, vulnerable protagonist. The sexuality is always frank but blended with charming love stories like 'Heart in Your Hand' or '2+1' or folksy fables like 'Moby'. The writer’s skills are perhaps best shown in the apt blending of sexuality with darker threads such as in 'Bitch' where one man’s bitterness and hate escapes his control or 'Friday Night at the Calvary Hotel' with its queasy look at the blend of sadism and sexuality in religious symbolism. I found the homage stories 'Hollywood Blvd' and 'Suddenly, Last Thursday' just a little heavy handed but still engaging reading.
The stand-outs for me were simple stories, but perfect in their parts. 'Oroborous' uses a botched tattoo to contrast the pain and trouble of “fixing” what is “wrong” about us (not what we would choose) with the joys of embracing it what we are. After reading it I had one of those moments staring at the wall and letting it sink in. And there were actually tears in my eyes at the end of the tragic love story of 'Flyboy'. The speculative stories are also strong: 'Utter West' gives a new meaning to the youthful desire to get out of a dead-end town and 'The Hope of Cinnamon' shows a far future gay community that rescues persecuted gay men from the past and is shown, through their eyes, what may be missing from their apparent utopia.
All of the stories have a strong concept as well as explicit sexual content. I would quibble at calling it “erotica”. Erotic, yes, but not quite in the step-by-step manner intended for one handed reading. It’s one of those oft-quoted phrases that our biggest sex organ in our brain; I’m willing to bet that author M. Christian would agree. Almost every story in this collection is perfectly constructed for the intellect: set up, satisfaction and pay off within a few short pages. Some stories are unapologetically erotic and others nostalgically sensual, only obliquely erotic at all or proudly a little perverse—but the erotic is there to serve the story in the manner and amount the narrative requires.
If you are looking for sexually-charged fiction that also has heart and intelligence “Filthy” is the collection for you—just don’t pick it up until you have the free time to read it from cover to cover.
– Emily Veinglory

Saturday, June 04, 2011

Out Now: Finger's Breadth

As teased for quite a while, I am extremely pleased and proud to announce the publication of my brand new queer/erotic/sf/thriller/horror novel, Finger's Breadth, by the great folks at Zumaya Books.  While I'll be doing a lot more about the book in a bit I just wanted to put out the word that the book is now available as both a ebook and print version.

Look at your hand: four fingers and a thumb, right?  But what if you woke one morning and rather than four fingers and a thumb you are ... short one?  How would you feel?  What would you do?  What would you become?

The city is terrified: a mysterious figure is haunting the streets of near-future San Francisco, drugging and amputating the fingertips of queer men.  But what's worse than this horror is how it transforms the men of the city.  For what's worse, a horror or that it can, so easily, turn any of us into something even more horrific?

Erotic.  Terrifying.  Fascinating.  Disturbing.  Intriguing.  Haunting.  You have never read a book like Finger's Breadth.  You will never look your fingers, or the people all around you, the same way again.
ISBN-10: 1934841463
ISBN-13: 978-1934841464
Paperback: $15.99
ebook: $6.99

Amos Lassen Likes Finger's Breadth

I am ... simply speechless: Amos Lassen is not just a fantastic reviewer and writer but he is also a dear friend - which makes his very touching review for my brand new (and just released) new novel, Finger's Breadth so touching.  You are the best, Amos!

I have long been a fan of M. Christian. His erotic writings are what I called literary erotica and he is one of the founders of that genre. His horror writings also are in a class of literary horror and when he tells you a story, you simply cannot stop reading. When he combines horror and erotica, you are in for a special treat and that is exactly what he does in his new book, “Finger’s Breadth”. The idea for this book is clever and terrifying, probably because something like this could really happen and when you have a story that could be real, you actually shudder twice as much.

The story is set in San Francisco of the near future and something very strange is going on.  Someone is haunting the city, drugging the gay men and then cutting off the tip of their little finger. But that is not all. The ensuing terror causes a transformation of the men of the city and the very idea that something like this can happen causes everyone to cower in fear. People begin to suspect each other and no one seems safe.

The story begins with a prelude that sets tone of what is to follow and from the very first line, we feel a sense of gloom as an uneasy atmosphere takes over.
Session No.: 10977642-2
Case Ref: AS-D-341945491
Date: May 7 —
Location: 1: McAllister Detention Center, RM 146
Subject Name: Kenneth Allen Wertz
Subject ID: N946671291
Interrogating Officer: Eric Knorr
Officer ID: CSS-7992309
Attorney Present: No

Officer: Okay, right, so you said you didn’t see anything?
Subject: Yeah, I didn’t see anything.
Officer: You just woke up like that, huh?
Subject: Yeah. On Muni. In the morning, I mean.
Officer: Someone cut your fucking finger off and you
didn’t see anything?
Subject: Yeah, I guess so.
Officer: Tell it to me again”
And we are off on an adventure into the unknown where things become stranger and stranger as the novel moves forward. I Feel I may have already said a great deal about the plot and I do not want to give too much away and spoil the reading experience. Suffice it to say that I was on the edge of my seat as I read. If I am to give you my opinion, let me first say that what makes this novel really unique is that it is not propelled by characters nor plot but by the story that Christian has managed to write in a way that the language and the style that pulls the reader in. For me that has always been the author’s trademark and why I was so free to use the word Literary as I described his erotica and horror stories. It is not that hard to come up with an idea that can be turned into a horror story and that is why horror has been part of the folklore of America and why these stories are so popular on camp-outs as we sit around a campfire. To successfully do this, we need a combination of characters and plot but more important than all else is a novel way to relate the story. For me that is the definition of M. Christian. This book is unlike anything I have read before and I suspect that it will stay with me for quite a while.

Out Now: Filthy Boys - Sizzling Gay Male Erotica

Remember how I mentioned that my queer collection, Filthy (now called Filthy Boys: Sizzling Gay Male Erotica), would be coming out in a brand new edition from the always-fantastic Renaissance/Sizzler?  Well, guess what - it just came out!  It will be on amazon very soon (and a print-on-demand version coming in a few months) but check out the new edition here.

"M. Christian's stories are the fairy tales whispered to one another by dark angels whose hearts and mouths are brimming with lust. He goes beyond the pale, ordinary definitions of sexuality and writes about need and desire in their purest forms. Readers daring enough to stray from the safety of the path will find in his images and words a garden of delights to tempt even the most demanding pleasure-seeker." –Michael Thomas Ford, Lambda Award winner
  • "To say this is a great book is an understatement. Filthy transcends its genre of erotica and enters the realm of literature." -Donovan Brown, author My Brotha My Brotha
  • "While Filthy is a wonderful book, and just the thing if you are in the mood for an enjoyable quickie (or twenty)." –Mathilde Madden, author Reflection's Edge
  • "The hottest explosion since the Big Bang." -Ian Philips, author See Dick Deconstruct
  • "If you are looking for sexually-charged fiction that also has heart and intelligence “Filthy” is the collection for you." –Emily Veinglory, author Lovers and Ghosts

Ernest Hogan On Love Without Gun Control

Did I say cool - when I was talking about being blown-away by one of my favorite writers blurbing The Bachelor Machine?  What I mean to say is extremely cool as he just sent me a blub for my non-smutty collection, Love Without Gun ControlThanks again, Ernest - yer the best!

A few years ago I tried to read a tasteful literary magazine full of stories where nothing much happened, and the authors and characters were proud of it. The stories in LOVE WITHOUT GUN CONTROL are not like that. M. Christian lets the reader have it with booth barrels in story after story that set a new standard for Twenty-First Century pulp fiction. From far-out science fiction to gritty, hardboiled realities these are the kind of stories that make the reader hang on for dear life on a wild ride.
- Ernest Hogan

Thursday, June 02, 2011

Guest Post: I Masturbate!

The coolness just keeps on coming.  You, no doubt, remember me mentioning - and undressing for - Shilo McCabe, right?  If not then take a look at the shot below by her of my magnificently naked self.

Well, the really-great Shilo just posted an old classic of mine, "I Masturbate," on her site as the final part of her awe-inspiring project of the same name.  I'm posting a taste of it below but for the rest you need to go to her site ... and be sure and check out the rest of the great series.  Thanks, Shilo!

Here we have a final adieu to National Masturbation Month 2011. I'm pleased to offer a guest post by my friend M. Christian.  It was the title of this piece of writing that inspired me to name my month of masturbation photos "I masturbate..." 

Thanks to everyone who helped to make "I masturbate..." such a success. I can't wait for May 2012! 
-Shilo

_______________________________________

I Masturbate!

Sure, I masturbate. Yeah, I jerk off. Damned straight, I yank it, pull it, stroke it, rub it, and jerk it. Lube, soap, shampoo or split. Left hand, right hand, frotage (look it up), other’s hands, sheets, and gizmos (manual, electric, and even diesel). Like it, love it--do it a lot.

Let’s get this straight--we all do it. Sure, yeah, right: “not me” someone says. Sit the fuck down and shut the fuck up. We all do it. Nuns do it, dogs do it, cats do it, bees do it, Newt Gingrich and Jessie Helms do it (god, what a thought!). You say you don’t do it, you mean it when you say you don’t do it. Well, who leaves the wet spot on the bed, a topless Tinkerbell?

I masturbate. Come on, let’s say it together, enunciate those syllables: “I” --rounding chorus of self identification. Come on, belt that fucker out--“I”--mean it now, say it true--“Mast-ur-bate.”

I masturbate. He masturbates. She masturbates. They masturbate. We all masturbate. That out of the way? Breathing maybe a bit easier now? Let me tell you this, the old cliché of imagining folks in their underwear has zilch over thinking of all of you sitting there rubbing stroking, jacking, jilling yourselves into a grazed euphoria of self-love. Makes saying that I do it real easy.
[MORE]

Wednesday, June 01, 2011

Ernest Hogan On The Bachelor Machine

I will not say cool ... I will not say cool ... I will not say cool ... okay, screw it: this is the very definition of cool.  Normally I resist reaching out to writers I admire (bad experiences and all that) but I am such a fan of Ernest Hogan I just had to write him - and was wonderfully pleased to discover that the author of two of my all-time favorite books - High Aztech and Cortez On Jupiter - is a as nice as he is brilliant.


How brilliant?  Well, read this books and find out.  How nice?  Just check out this blurb he just sent me for my erotic science fiction collection, The Bachelor Machine:


These stories report in from the outrageous frontier of the possibilities of technology plugged into sexuality. The world may not be ready for this. I hope M. Christian isn't "eliminated" by fundamentalist terrorists, or taken prisoner by a porn cartel that will mine his twisted brain for ideas.
- Ernest Hogan

Tuesday, May 31, 2011

Still More Philosophy

Circlet Likes The Bachelor Machine

This is very sweet!  Okay, Circlet may have published the new version of my erotic science fiction collection, The Bachelor Machine, but that still doesn't mean this rave review of the book by Gayle C. Straun isn't a real treat!

Readers of such erotic “classics” as The Life and Amours of the Beautiful, Gay and Dashing Kate Percival, the Belle of Delaware can perhaps be forgiven for imagining every representative of the genre to be a trite bildungsroman in which the narrator awakens to sexual maturity through a successive series of literally incredible erotic encounters featuring highest rate of simultaneous orgasm known to mankind. However, there has long existed another strain within the genre, perhaps best exemplified by the great Renaissance satirist and pornographer Pietro Aretino, whose Dialogues exhibit an awareness that sex is not so separate from social class and power, while at the same time expressing a deep and abiding sympathy for those who lack both.

M. Christian comes from the latter tradition of erotic storytelling, and his collection of short stories, The Bachelor Machine, marries action both hot and steamy with what the Japanese call aware, or “beautiful sadness,” all set in future worlds where the lines between man and machine, reality and illusion, necessity and desire have become blurred, forcing people to stake out their own identities. Unlike the characters in a Philip K. Dick novel, who regularly fret over what to take as “real,” M. Christian’s creations are much more at home with this ambiguity, be it the courtesan Fields in “State,” a human who dolls herself up as a robot for men who believe they are fucking something mechanical, or the eponymous “Bachelor Machine,” an old robot whore who pays human clients to come in, just so that she can feel needed once more. The author even skirts the boundaries of the consensual—but without ever indulging in tired rape fantasy—in such stories as “Bluebelle,” “Butterflie$,” and “Everything But the Smell of Lillies,” the last most notable for featuring a hooker wired so that clients can kill her and have their way with her, while she experiences everything, only to revive later and start it all over.

Imagine the stories of AnÑ—as Nin dosed heavily with William Gibson, and you might approximate this collection by M. Christian. Sex, futurism, and narrative mix seamlessly rather than taking turns (now a bit of story, now a bit of tech, and now the sex you’ve been waiting for) as in so many erotic tales, underlying the truth that we never stop being sexual creatures, and we never stop being people of our time and place. Add to that the reality that we simply aren’t always successful, for these are the stories of both hackers and hacks, and the machinery with which they interact erases none of their humanity: the man who sells off his memories, one by one, to buy a few minutes with a favored woman, or the technophile who has his penis replaced with a state-of-the-art mechanical model but forgets to charge it before a hot date. Oh, the sex in The Bachelor Machine is amazing, to be sure, but the characters will haunt the reader’s thoughts long after they’ve passed out from orgasmic bliss.

Wednesday, May 25, 2011

Northwest Leather Celebration - thanks!


Thanks to all the great folks who came out to hear my Polyamory: How To Love Many And Well class at the the Northwest Leather Celebration last weekend.  It was a real treat to do - I just hope you all had as much fun as I did!