Seven Weeks Of M.Christian: Week 4 - Being An Editor

Continuing my seven (possibly terrifying) weeks of M.Christian, here's my newest installment...

...my reasoning behind this is that I haven't really talked a lot about myself for a while so I thought it would be a fun little experiment to post - once a week, for seven weeks - a series of essays about little ol' me: where I came from, my professional journey, being an editor, being a publisher ... and even my hopes and dreams for the future.

Hope you like!

Unlike some writers I actually became an editor very quickly after selling my first story.  I wish I could say it was because of my staggering personal magnetism, overwhelming charisma, or through the brilliance of my talent as a writer but, to be honest, it literally was just matter of right time (1995, the beginning of what some call the "literary erotica" craze) and the right place (I knew someone who had already done books with the publisher). 

My first anthology was called Eros Ex Machina: Eroticizing the Mechanical (later reprinted by the late, lamented Erotic Book Club as Sex Machines) and, if you couldn't tell from the title, is was about people having ... well, sex with all kinds of devices, gizmos, and do-hickeys. 

As with a lot of things, once I'd done one another quickly followed – with a vengeance on my part: as of this writing I'd edited something like 25 anthologies, ranging from pure erotica like the three book deal I got with Sage Vivant (Amazons, Confessions, and Garden Of Perverse) to the non-smutty, and quite literary, pair of Mammoth Books I did with my pal, Maxim Jakubowski (Mammoth Books of Tales Of The Road and The Mammoth Book of Future Cops). 

Now I really wish I could say that there is some kind of trick, or extra-normal talent to editing an anthology.  Oh, sure, there are some things that take a bit of skill and training – which I’ll touch on in a sec – but, by and large, an editor's job boils down to reading, and then selecting, stories.

Of course just this simple part of the job can be the most problematic: what I like, after all, is often light years away from what you might like.  My usual rule of thumb when selecting stories is to look for an author who, first of all, is clearly having fun with the habitually crazy-ass theme I've given them, secondly, knows how to write, and – last but not least – tells a good story.

It shocks people when tell them that, usually, when I edit an erotic-themed anthology, I pay little or no attention to the sex itself.  In fact I typically skim over that part – focusing instead on what the writer is trying to say and how they are saying it. 

As I like to tell people in my Sex Sells: Writing and Selling Erotica class – and have said in my "Confessions Of A Literary Streetwalker" column for the incredible, and invaluable, Erotica Readers and Writers site (now – commercial starts – assembled in my new book How To Write And Sell Erotica – commercial ends): a good sex story has to be a good story, beyond anything else.  In fact when I make notes on submissions the worst comment I can make on a story is "just porn:" meaning that there is nothing in the story but page after page of bump-grindy ... and nothing else.

Beyond that I usually select stories that give the book some range and variety – within the limits set by the project, of course.  I'd like to say that I don’t pick stories because the author may or may not be famous but (sigh) I have to be honest that unless it is a very poor story a 'name' can actually help sell a book.  But that does not mean that I only take stories with this in mind – in fact most of the stories I feel are the best are often written by writers who, like I said, are having a fun time with the theme and know that an erotic story is not just about sex.

In addition to being an editor I am, of course, a writer so I really try to be the editor I'd like to be dealing with when I'm wearing that other hat – and because of that I am -- or try really hard to be -- a kind, polite, and conscientious editor: I answer every email, no matter how silly or even insulting, and I always send out rejection letters even though it is a very painful process ... because I am too well aware how much those things can hurt.  But I also take a certain amount of pride in sending out nice rejection letters – if there are such things.

As a writer as well as an editor I can tell you right off the bat that treating an editor as an enemy, approaching them like they are out to steal your work or whatever, is not the way to go.  If someone I reject reacts rudely ... I wish I could say that I turn the other cheek but, honestly, I doubt I will take anything by that author in the future.  Life is too short to deal with prima-donnas and, besides, there are usually stories just a good waiting in the wings.

It's a maybe-silly point of pride with me that many people I've rejected have actually become friends – and, as such, while it won't change a bad story into an accepted one – it does mean I might actually try and help them with their work, or at least encourage them to keep writing.

What can be frustrating about being an anthology editor – please allow me to vent here – is that very, very few reviewers know how to judge them.  The fact is that an editor often has to take what they get – or they've tried to create a spread of approach, style, content, etc. to make the book as well-rounded as possible – a fact lost on many reviewers, who forget this fact and pan a book because a few stories didn't work for them or because they feel the quality of the stories wasn't up-to-par. 

As a writer as well as an editor has also made me very sensitive to bad anthology editors, and so I try very hard act like they do.  As I already mentioned, I always reject – even though it may be a painful thing to do – and I when I say a story has been accepted then it's been accepted: I don't play games with short-lists or change my mind once I've told the author. 

I also feel that an author's work, and voice, is their own, and so I will rarely ask for any kind of rewrite – especially around the plot.  As I writer I honestly can't stand editors who think that, because they are The Editor, that gives them the right to dink with an author's work – with or without their permission.  For me, being an editor just means I'm an administrator of sorts, that my name on the book basically means I created the crazy theme of the book and picked the stories.  That's why I try and downplay myself when I talk about my anthologies and instead focus on the authors who contributed their wonderful stories: it's far more their book than it is mine.

Also being on both sides of the fence has made me very vocal about editors who I feel have let their egos get in the way of the project: I do not play favorites when I talk about my books – choosing to mention one author over another – and I always, to repeat myself a bit, do a book with an eye on being the editor I'd like to deal with as a writer. 

Now even though I said that approaching an editor as if they are some kind if enemy, or reacting poorly in regards to acceptance/rejection, contract terms and all that stuff that does not mean as a writer should not have some say in how things are done – but it's far better to do what I do, as a writer, when I come across an editor who is not being either professional or even just kind: I simply don't send them any more stories for any of their projects – and I tell my other writer friends about my experiences.

In the end, being an editor has been a unique and (to use a cliché) eye-opening experience and, I sincerely hope, has made me respect writers even more.  It means a lot to me that writers say that they like submitting to my books – accepted or not – and that I have a certain amount of respect among writers for being understanding and supportive. 

For me, that is a successful anthology: not sales, or reviews, but that the writers in the book had a good time dealing with me but even-more had a fun time exploring the crazy idea I set before them and had a blast writing their stories. 

Like I said: my name might be on the cover but it is – always – the authors who make an anthology ... and they are the ones deserving of not just recognition but also respect.

Still More Philosophy

 

Yin & Yang

(via theperksofbeingawildfl0wer)

Helping Vampires to Save the World - I'm Jazzed To Be Part of Coming Together: In Vein

This is very, very cool: my story, "The Curse," is part of a brand new Coming Together anthology from the always-wonderful Lisabet Sarai - Coming Together: In Vein

 

Helping Vampires to Save the World

Let's face it. Vampires are sexy. Something about the undead stirs up our juices. Perhaps it's their irresistible power. Even when we know the danger, we're so very tempted to surrender to their all-consuming lust. Maybe we want to comfort them, to save them a lonely, bloody eternity. Maybe we secretly crave immortality ourselves. 

Vampires are frequently portrayed as evil or at least amoral, viewing humanity from the jaded perspective of centuries. Now, though, vampires are doing their part to save the world. 

 Coming Together: In Vein is a brand new collection of vampire-themed erotica and erotic romance edited by Lisabet Sarai. All sales of this novel-length volume support Doctors Without Borders (Médecins Sans Frontières). MSF works in nearly 70 countries providing medical aid to those most in need regardless of their race, religion, or political affiliation. Right now, despite being barred from the country, MSF doctors and nurses are in Syria, working with patients from both sides of the civil war. They're performing surgery in caves and sneaking into refugee camps to distribute desperately needed medications. 

 You can help MSF in its life-saving mission, simply by indulging your passion for vampires. Buy a copy of Coming Together: In Vein in ebook, Kindle format, or print. Enjoy! Then help spread the word! Every copy we sell has the potential to save someone's life.
 The list of contributors includes many names you'll recognize. Every one of these authors has provided his or her work free of charge, to support the charitable aims of the project. Furthermore, the editor is giving away a free copy of her short story collection Body Electric  to everyone who buys a copy of Coming Together: In Vein. (For details of this offer, click here.) 

 You'll find an excerpt below – just to whet your appetite.
 Sink your teeth into Coming Together: In Vein. Help our vampires save the world.

From “The Curse” by M. Christian

She was almost late coming into work. Unheard of, though no one would have noticed. She’d stood and stared at the bare bed, looking for some kind of evidence, some kind of physicality to match her filling memory. They’d stood on the balcony, looking at the stars and the brilliant lights of the city. A natural position, Ellie’s hands on the cold metal of the balcony, the other woman’s hands around her waist, her breath on the nape of her neck. A cascade, Ellie remembered, of goose bumps, but not from the cooling night.

Hard daylight. Blinking, wrapped in a towel, she stepped out, looking for footprints, hand prints. Moisture, a sparkling flicker of dew, anything to prove it had really happened.

They’d kissed—yes, and she tasted her again in memory:  the pressure of lips, the heat of her, the rhythm of their breathing. They’d come inside, kissed by the foot of the bed. The whisper of her black satin dress, the sudden too-tightness of Ellie’s jeans. The surprising laughter when the kiss broke, when the high of their excitement crested. The way, then, the giggles had faded as she had put her hands on Ellie’s face, traced the contours of her cheeks, her jaw, the way she’d tapped Ellie’s nose, whispering “button” in a rich, throaty voice.

In the warming room, Ellie stood at the foot of the bed, turning so she was facing the way she remembered standing. Yes. Eyes brown with flickers of amber. Lips too full, too red, too silken to be anything but a fantasy running around in the real world. Lithe, boyish. She remembered how she liked to watch her move, liked to watch her walk barefoot across the apartment. Graceful, as if every muscle were elegantly conducted to some lovely score.

Her shoes?  Yes… She’d kicked them off, near the foot of the bed. Without really thinking of the woman walking the hard pavement on thin, bare feet, Ellie dropped down to look, hoping for the reality of a simple black pump. Nothing, of course. Memories, but nothing else.

A glance at the clock brought up more—her face, glowing as if from low embers, smiling up at her. There, in her eyes was  the lust Ellie'd wanted, needed, but also something else, something finer, softer, kinder. There was something else there, in the dull red glow, something that had made Ellie’s heart melt as fast as her body. Liquid—yes, molten....

A glance at the clock also brought a slap of reality. 8:05. Half an hour on the bridge, fifteen minutes from the garage to the office. She was going to be late.

Still, hurrying, there was no escaping the growing number of ghosts from the past, that expired night: brushing her hair brought up a voice, rich and rumbling, and the feel of strong fingers stroking the top of her head; doing her teeth was those same fingers brushing her lips, feeling them before another kiss…

Finally, she had to stop, had to put both hands on the edge of the sink and breathe deep. In and out. Strong, steady breaths. She was late, she needed to get dressed and get going. She had work to do, lots of work to do. If it had happened... if it had happened then it was nice, and that was all. It didn’t change anything. If it hadn’t, then the world was as it was. Ellie, her little place, her little life, her job—the days falling down, one by one.

Tears, hot on her cheeks. How she wanted it to be real.       

Eyes open, puffy and red. Her face in the mirror, looking broken and small. But then she saw it, as real as a shoe, as foot and hand prints in night dew. Evidence, reality. Purple and harsh, sore, yes, but evidence none the less. A scarf would hide it, but not for now. Lateness, the bridge traffic, the walk from the garage, the firm, everything was gone from her mind. For now, as she stood in the window, the bruise on the slope of her neck was too priceless to hide, too real not to be stared at.

The Next Big Thing: Jason Rubis

Here's a wonderful treat: my pal, Jason Rubis - a great person and a magnificent writer - just posted his part of the Next Big Thing blog-share I mentioned awhile back.  Check it out:

Fetish fantastique! Dark sexuality from the midnight land of our most lurid thoughts. Vampires, dominatrixes, ogres, princesses, and others find ways of inflicting pain, or having pain inflicted on them in this startling collection of erotica from the pages of Garden of the Perverse, Needles and Bones, Fetish Fantastic, Like Crimson Droplets, The Best Fantastic Erotica, and other publications.   As the author writes, "I can't explain any of these stories. The people you'll meet in these pages – whores and androgynies, vampires and beastfolk and various combinations of the above – are voices I heard in the shadows, but the darkest of those shadows I cast myself."  No wonder editor and critic M. Christian raves, "Jason Rubis is a writer to be admired, a writer who does everything – from plot to dialogue, description to sensuality, sophistication of emotion to wit – with tremendous skill.

1) What is the title of your book?

The book is called Strangely Made

2) Where did the idea for the book come from?

Well, it’s a collection of stories, so there are as many “origins” as there are individual pieces. A few examples: “Dancer, Daemon” ultimately had its origins in a Gene Wolfe essay on obscure words in hisBook of the New Sun. The word that caught my eye was “matachine,” meaning a masked sword-dancer. That brought some beautiful, sexy images to mind and I set about trying to explore them. Eventually it gave me a story. “Singapore” was directly inspired by a real restaurant I used to go to, and the beautiful, fascinating woman who owned it. I talk about the origins of one of the book’s vampire stories, “Gather Together Tonight,” in the book’s introduction.

3) What genre does it fall under?

It includes a number of different kinds of stories—sf, “slipstream,” heroic fantasy, fairy tale, vampire, SM--but I personally think of it as erotic dark fantasy.

4) Which actors would you choose to play your characters in a movie rendition?

I’d love to see Meryl Streep play the Ogress in “Beauty Thrasher.” Maybe Emma Thomson as Alie in “Day Journey, With Stories.” And this is kind of off the wall, but I could see Tia Carrere as Kaso in “Dancer, Daemon.” I would be fascinated and rather afraid to meet the actor who could play Darien from “Darien Sucks.” Ralph Fiennes? Naaah.

5) What is the one sentence synopsis of your book?

I can’t do any better than the publisher’s very short description: “Fetish fantastique!”

6) Was your book self-published or represented by an agency?

Neither; it was published by Sizzler Editions, an imprint of Renaissance e-Books. I’m very happy to see these stories out from the same publisher who has revived Lord Dunsany, William Morris and George MacDonald, as well as putting out some extremely fine contemporary erotica.

7) How long did it take you to write the first draft?

The earliest of the stories, “Lioness,” dates back to the early 90s, when I was living in Seattle. The more recent stories were finished just before the book was submitted, so collectively you’d have to say it was nearly twenty years in the making! Some of the individual stories took years to get right; “Circe House” took about three years, “Dancer, Daemon” took seven, as I recall (!).

8) What other books would you compare this story to within your genre?

As a collection of SF & fantasy erotica, I’d love it if people found reason to compare it to books like M. Christian’s The Bachelor Machine, or Cecilia Tan’s Black Feathers, both of which I’ve read and admired very much.

9) Who or what inspired you to write this book?

I’ve been privileged to know a lot of very sexy, passionate and fascinating people, and to have had some lovely, sometimes frightening experiences. They are all reflected in Strangely Made, as well as my lifelong interest in fantasy literature.

10) What else about your book might pique the reader’s interest?

Well, it has an absolutely beautiful cover, I think, and a very flattering introduction by M.Christian. And I don’t think you’ll find another collection that combines ogresses, steampunk, vampires, a transgendered heroine, and two very different takes on “The Island of Dr. Moreau.” 

Beware -

Had A Great Time At Dr. Amy Marsh's Sexuality Salon

(From M.Christian's Classes And Appearances)

Just wanted to give a heart THANKS to all the great folks who came out to hear me talk about the possible future of sexuality for Dr. Amy Marsh's Sexuality Salon.  It was a blast!

Change in Future Sex For Dr. Amy Marsh's Sexuality Salon

(from M.Christian's Classes And Appearances)


There's a teeny-tiny change in my lecture/discussion for Dr. Amy Marsh's Sexuality Salon MeetUp tonight.

Everything is still the same but the event will begin at 6:00PM and end at 8:00PM, instead of the previously posted times,

Hope so see lots of fun people there tonight!

Here are new the new details:

Friday, December 28, 2012 

6:00 PM To 8:00 PM 

Sonoma Coffee Cafe2131 Durant Avenue, Berkeley, CA (map) 

Out with the old, and in with the future! In December, Sexology Salon will explore the topic of Future Sex! 

Our own Sexology Salon member, M. "Chris" Christian, will lead us in this sure to be lively event! Chris is an erotic author, editor, and workshop presenter. Chris shared his work as an erotic author with the Salon a few months ago and it was a fabulous discussion! Here's what he plans for us during December's program: 

"Welcome to the World Of Tomorrow! Sure, we have iPads, iPhones, Viagra, the staggering depths of the Internet, but what could the day after tomorrow bring? In this combination discussion and lecture, participants will share in some thought experiments on what sex may be like in the next year – or the next thousand years. Subjects included will be speculations on drug and chemical enhancements, extrapolation on current – and future – consumer technology, where gender and sexual orientation may be headed, the idea of artificial implants and enhancements, and even the prospects of intimate encounters with cyborgs, androids, robots, and artificial intelligences." 

As always, please attend our Salon "fragrance free" and plan to patronize the offerings at Sonoma Coffee Cafe. Also, please plan to chip in a couple of dollars towards Meet Up's monthly fees when I take up collection. Thanks so much!

Seven Weeks Of M.Christian: Week 3 - My Mission In Life

Continuing my seven (possibly terrifying) weeks of M.Christian, here's my newest installment...

...my reasoning behind this is that I haven't really talked a lot about myself for a while so I thought it would be a fun little experiment to post - once a week, for seven weeks - a series of essays about little ol' me: where I came from, my professional journey, being an editor, being a publisher ... and even my hopes and dreams for the future.

Hope you like!

Being a writer – or, to be a bit more precise, the way I became a writer – has really affected how I view the writing life ... well, actually any kind of creative life. Part of it, of course, is that it took me a long time to actually become a professional -- but more than that I think it's the transformation I went through during that far too lengthy process.

Like a lot of people, when I first began to write with an eye to actually getting published, it was a very painful process: the words just didn't come, I was always second-guessing my stories, felt like my characters were dead-on-arrival, and doubt was around much more than confidence or even hope.

But, as we read in our last installment, I kept with it and was able, finally, to step into the word of professionalism. But an odd thing happened during those years: I actually began to like to write.

Shocking, I know (and, yes, that was sarcasm), as that is what writers are supposed feel, but when I wrote like I should have said loved: sure, the words were still clumsy, the plots a struggle, the characters stiff and uncooperative, and I thought more about being out-of-print than ever getting into-print, but somewhere during those years something just clicked and I began to look forward to losing myself in my own tales, having fun with language, playing with characters ... I began to see the joy in actually telling stories.

But, more than that, I began to see the magic – which gets me, in a rather convoluted way, to the title of this little piece. Working on my stories, before and after being a professional, I developed a real appreciation for what it means to be a creator. Distilling it down a bit, I began to see writing – or painting, music, etc – as very special: what a creative person does is truly unique, incredibly difficult, and immeasurably brave.

Think about it for a second: how many people out there, milling about in their lives, have ever even considered doing what a creative person does. Sure, they may think about it, dream about it, but very few actually take even the simplest of shots at it: a creative person is a rare and special treasure. Now consider this: not only are creative people one percent (or less) of the people walking this world but they are willing to actually get off their day-dreaming clouds and do the work – often against overwhelming odds. We hear of the successes, of course: the award-winners, the 'names,' the celebrities – but we don’t hear about millions of others who tried their very best but because of this-or-that they just weren't in the right place at the right time with the right creation. Lastly, even the idea of stepping into a creative life – especially a professional one – is awe-inspiringly courageous: not only do we do the work, struggle with every element, fail and try and learn and fail and try and learn but, despite it all, we keep going.

I call this installment "My Mission In Life" because I've been there, I know the pain of rejection, the struggles of trying to create something from nothing and so when I work with, talk with, or teach – though my classes – anyone doing anything creative I always remind them of their rarity, their dedication, their courage.

I once wrote a little piece that kind of got me into trouble – especially with other writers. In it I laid it on the line: you will never be famous, rich, or have one of your books made into a movie, no one will ask for your autograph ... but, if you remember that what you are doing is rare, special, and brave then some of that might actually happen. The trick is to remember the magic, to forever hold onto the pure enjoyment that comes from creating something that no one has ever seen before.

I don't use the word magic lightly: when it happens just right, when we put it all together, what creative people do is transport people into another world, show them things that they may never have ever considered, and – if we are very lucky – change their lives. If that is not magic then I don't know what is.

So, "My Mission In Life" is (1) remember my own lessons and not lose sight of the joy in creation, the specialness of what I am trying to do, and the courage I have in sending my work out into the too-often cold and uncaring world; and (2) to tell as many creative people the same exact thing.

Sure, some of us might be 'known' a bit more than others, sell more books, make more money and all the rest of that crap – but I sincerely believe that anyone who has dedicated themselves to creation, of any kind, deserves support and respect. No one who creates is better than any other person who creates: we all face the same difficulties, the same ego-shattering failures, the same Sisyphian tasks of trying to get out work out there and noticed.

What writers do is magic -- pure and simple: we are magicians using only our minds, imaginations, and lots of hard to work to use only words to transform, enlighten, transport, amuse and maybe even enlighten.

As a writer, an editor, a friend, and now as a publisher, it is my heartfelt "Mission" to remind anyone who creates that they are truly special: published or not, 'successful' or not, rich or not, famous or not, we are all magicians – and that we are all in this together and that there is absolutely no reason to make an already tough life tougher through needless competition, arrogance, conceit, or just simple rudeness.

We magicians should stick together – and never forget why we are all here: to experience the joy in telling stories.

Steampunk, Von Gutenberg, and I

(from M.Christian's Technorotica)

There's cool then there's cool - check this out: the brand new digital issue of the premier fetish fashion magazine, Von Gutenberg, is now out ... and features an article on steampunk style and such by yers truly.

Here's a screenshot of the article, just to wet your whistle:

You can order a copy here (ibooks newstand) and here's a great write-up on the new, state-of-the-art magazine from the San Francisco Chronicle's SF Gate Site:

Global Fashion Quarterly Von Gutenberg Launches For The First Time Across Apple And All Digital Platforms. 

Newark, NJ (PRWEB) December 14, 2012 

With issue # 7, premier latex fashion periodical Von Gutenberg Magazine is now available in Apple’s Newsstand, for Android on Google Play Magazines, and in the Kindle Store and all other eReaders, as well as in its usual print format. Featuring cover girl Ophelia Overdose and 128 pages of the unique content V.G. readers have come to expect fans, fashionistas and even the mildly curious can now enjoy this global source of fashion in any format they choose. 

“Launching the magazine digitally was not only tantamount to our further survival but perpetuates our ethos of presenting current fashion trends, events and designs…as they break globally,” publisher and main photographer Erik Von Gutenberg explains. “Keeping our readers informed of what is happening from the sublime to the popular in latex fashion, the second it happens, is what we’ve always been about.” 

“We’re also extremely proud to be able to say that we are the first latex couture magazine to publish in the Apple App Store.”
Though Von Gutenberg has always maintained a strong web presence with its website, shop, blog and constantly updated event calendar, the move into the smartphone and tablet marketplace presents nearly unlimited possibilities for the V.G. brand. 

“This move to digital opens up a whole new world for us as far as what we can publish…and when. We’re planning exclusives of text and photography in the new year above and beyond our usual quarterly releases.”

Reminder: Future Sex For Dr. Amy Marsh's Sexuality Salon

(from M.Christian's Classes And Appearances)

Just a reminder, folks, that's I'm going to be doing a lecture/discussion/class for the fabulous Dr. Amy Marsh's Sexuality Salon MeetUp on Friday.

I can all-but guarantee it will be a plast and a half.

Here are the details:

Friday, December 28, 2012 

7:00 PM To 9:00 PM 

Sonoma Coffee Cafe2131 Durant Avenue, Berkeley, CA (map) 

Out with the old, and in with the future! In December, Sexology Salon will explore the topic of Future Sex! 

Our own Sexology Salon member, M. "Chris" Christian, will lead us in this sure to be lively event! Chris is an erotic author, editor, and workshop presenter. Chris shared his work as an erotic author with the Salon a few months ago and it was a fabulous discussion! Here's what he plans for us during December's program: 

"Welcome to the World Of Tomorrow! Sure, we have iPads, iPhones, Viagra, the staggering depths of the Internet, but what could the day after tomorrow bring? In this combination discussion and lecture, participants will share in some thought experiments on what sex may be like in the year year – or the next thousand years. Subjects included will be speculations on drug and chemical enhancements, extrapolation on current – and future – consumer technology, where gender and sexual orientation may be headed, the idea of artificial implants and enhancements, and even the prospects of intimate encounters with cyborgs, androids, robots, and artificial intelligences." 

As always, please attend our Salon "fragrance free" and plan to patronize the offerings at Sonoma Coffee Cafe. Also, please plan to chip in a couple of dollars towards Meet Up's monthly fees when I take up collection. Thanks so much!

You Will Be Missed

(from M.Christian's Meine Kleine Fabrik)

Charles Durning

Jack Klugman

Gerry Anderson

Book Devotee And Stroke The Fire

(from M.Christian's Queer Imaginings)

The blast that is the Stroke the Fire blog tour continues with a great little write-up and except on the every cool Book Devotee site:

Excerpt: 

“STROKE THE FIRE”

“Man’s got a home, then that’s where he sleeps. Can’t, myself, see how you can stand the god-derned quiet out there in the flats,” Lew had said, listening to the music of the man’s voice.

The man shrugged, the tip of his cigar bobbing in the soft night. ”That it be. Name’s Last. Jeff Last.”

Lew wiped the grime off his hands (and hopefully the fool’s grin off his face) and offered his own. ”Lew. Just Lew around here.”

The handshake lasted a bit too long, long enough for the two men to size each other up. Lew in his Stinkhole clothes was a burly barrel of a man, all beard and round blue eyes. He looked fat from aways, but if you’re ever seen him haul cornmeal or lumber you’d know that it was iron, fella, strong, strong, iron and not just insulation against Craggy’s winds.

Last was long and lanky, and while the light was none too good in that narrow little ways between the public corral and Miller’s Fine Feeds, you could tell that he was a beanpole: Six feet easy, in buckskin and serape. In the dark beneath his wide brimmed hat, his shaved face was carved and as Craggy as Lew’s mountain home. The handshake had lasted way too long. Now, he thought, how to get this fine feller up the mountain…

“Gotta hit the trail if I’m ta make Ridgewood by dawn,” Jeff had said, and Lew’s heart had sunk down to his Stinkhole boots.

“Knows how it is–” he had said, starting to turn, maybe extend a hand, and an invitation for another time.

“But you is one fine figure of a man. Might temptin’–”

Lew stared, unsure of how exactly to respond.

“You think the same, Lew of the Mountain?” Jeff had said.

Even in the low light cast from the lanterns of Sal’s Lew could see Jeff’s fine figure, out in all it’s glory there in the “street” of Stinkhole.

Full Moon Bites And Stroke The Fire

(from M.Christian's Queer Imaginings)

Wonderful, wonderful, wonderful .... another part of the Stroke The Fire blog tour, this time from the great folks at Full Moon Bites has just gone up: featuring a give-away and an excerpt from my best-of-my-very-best queer erotica: STROKE THE FIRE: The Best ManLove Fiction of M.Christian (part of the special Renaissance E Books/Sizzler Editions M.Christian ManLove Collection)

FROM THE INTRODUCTION BY FELICE PICANO, LAMBDA AWARD WINNER LAMBDA LIFETIME

ACHIEVEMENT AWARD 

See what I mean? Short story writing is hard. 

M. Christian's new collection of singular and satisfying short stories, Filthy Boys, is subtitled "Outrageous Gay Erotica." Emphasis on "outrageous." Although each of them does deliver a more than adequate erotic charge, Christian is after bigger game here. He's writing short stories. You know, like the ones you had to read in high-school: stories about suburbanConnecticut teens and hardscrabble poor white trash and adventurers desperate to light a fire to stay alive.  The ones you had to discuss in class, using terms like "irony" and "thematic development" in those seconds before your forehead hit the top of your desk out of total apathy. 

Take heart. Christian's stories are sexy, smart and a lot more fun-

Stroke The Fire On Cecilie Smutty Hussy's Place

(from M.Christian's Queer Imaginings)

Very cool: as part of the Stroke The Fire blog tour, the very fun Cecilie Smutty has just posted a brief Q&A with yers truly about my best-of-my-very-best queer erotica: STROKE THE FIRE: The Best ManLove Fiction of M.Christian (part of the special Renaissance E Books/Sizzler Editions M.Christian ManLove Collection)

I am pleased to say that M. Christian has graced the Lair with his presence... Please put together a warm, smutty welcome for our guest today!

Since you are a new to me author, I am hoping to bring you to the light of others! So let’s share!

Why don't you tell us a little about yourself.... Something that we cannot Google about you, lol!

Well, let's see ... I began with fertilization (thanks, mom; thanks, dad) then quicly moved along to being a zygote and then to cleavage before going onto blastocyst differentiation. Nine or so months and I was on the scene as a – according to mom – rather big infant.

From there to about high school is not really worth talking about -- bullies, zits, voice cracking, hair where there hadn't been hair before, hormones – the usual stages of development from sprout to young adult.

I'd always been a creative kid – thus the bullies – but didn't really have much of a direction for it, but then in High School I was struck (almost literally) by the idea of being a writer. When I say struck I mean it almost literally: I went after being a published author with a serious vengeance. Reading somewhere that the best way of becoming a writer is to ... well, write I set myself a rigorous regimen.

In the end it paid off ... though in a rather usual way: in 1993 (or so), on the spur-of-the-moment I took a class in writing erotica taught by Lisa Palac (who was editing a magazine at the time called FutureSex). Spur-of-the-moment (2) I handed her a story I had just written ... and was totally, completely, utterly shocked -- and totally, completely, utterly delighted – that she bought it for her magazine. A short time later the same story was picked up by Susie Bright for her Best American Erotica 1994.

Just like that I was a published author: a pornographer, sure, but after struggling with my rigorous regimen for (yes, you may gasp) a little under ten years I was ecstatic. After that first story I write another and another and another until...

...here I am: 400+ published stories in anthologies like (the already mentioned) Best American Erotica, Best Fetish Erotica, Best Bisexual Erotica – and even Best Gay Erotica, and Best Lesbian Erotica – plus a whole lot more. I've edited over 25 anthologies – including the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and lots more.

My short stories have been collected into many books covering a wide variety of genres, including the Gay Literature/Lambda Award finalist Dirty Words and other queer collections like Filthy Boys, and BodyWork; also collections of non-fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine.

I've even written quite a few novels: the queer vamp novels Running Dry and The Very Bloody Marys; the erotic romance Brushes; the science fiction erotic novel Painted Doll; and the rather controversial gay horror/thrillers Fingers Breadth and Me2.

I'm even an Associate Publisher for Renaissance E Books, where I (really) try to be the publisher I want to have as a writer, and to help bring quality books (erotica, noir, science fiction, and more) and authors out into the world. My site is www.mchristian.com.

Tell us a little about your book?

The book I'm pushing right now is called STROKE THE FIRE: The Best ManLove Fiction of M. Christian and it's the best-of-the-best of my queer erotic short stories – taken from my previous collections Bodywork, Filthy Boys, and the celebrated Dirty Words. In addition to the best stories from each book I also included the introductions to each book as well: Me from BodyWork, Felice Picano from Filthy Boys, and Patrick Califia from Dirty Words. A lot of the stories have been in books like Best American Erotica, Best Gay Erotica, and the like.

What's rather odd (to be polite) about this book is that while it's queer erotica –and I've written a lot of queer fiction in general – I'm straight.

The way it happened – me being a straight author of queer fiction – is actually rather simple: one day an editor friend was doing a book of gay erotica and wanted to know if I could write a story ... so I did, and he bought it. A few dozen or so stories later I got an offer by a gay publishing house to write a novel, which led to move novels, some anthologies and the rest, as the cliché goes, is history.

Being serious for a second, I am always very clear with every editor and publisher I work with that I am not gay. In fact when I teach my Sex Sells: How To Write And Sell Erotica class – and what I also say in my How To Write And Sell Erotica book – is that fiction is fiction and that writers should always stretch themselves creatively but when it comes to be a writer talking to a publisher they should never, ever pretend to be someone they are not.

I cannot begin to say how touched I am by the queer community for being (1) to supportive of my work and (2) so understanding of who I really am. A great friend of mine – a publisher of many of my books – once said, and I totally agree with him, that love is love: meaning that even though I may not be sexually queer I adore my gay characters and friends. The mechanics are secondary once you realize that all of us – gay, bi, straight or otherwise – have more in common than less and that we all share the same, basic emotional landscape.

Oh, and just for shits and giggles, here's the table of contents forStroke The Fire:

Stroke The Fire
The Greener Grasses
Hollywood Blvd.
The Hope Of Cinnamon
Suddenly, Last Thursday
That Sweet Smell
Utter West
Friday Night At The Calvary Hotel
Spike
How Coyote Stole Sun
Echoes
Blue Boy
Matches
Wet
Coyote And The Less Than Perfect Cougar
Counting
About The Author (which is actually the title of a story)

How easy do stories come to you?

I like to say I have it bad -- I'm not just a writer by profession but in every way, every part of myself: I just absolutely love to think about stories, plots, characters, novels, settings ... you name it. Sure, writing can still be a trial (to put it mildly) especially when you have to hammer your head again and again and again against things like publicity and the other awful, icky parts that come with the professional side of writing, but when it does get difficult I always try to get back to the joy I feel when I'm writing ... when I'm tellingstories.

What is your favorite part of the book?

I don't really have any favorites ... mainly because I always try and look forward rather than backward when I think about stories and novels and all that.  When I'm feeling cute I say that my favorite story is the one I haven't written yet.

You can only pick 3 words for your main characters ... what would they be?

Hum ... I do know that my stories and books and characters have a tendency to be bittersweet – which kind of reflects my view of life, I guess: that there really aren't happy, shiny endings but, instead, shiny, happy moments in what can be dark and stormy lives.

That being said I'm actually working on a new book – a sequel to my science fiction erotica collection The Bachelor Machine – where my goal is to write not just hot science fiction erotica but stories where the future is depicted as being a very positive place. Part of my reason for doing this is noticing that the stories in I wrote for the original Bachelor Machine were a tad ... stormier than usual, but also because I've noticed a lot of people seem to be reflexively negative about the future. So I want to show that the future could just as easily become a wonderful, positive place – even with scary things like genetic engineering, artificial intelligences, memory alteration, and so forth.

Which was the easiest character to write and the hardest -- and why?

Characters themselves, believe it or not, can sometimes be the problem. I usually write as more of a storyteller, who keeps his characters really tightly in check as what they are doing is usually more important who they are. I know some writers who let their characters roam free, and say that their books or stories aren't done until the characters tell them so ... but that's just not the way I work.

But I should also say that I'm a huge fan of pushing yourself in all kinds of ways: professionally, personally ... you name it. So one thing I'm planning for the future is a book where the characters are running the show – if just to see how it all goes. After all, I didn't know I could write erotica until I tried, didn't know I could write gay fiction until I tried, didn't know I could edit books until I tried ... you get my gist. Who knows what I – or anyone – might be good at until you give it a shot?

What are you currently working on?

Well, I just mentioned a book that is more character than plot-driven as an experiment, and I also chatted a bit about my follow-up to The Bachelor Machine ... but I'm also planning in starting a new novel very soon. I really enjoyed writing the books Me2 and Finger's Breadth – as they touched on a favorite theme of mine: playing with the unexpected and unusual way we human beings act and interact with each other -- the roles we unconsciously play, the dark (and light) sides of our natures that come out under adversity, mob psychology ... all that fun stuff.

Do you have anything due to release soon?

The great folks ay Renaissance/Sizzler Editions (who I also – ahem – happen to be an Associate Publisher for) are going to re-releasing a new edition of my erotic romance, Brushes, and a collection of my non-queer short stories. I'm also finishing up my first shot at a comic book, called Masquerade (with incredible art by Wynn Ryder), and an anthology I edited – about food and sex – called A Lover's Feast, and a new edition the transgender anthology I edited a few years back, Trans Figures.

In other words I like to stay busy – and then some! I'm also getting out there more as a reader/teacher/performer. Just check out my sub-site at mchristian-teaching.blogspot.com for info on all that fun stuff.

What's one thing that you enjoy about writing?

Well, as I said I have it bad. I see writing as an almost spiritual thing – that, somehow, my one little brain can create characters, worlds, tales ... all kinds of things ... that, if I do my job right and/or am damned lucky can reach out and truly affect people's lives. And if I really do my job right and/or am lucky my words will outlive me by decades or maybe even hundreds of years.

When I teach my classes I tell my students – and tell myself when things get dark and depressing – that writers are true and real magicians: our spells are our words, our stories, and they can literally change the world.

I truly love to explore, learn and more of all play with language and story. It's not just what I do as a living but who I am as a person. I don't think I could ever not be a writer.

What do you prefer ebooks or paperbacks?

I actually started my 'career' in the days of paper so I'm one of those folks who can actually look at both pretty clearly ... and I have to say, without hesitation, that eBooks are better for both writers as well as readers. Sure, writers won't get those advances again, but they always seem to forget that's just what they were: money givenagainst the sales of their books, and the brutal truth is that if their books didn't make that money back – and more – their 'career' could very well be over. With eBooks there is no pressure to make your book into a bestseller in the first month – in fact, eBooks can sit on their virtual shelves for a very long time before taking off and it in no way affects how the publisher feels about that author's work. This also means that publishers can take books that are more ... experimental, as they don't have to invest thousands of dollars into printing, distributing and promoting them – just to break even!

eBooks are great for readers (and authors as well) as books don't have to die. One of the man things I love about working for an eBook publisher is being able to re-release books that otherwise would be either out-of-print or practically out-of-existence. I think that is marvelous as there are so many fantastic books out there that otherwise people would never have a chance to read. With eBooks they can!

Is there a genre you would like to write but are a little apprehensive to try?

Well, I always try to push myself in all kinds of ways – you've already heard my little rant about "not knowing you are good at something until you try" so, with that in mind there are a LOT of things I'd love to try: I have plans to try my hand at either a one-act play or a screenplay, a more (ahem) optimistic romance novel, a straight-up horror novel, plus a few really out-there-experimental projects that will hopefully push the boundaries of what a book can be. We're seen a little bit of this kind of stuff with augmented reality games but I want to do so much more with it.

Okay ... personal time! Oh yeah, I go there: If you thought you were safe ... Nah ... Forgot it ... Not a chance! We will start off slow and easy, I promise!

What is on your night stand/dresser?

I really don't have either: I live in what I call an artist's colony – which is really just a big, crazy house I share with a musician, painter, and a gardener. My room is small but – as mom was an interior decorator – it's really very nice. I only have room for a small bookcase (comic books) a large bookcase (books), my desk, and a bed. I do have a few odd things, a pair of model Theo Jansen strandbeests, another pair of models but this time from Hieronymus Bosch's Garden Of Earthy Delights, a miniature terrarium, and two huge stained glass windows my father made.

What are you listening to you right now?

Actually I don't write to music: I'm much more of a visual person so I watch movies while I work. I don't have cable – in fact I can't stand broadcast TV – but I have a great Internet connection so I have Netflix, Hulu, Amazon Prime, and a whole bunch of other great sources of entertainment and information. Right now I'm watching Roger Corman's War-Gods Of The Deep on YouTube (with Vincent Price) but later I'm planning on watching one of my all-time favorite films: Seconds by John Frankenheimer (starring Rock Hudson).

What are you reading right now?I have an iPad and a rather huge eBook library but, thanks to a nice sale on Amazon, I scored a bunch of Philip K. Dick books for a buck each, so I'm halfway through my favorite of his: Eye In The Sky.

What is your favorite season? Holiday?

My family is just my brother (my mom and dad both passed away) and so my family is all my friends -- so we don't have a lot of traditional holidays. I like to say that we have a celebration every time any two of us get together ... that and holidays and such just feel a bit too stiff and 'traditional' for me.

You know you do ... Quickie time ... Think fast ... Dark or Milk Chocolate?

Dark, absolutely. Vosage's bacon dark when I can afford it, Trader Joe's dark chocolate peanut butter cups when I can't

Whipped or Melted?

Definitely melted: cheese is one of my big weaknesses – though I have been trying to cut down on it a bit.

Straight up or with a twist - sex?

Even though I've written quite a lot of queer fiction (erotic or non), I'm straight – and even though I've written a lot of kinky sex I'm actually a very meat-and-potatoes straight guy ... though I have a weakness of big, beautiful girls. But I never let my libido run the show: I fall in love with a woman, first, and her body second.

What's your fave drink - in a glass or on her?

Can I say in her ... I'm more than a tad orally fixated when it comes to sex.

Spank or Flogger?

Neither, but I teach classes in both ... as well as bondage, caning, nipple play, cupping, and a whole lot more.

Junk or Health Food?

Neither, as I'm kind of a foodie – though I do try and eat as healthy as I can. At home I've been experimenting (be afraid ... be very afraid) to give me better options than just quesadillas, but I love to get out and try new places and new cultures. There's this Turkish place in Berkeley I'm seriously in love with....

Leather or Lace?

Either is fine with me. I'm a very empathetic lover so if my partner lives something and gets turned on then I get turned on ... even though, like I said, I'm really a very simple guy when it comes to sex.

Control or Be Controlled?

I say controlled: I'm a pleaser – especially in bed. Oh, I know how to top and am quite good at it but my heart is never really in it ... though, again, if my partner is into it then I will definitely try anything.

Vampire or Werewolf?

Neither – even though I wrote two vamp books (Very Bloody Marys and Running Dry) and plan on working on a sort-of werewolf book – I really am quite bored with the whole paranormal thing. Come on, folks, let's be a bit more original!

M.Christian Reads His Science Fiction Story "Some Assembly Required" from LOVE WITHOUT GUN CONTROL

(from M.Christian's Technorotica)

It might be a tad rough around-the-edges but here's my first - and rather fun, if I do say so myself, reading "Some Assembly Required" from my collection of science fiction, fantasy, and horror stories Love Without Gun Control (out in ebook and a special paper edition) from the great Renaissance E Books/PageTurner Editions:

Seven Weeks Of M.Christian: Week 2 - Queerer Than You Can Imagine

(from M.Christian's Queer Imaginings)

Continuing my seven (possibly terrifying) weeks of M.Christian, here's my newest installment...

...my reasoning behind this is that I haven't really talked a lot about myself for a while so I thought it would be a fun little experiment to post - once a week, for seven weeks - a series of essays about little ol' me: where I came from, my professional journey, being an editor, being a publisher ... and even my hopes and dreams for the future.

Hope you like!

(this week's piece was also run on Buffy Kennedy's site "Buffy's Ramblings" as part of the Stroke the Fire Guest Blog Tour that the great folks at Renaissance E Books/Sizzler Editions were so kind of set up for me)

#

Wanna hear a funny ... well, if not funny then at least odd ... story?  In our previous installment you heard of my journey from amateur to professional writer.  Pornographic (mostly) but a professional writer, nonetheless.

Since I published by first story in 1993 I've been – to put it mildly – writing up a storm.  I'm not going to inflict my entire bio on you (that's at the bottom of this piece as well as on my site at www.mchristian.com) but let's just say that I've written quite a few stories – that have been collected into quite a few collections – as well as more than a few novels.

Onto the funny: quite a few of those stories, more than a few of the collections, and most of those novels – plus a serious number of anthologies where I've been an editor – feature gay or lesbian characters.  In fact I've had stories in the celebrated Best Gay Erotica, Best of the Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Transgendered Erotica, and I was even a finalist for the gay literature award, the Lambda's...

Anyway, I think you get the build-up, so here's the punchline:

I'm straight.

Not even bisexual.  Oh, sure, I've gotten more than a few offers (very flattering) but, as I like to say, Mr. Happy only responds to women.  Now I also like to say I'm politically gay in that I vote a very purple ticket and consider gay rights to be the litmus test for any politician, nation, city, and so forth; socially bi in that I have no problem kissing and telling my male friends that I love them; and sexually ... like I said: straight. 

Now I want to be very clear that my reason for being a non-queer author in a queer world did not spring from any kind of deception: I am very out about being a straight guy (though a few of my gay friends don't believe me), and when I teach classes in smut writing I tell my students – with great emphasis – never to lie about who they really are to sell a story. 

How I got to where I am is actually a simple – but important – story, especially for writers.  It started very simply: a friend of mine suggested writing a gay story for a special anthology.  Now, I had never thought about anything like that – hell, I'd only just selling stories so I hadn't considered much of anything – so I gave it a shot.  Surprise: it was bought.  This put me on the gaydar, so to speak.  Soon I was not just writing gay (and lesbian) stories but editors and publishers were actively seeking me out to write for them.  No dummy, I wrote what people wanted to buy ... which puts me close to where I am now.

While I may, at worst, be a literary opportunist – one of my taglines is, after all, is that I'm A Literary Streetwalker With A Heart of Gold – I truly feel honored to be not just accepted but in many ways honored by the gay and lesbian community.  I've been brought to the verge of tears more than once by a gay, lesbian, bi, or transgendered person telling me that anything I wrote has touched them, or when a member of the community asks me to write for them.

In this, I feel, is a lesson for any writer: I did not know – at all – that I could write queer stories until I tried.  Who knows what you could be good at until you try?  I tell my students all the time to try, experiment, with everything and anything – even if it’s something you may not even like.  The worst that happens is that you find out that a certain genre is not for you, but then you could be wonderfully surprised that you not only enjoy, but are quite good at, writing for that genre.

Stretch, play, have fun, try, experiment ... in writing but also in life, to get a bit philosophical. 

Before I close, I want to touch on one final thing.  Often I get asked is how I can write about characters that don't share my sexual orientation.  Now, writing beyond yourself is what fiction is all about: horror writers don't really kill people, science fiction authors don't – mostly – come from other worlds ... you get the idea.  Fiction is fiction, and good fiction suspends our disbelief to the point where we forget that what we are reading isn't exactly true.

But I do have one bit of advice that's come from being a straight guy in queer clothing: I don't write about queer characters ... I write about people.

While I may not know what being a gay man is actually like, and I'm not equipped to know a lesbian one, I do know about hope, fear, delight, wonder, the giddy thrill of arousal, the nervousness that comes with the first few moments of sex, the lightheaded joy that comes when lust turns into love ... I may not know a few (ahem) details but I know what it means to be a human being, and no matter what anyone says we are all, down deep where it matters, more alike than not.

Yes, I write about gay characters, but – following my own advice – I am also constantly trying to expand my repertoire: challenging myself as much as possible.  I've tried my hand at romance, horror, science fiction, non-fiction, mysteries, historical ... sometimes I succeed, sometimes I feel I need a lot more work ... but no matter what I write, and where my life goes from here, I will always hold in the depths of my heart a love for all the gay men and women who have been so kind and supportive of me and my work. 

I may not know everything about what it means to be queer – but I certainly, absolutely, totally know what love feels like. 

Lynna Reynolds Likes Stroke The Fire

(from M.Christian's Queer Imaginings)

Here's a great review of my new book, Stroke The Fire: The Best ManLove Stories of M.Christian (part of the new M.Christian ManLove Collection from Renaissance E Books/Sizzler Editions) by Lynna Reynolds - from the very cool Stroke The Fire blog tour!

This book is the best of M.Christian’s ManLove Fiction but it is so much more. Instead of giving us one story, he packs in a lot of stories in just a few pages. When you purchase this book you need to know that the stories can be very graphic. And what’s good about an anthology is you don’t have to feel as if you have to read all the stories at once.

M.Christian gives us one story where he has you thinking of food. He also shows the reader that there is more than one way for two people to love each other. Some couples seem totally vanilla and others more adventurous. There are those people that like to be treated like someone else’s property. One short story had me thinking that if it were made into a movie Nathan Lane would be the perfect diva (a la Bird Cage).

Our author also doesn’t use the same type of story over and over. We get some paranormal, a lot erotic, and even some gore (think bloody). This book is not for someone who can’t think outside the box or have an open mind. You need to accept strong language and scenes that are very descriptive. There was one short story that had me think “incestuous”. M.Christian even surprised me with one story with religious undertones (I have a feeling you will know it as soon as you read). I will admit that a couple of the stories lost me – but it’s possible it was just me. You will have to let me know if you feel the same.

If you are looking for a straight book of romance, you won’t find it here. M.Christian explores all different types of love and you become a part of the story. Unless you are a person with no feelings, you can’t help but be touched (good or bad) by his writing. If you are someone that likes a little “meat” to your story, then you will want to get this book.

Rating: 4 stars

Sexy Briefs!

Ho-ho-ho! I'm thrilled to be part of a brand new anthology of holiday-themed erotica, edited by the excellent Tessie L'Amour: Sexy Briefs: Stocking Stuffers

Six erotica authors on Google+ have teamed up to provide a sizzling set of short erotic stories for the Christmas season. Including such well known authors as M.Christian and Tessie L'Amour, Sexy Briefs: Stocking Stuffers ranges across the range of erotica, including a wild twist on an O'Henry classic to a tawdry over-the-top fairytale re-imagined with sex on the brain. 

Sexy Briefs: Stocking Stuffers is a holiday follow-up to the wildly popular Sexy Briefs: Tasty Little Tails and Sexy Briefs: Knickers in a Twist, both also available on Amazon.

Me, Jan Graham And Truth Or Dare

Jan Graham is not just a great writer but a really fantastic person - just check out the very cool Truth or Dare feature she just did with yers truly for her fun blog:

I'm so excited about today's Truth or Dare because one of my favorite authors of erotica is here to play. It's just like an early Christmas gift for me really. 

M.Christian is here today, answering some tricky questions and opening up with a few personal details that I'm sure you'll be fascinated by, I know I was. For those of you who haven't heard of him before, below is a quick bio about his amazing career. After that he'll tell us why he chose truth over dare today.

M.Christian: I picked truth over dare as I always try to live honestly ... well, as honestly as I can ... that and I have this odd 'thing' about being embarrassed. Sure, I can write, or say, pretty much anything but doingsomething makes me shiver (burrrrrr). 

Hmm, doesn't like being embarrassed, *evil grin*...very tempting but I better behave. Now, lets see what the truth is according to M.Christian. 

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I'm Teaching For Good Vibrations

(from M.Christian's Classes & Appearances)

Great news: I'm going to be teaching my class, How To Create An Effective Online Profile – And Now To Write Messages That Will Get Good Responses, for the wonderful folks at Good Vibrations (at Polk Street in San Francisco) on April 15, 2013.

Stay tuned for more info, but in the meantime here's a quickie outline of the class:

The world really is the Internet ... and if you don't know how to use it then you are at a serious disadvantage in making any kind of connection: employment, social, artistic and – most of all – erotic. This class will not just explore how to use the Internet and various sites as a resource to explore your own sexuality – in any form – but also how to create an effective and alluring online profile. But creating a digital 'self' is only part of it: participants will also get tips on how to reach out in imaginative ways that will get a positive response, the important things that are too often forgotten and other social niceties that can be the difference between frustration and disappointment and having a wonderful – and best of all – sexy time online!

God Bless America

31 Year-Old Handgun Violence Ad Still Relevant Today:
It ran in 1981, shortly after John Lennon was murdered.

The ad ran soon after Lennon was shot dead by Mark David Chapman. Chapman shot Lennon in the back with four hollow point bullets from a .38 special. 

The handgun death percentages by-country are basically the same today. 

This is not the time to discuss this, though. 

But this is the time to blame the lack of God in schools and gaming for the Sandy Hook shooting. 

Ad created by Advertising Hall of Fame art director Rick Boyko.
(from BuzzFeed)