(the following is part of an ongoing series of columns I did for The Erotica Readers & Writers Association on the ins and outs and ins and outs and ins and outs of writing good smut)This month’s Streetwalker comes from a suggestion by the wonderful Adrienne here at ERA. When I asked her for some possible topics to cover she gave me: “How about plot ideas, how to keep works fresh and unique and advice on where to look for plot/character inspiration?” If anyone else has any ideas for columns, by the way, please feel free to zap them to me and I’ll consider them.
Now I’ve sort of touched on keeping an eye out for story ideas before, but it bears exploring a bit more. Keeping your work fresh is more than a little important for any writer, especially for smut authors.
For me, stories are everywhere – and to be honest I don’t think I’m special. It’s all a matter of keeping your eyes open, but most importantly PLAYING with the world around you.
It should be obvious that in order to write about the world you need to know something about it, but what a lot of people don’t seem to realize is that sitting in a coffee shop, scribbling away in a notebook while you ponder the imponderables of human nature isn’t likely to yield anything usable. Getting your hands dirty, though, will.
By that I mean really exploring yourself as well as other people. Look at who you are, why you do what you do – both emotionally as well as sexually. The same goes for the people around you. Spend some time really thinking about them, their motivations, their pleasures, or what experiences they may have had.
Dig deep -- ponder their reactions as well as your own. Sharpen your perceptions. Why do they say what they say? What do people admire? Why? What do they despise? Why? That last question should almost always be in your mind – directed outward as well as inward: why? This depth of understanding, or just powerful examination, is a great tool for developing both stories as well as characters.
Along with studying the world, pay attention to good work no matter where you find it. A lot of writing teachers tell students to get intimate with the classics – which I agree with, but also think it’s equally important to recognize great writing even when it’s on the back of a cereal box. Read a lot, see a lot of movies, watch a lot of TV – and pay attention when something good, or great, comes along. Don’t dismiss anything until you’ve tried it, at least for a little while. Examples? Romance novels, comic books, documentaries, sitcoms, cartoon shows, old radio shows, pulps, westerns, and so forth. There’s gold all around you, if you dig around enough
Not for the fun – playing. Look at that guy sitting over there, the one by the window: Heavy, messy hair, chewing with his mouth open – easy to peg him as lonely, creepy, or even seriously perverse. Easy is a shortcut, easy is dull, easy is lazy. Instead try seeing him as something completely different than your initial assessment. Maybe his mind is lovely and musical. Perhaps his touch is gentle and loving. Who knows, maybe he’s a sex magnet – with more boyfriends/girlfriends than he knows what to do with.
Say you’ve stumbled on a particularly good book, show, series, or whatever. Great, bravo, applause – now write something like it. Who cares that the show will never, ever look at your story, or that the medium is long dead (like radio drama). Do it anyway. Have fun – PLAY! Get into the habit of automatically either writing your own version or fixing what you see as a flaw in the original. If you’re reading a book, stop halfway through and finish it in your mind – and then when you do finally turn that last page was your version better? If not then what did the author do that you didn’t?
I love coming attractions, the trailers for movies. Watching them, I always make up my own movie based on what I’ve seen. Sometimes it’s better – at least I think so – sometimes not, then I look at what the director did better than I did when the flick finally comes out.
Playing and watching, studying, that’s the ticket. If you keep your mind sharp, notice details, and examine yourself and the world around you as well as challenging and playing with story ideas, then writing a story for a very specific Call for Submission or for some other strange project will be easy and your story will be original and fresh.
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