I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.
Wednesday, December 16, 2009
Masquerade: Page 9
Here's another preview of a very special project: Masquerade was illustrated by my great pal, and a fantastic artist, Wynn Ryder, from a story by ... well, me ... for an upcoming graphic novel anthology called Legendary.
I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.
I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.
Thursday, December 10, 2009
Pauline Likes Rites Of Spring, Chapter 2
I can't say it enough: I am very lucky to have some truly fantastic friends - and one of the most-fantastic is Pauline. Just check out this review she sent me for Chapter 2 of my "weird science fiction, bawdy adventure, sideways humor, and delightful strange" project, The Rites of Spring:
In this strange new world, Gazelle runs. Every beat is torture on her aching body. She is proud, she is the Messenger; stopping, pausing to catch her breath, never occurs to her. Her vocation as Messenger, dictates her raison d’etre. It is what she was born to do. Simple as that.
M.Christian opens chapter two of his serialized novel, THE RITES OF SPRING, with the pounding beat of Gazelle’s feet on the hard, unforgiving concrete. The vista of The City opens up before her, spell binding her, mingling with the endorphins racing through her blood; a rushing anaesthetic for her suffering body.
The Elders have whispered tales of the old City, around night time campfires. The mysteries, the mythologies, all the old stories mingle in Gazelle’s consciousness as the City opens up beneath the glaring sun. The City is haunting and holy; so is Gazelle’s run. The City is an infrastructure of totems, just as Gazelle herself is.
And then a shock. The scent of testosterone; the scent of man. Another totem. For the first time Gazelle is distracted from the world of the City. She wants to stop, seeing first one man, then another; then thousands. The men are wild, wanting her; Gazelle wants them too. But she doesn’t falter. The rhythm of her run doesn’t change, but Christian changes the pace into a frenetic frenzy. Gazelle’s imagination tips on the edge of insanity as she craves the naked, erect cocks in her every orifice.
M.Christian’s use of words, his instinctive use of language is a delight. I’ve used the words, ‘lyrical’ and ‘panache’ to describe his stories before. But I can’t think of better words to convey to a reader, what a breathtaking experience it is to read the perfection of a master storyteller. I want to know more about this strange city, that is at once, so familiar and yet so alien. And as with all the very best serializations, I want to know, what happens next in THE RITES OF SPRING?
Thursday, December 03, 2009
OUT NOW: The Rites of Spring - Chapter 2
Here we go again, folks: What do you get when you cross weird science fiction, bawdy adventure, sideways humor, and delightful strangeness? Frankly, I haven't the faintest idea, but if you want to see what might be might be pretty damned close, check out the second chapter of my serial story, The Rites of Spring - which was just published
So, if you like your science fiction weird, your adventure stories bawdy, your humor tilted, and your strangeness delightful then head on over to the great Paper Bag Press site and download the second chapter of my fun new project - or, if you want to pick up the story from the beginning, check out the first chapter.
And, naturally, if you want to write a review of either chapters drop me a line and I'll send you over a copy.
Tuesday, December 01, 2009
Mykola Dementiuk Likes Rude Mechanicals
This is ... well, I don't really have the words for how wonderful this is: Mykola Dementiuk - who is a brilliant writer as well as a fantastic friend - just sent me this very sweet review for Rude Mechanicals. Thanks, Mick!
It’s always a treat to read a new M. Christian ebook, especially at this holiday time of year, and though Rude Mechanicals isn’t Christmasy at all it has a lot of surprises and wonderment in its pages. I would even say it’s as surprising as his other books Me2 (body changes), Very Bloody Marys (hip vampires), and other books by this prolific author. He’s only getting better and better…
In the one of the stories, "Blow Up," the theme of masturbation is prevalent throughout the tale until it explodes right in one’s hand or satisfied face, you might say. In "Billie" a female motorcyclist meets up with another female on the highway and the fun begins, if you can call it fun. While in "Beep" a machine orders a character to sexually respond, and he does so, by telephone to a mechanical voice. And by "Hot Definition" a pretty Japanese girl is sexually taunted by holographic images until she gets the better of them, in more ways than one. In "I Am Jo’s Vibrator" a woman, Josephine, gives her vibrator a good going over, until you have to question who is getting the working over, Jo or the vibrator. But by "Speaking Parts"…well, I think I will leave that up to you to see how great writing of a story can be…that is until you try it. The story is a marvel!
Yet Rude Mechanicals is more than just stories about mindless dirty fucking it is sex with a living thinking brain, devious at times, soft and tender at others, or as good as a machine can do it. With Rude Mechanicals M. Christian shows us he is reaching the top with his creative power in that the writing is more complicated but also very satisfying as a whole. I can just imagine how high he will reach up as a prolific writer. The best to you, M. Christian, show us what it takes to be a great writer, because you certainly are one…
Mykola (Mick) Dementiuk author of Holy Communion, Vienna Dolorosa, and Times Queer and others.
Sunday, November 29, 2009
Brushes ... In Paris!
I'm very jazzed that a chapter from my erotic romance novel, Brushes, was just picked up by Maxim Jakubowksi for the Paris edition of his "sex in cities" anthology series. Thanks, Maxim!
Saturday, November 28, 2009
Dark Roasted M.Christian
Here's a brand new Dark Roasted Blend piece on the art of science and the science of art:
It reads contradictory, conflicted: the art of science/science of art – the mixture of the logical and methodical with the imaginative and emotional.
But science and art – or, if you’d prefer, art and science – have held hands, if not close friends, for a very long time. Greek and Roman artists followed often strict guidelines considering the correct mathematical proportions of the figures in their frescoes and sculptures, Japanese woodblocks were as much about mechanical precision as they were about the subject being printed, the Renaissance was all about using science to bring a literal new dimension to painting, and then you have the work of Leopold and Rudolf Blaschka.
No, you haven’t heard of Leopold or Rudolf Blaschka – but you certainly should have. Unlike the Greeks and and Romans, the Japanese Ukiyo-e artists, Michangelo and Leonardo, Leopold and Rudolf Blaschka aren’t well known outside of either esoteric or scientific circles.
Which is what makes them so remarkable: they mixed the staggering beauty of pure art with a precision and dedication worthy of great scientists.
Leopold and Rudolf were glass artisans – possibly some of the greatest, ever. But what they created weren’t just glass and goblets, lampshades and windows. Nope, Leopold and Rudolf created nature.
Simplified, here’s the story: Professor George Lincoln Goodale, of Harvard, wanted to teach botany. But the problem with teaching botany is that plants have a tendency to … well, die. Sure, you could preserve some specimens but lots of species just don’t look the same after being dried – the plant version of stuffed and mounted. Yes, you could try using paintings or even photography but plants are – and here’s a surprise -- three dimensional. So what Professor Goodale did was ask the Blaschkas to create glass plants to help him teach his students about real ones.
But the Blaschkas did more than just recreate plants: they created astounding works of not only scientific accuracy but pure, brilliant, art. Looking at even the simplest of their efforts is deceptive – a sign of their genius. Their reproductions don't resemble the original plants – they look EXACTLY like them, created by hand, in fickle and fragile glass. All from 1887 to 1936.
What’s even more impressive is how many they created: more than 3,000 models of some 850 species – many of which can be seen on display at Harvard while many others are being painstakingly restored.
But the Blaschkas didn’t stop at plants. Not to take anything away from their artistry, but plants are relatively simple subjects. In some cases the Blaschkas could even work from live, or recently plucked, models. But there are much more difficult subjects out there, creatures so rare and fragile that very few men have ever seen them in their delicate flesh – even more frail than the glass the Blaschkas used to recreate them.
When these reproductions were made, in the late 19th century, only a few marine explorers and a few lucky seaman had seen any of them. Octopi, urchins, sea cucumbers, anemones, jellyfish, cuttlefish – they were too rare, too fragile, to be seen outside of the sea. That is until the Blaschkas.
I wish there was some way to request a moment of silence. I wish there was some way to ask you to stop reading this and look at the pictures here and at other places of the web. I wish there was some way for you to have a nice glass of wine, put on some nice music – maybe Bach, who also mixed science and art – and just admire the care, the craft, and the pure art the Blaschkas created.
The Blaschka brothers left an inspirational legacy. Josiah McElheny – the recipient of a MacArthur Genius Grant – is a kindred spirit to the Blaschkas, another mind-blowing artist who works in the whimsical and temperamental world of glass … and the disciplined domain of science.
McElheny’s works -- like that of the Blaschka brothers -- finds inspiration in the universe around us, particularly with one sculpture that depicts a key moment. In many ways this is a perfect place to stop: the Blaschka brothers created perfect artistic reproductions of nature to teach science, and McElheny created a sculptural interpretation of the ultimate act of creation, as discovered by science: the Big Bang.
The art of science, the science of art … in the end they are both looking for the same thing: a way to show the nature of everything.
It reads contradictory, conflicted: the art of science/science of art – the mixture of the logical and methodical with the imaginative and emotional.But science and art – or, if you’d prefer, art and science – have held hands, if not close friends, for a very long time. Greek and Roman artists followed often strict guidelines considering the correct mathematical proportions of the figures in their frescoes and sculptures, Japanese woodblocks were as much about mechanical precision as they were about the subject being printed, the Renaissance was all about using science to bring a literal new dimension to painting, and then you have the work of Leopold and Rudolf Blaschka.
No, you haven’t heard of Leopold or Rudolf Blaschka – but you certainly should have. Unlike the Greeks and and Romans, the Japanese Ukiyo-e artists, Michangelo and Leonardo, Leopold and Rudolf Blaschka aren’t well known outside of either esoteric or scientific circles.
Which is what makes them so remarkable: they mixed the staggering beauty of pure art with a precision and dedication worthy of great scientists.
Leopold and Rudolf were glass artisans – possibly some of the greatest, ever. But what they created weren’t just glass and goblets, lampshades and windows. Nope, Leopold and Rudolf created nature.
Simplified, here’s the story: Professor George Lincoln Goodale, of Harvard, wanted to teach botany. But the problem with teaching botany is that plants have a tendency to … well, die. Sure, you could preserve some specimens but lots of species just don’t look the same after being dried – the plant version of stuffed and mounted. Yes, you could try using paintings or even photography but plants are – and here’s a surprise -- three dimensional. So what Professor Goodale did was ask the Blaschkas to create glass plants to help him teach his students about real ones.
But the Blaschkas did more than just recreate plants: they created astounding works of not only scientific accuracy but pure, brilliant, art. Looking at even the simplest of their efforts is deceptive – a sign of their genius. Their reproductions don't resemble the original plants – they look EXACTLY like them, created by hand, in fickle and fragile glass. All from 1887 to 1936.
What’s even more impressive is how many they created: more than 3,000 models of some 850 species – many of which can be seen on display at Harvard while many others are being painstakingly restored.
But the Blaschkas didn’t stop at plants. Not to take anything away from their artistry, but plants are relatively simple subjects. In some cases the Blaschkas could even work from live, or recently plucked, models. But there are much more difficult subjects out there, creatures so rare and fragile that very few men have ever seen them in their delicate flesh – even more frail than the glass the Blaschkas used to recreate them.
When these reproductions were made, in the late 19th century, only a few marine explorers and a few lucky seaman had seen any of them. Octopi, urchins, sea cucumbers, anemones, jellyfish, cuttlefish – they were too rare, too fragile, to be seen outside of the sea. That is until the Blaschkas.
I wish there was some way to request a moment of silence. I wish there was some way to ask you to stop reading this and look at the pictures here and at other places of the web. I wish there was some way for you to have a nice glass of wine, put on some nice music – maybe Bach, who also mixed science and art – and just admire the care, the craft, and the pure art the Blaschkas created.
The Blaschka brothers left an inspirational legacy. Josiah McElheny – the recipient of a MacArthur Genius Grant – is a kindred spirit to the Blaschkas, another mind-blowing artist who works in the whimsical and temperamental world of glass … and the disciplined domain of science.
McElheny’s works -- like that of the Blaschka brothers -- finds inspiration in the universe around us, particularly with one sculpture that depicts a key moment. In many ways this is a perfect place to stop: the Blaschka brothers created perfect artistic reproductions of nature to teach science, and McElheny created a sculptural interpretation of the ultimate act of creation, as discovered by science: the Big Bang.
The art of science, the science of art … in the end they are both looking for the same thing: a way to show the nature of everything.
Tuesday, November 24, 2009
Patrick Califia Likes Rude Mechanicals
This is a very special treat: a blurb from the legendary Patrick Califia - a great writer and an even greater friend. Thanks, Pat!
Here is the latest collection of M.Christian's insightful and original work. Fabulous! I have yet to read anything Chris has written without feeling that my own assumptions were challenged, and I was pushed to think about sexuality, politics, gender, and literature in a whole different way. There aren't enough people who can write from the polymorphous perverse perspective that he seamlessly adopts. He is a genuine ally of sexual minority communities and has walked the walk and talked the talk in dozens of different erotic and edgy experiences. If you'd like to expand your horizons and spread your wings (or your legs, or somebody else's legs), you couldn't have a better guide than the wise, wry, irreverent, and twisted M.Christian.
--Patrick Califia, author of Mortal Companion, Hard Men, and Macho Sluts.
Here is the latest collection of M.Christian's insightful and original work. Fabulous! I have yet to read anything Chris has written without feeling that my own assumptions were challenged, and I was pushed to think about sexuality, politics, gender, and literature in a whole different way. There aren't enough people who can write from the polymorphous perverse perspective that he seamlessly adopts. He is a genuine ally of sexual minority communities and has walked the walk and talked the talk in dozens of different erotic and edgy experiences. If you'd like to expand your horizons and spread your wings (or your legs, or somebody else's legs), you couldn't have a better guide than the wise, wry, irreverent, and twisted M.Christian.
--Patrick Califia, author of Mortal Companion, Hard Men, and Macho Sluts.
Saturday, November 21, 2009
Masquerade: Page 8
Here's another preview of a very special project: Masquerade was illustrated by my great pal, and a fantastic artist, Wynn Ryder, from a story by ... well, me ... for an upcoming graphic novel anthology called Legendary.
I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.
I'll be putting up more pages from the final over the next few months ... or you can read the entire thing on Wynn's Deviantart pages.
Sunday, November 15, 2009
Rude Mechanicals - The Commercial! Part 2
To go along with their commercial, here's a special solo spot the great folks at
Saturday, November 14, 2009
What People Are Saying About -
- my collection of science fiction stories, Love Without Gun Control. Alas, I couldn't use all these wonderful blurbs for the book but I also couldn't just let them just stay in a drawer. Thanks, guys!
M. Christian is responsible for making me blush on the train: If there were ever a Nobel Peace prize for overcoming prudish sexual mores through acceptance, understanding, and racy literature, it would be won by M. Christian.
-- Brian Wanamaker: an arguably bilingual game developer who has made Osaka, Japan his home for the last 8 years. Like Snake Plissken, he has escaped from Los Angeles.
Fantasist, futurist, eroticist, satirist, humorist, dentist drilling deep into the nerves of the here and now ... M. Christian wears a lot of hats in this multifaceted collection, and they're all a splendid fit.
— Brian Hodge, author of Mad Dogs and Lies & Ugliness
M. Christian's stories are both personal and visionary. He not only explores the outer boundaries of his imaginary worlds, but dives deeply into the lives and minds of the characters who live there.
-- Kit O'Connell is a writer, poet, and critic from Central Texas. He is a member of the Society of Voluptuaries and a founder of the Continuous Coast Project.
M. Christian is a chimera, an amazing combination of tour guide and magician. Whether he's writing science fiction, horror or erotica, he can take you to places you've never imagined, show you sights no-one else will get to see, introduce you to some fascinating people, and guarantee that the trip will be memorable from start to finish. Buy a ticket and fasten your seat belt: you're in for a wild ride!
-- Stephen Dedman is the author of The Art of Arrow Cutting, and Shadows Bite
M. Christian always writes like dream whether he's creating fantastic visions or ghastly nightmares. With this collection, you get both!
-- Paula Guran, DarkEcho
To enter into the twisted world of M. Christian is akin to entering into a nightmare realm from which you'll never awaken. As long as you keep turning the pages, the nightmare continues. Amazingly, you keep turning the pages...
-- Rick R. Reed, author of IM and Orientation
M. Christian's imagination and writing talent never cease to amaze me. Both are limitless and his stories can be addictive.
-- Cecilia Tan, author of Mind Games, White Flames, and The Velderet
M. Christian offers something in his writing that has become rare these days: art. His craft is elegant, captivating the reader's mind and then molding it like clay into whatever he desires. He plays rough at times, but it hurts so good.
-- Jerrod Balzer, author of Fear The Woods, contributor to I Was A Sasquatch Love Slave
M. Christian is responsible for making me blush on the train: If there were ever a Nobel Peace prize for overcoming prudish sexual mores through acceptance, understanding, and racy literature, it would be won by M. Christian.-- Brian Wanamaker: an arguably bilingual game developer who has made Osaka, Japan his home for the last 8 years. Like Snake Plissken, he has escaped from Los Angeles.
Fantasist, futurist, eroticist, satirist, humorist, dentist drilling deep into the nerves of the here and now ... M. Christian wears a lot of hats in this multifaceted collection, and they're all a splendid fit.
— Brian Hodge, author of Mad Dogs and Lies & Ugliness
M. Christian's stories are both personal and visionary. He not only explores the outer boundaries of his imaginary worlds, but dives deeply into the lives and minds of the characters who live there.
-- Kit O'Connell is a writer, poet, and critic from Central Texas. He is a member of the Society of Voluptuaries and a founder of the Continuous Coast Project.
M. Christian is a chimera, an amazing combination of tour guide and magician. Whether he's writing science fiction, horror or erotica, he can take you to places you've never imagined, show you sights no-one else will get to see, introduce you to some fascinating people, and guarantee that the trip will be memorable from start to finish. Buy a ticket and fasten your seat belt: you're in for a wild ride!
-- Stephen Dedman is the author of The Art of Arrow Cutting, and Shadows Bite
M. Christian always writes like dream whether he's creating fantastic visions or ghastly nightmares. With this collection, you get both!
-- Paula Guran, DarkEcho
To enter into the twisted world of M. Christian is akin to entering into a nightmare realm from which you'll never awaken. As long as you keep turning the pages, the nightmare continues. Amazingly, you keep turning the pages...
-- Rick R. Reed, author of IM and Orientation
M. Christian's imagination and writing talent never cease to amaze me. Both are limitless and his stories can be addictive.
-- Cecilia Tan, author of Mind Games, White Flames, and The Velderet
M. Christian offers something in his writing that has become rare these days: art. His craft is elegant, captivating the reader's mind and then molding it like clay into whatever he desires. He plays rough at times, but it hurts so good.
-- Jerrod Balzer, author of Fear The Woods, contributor to I Was A Sasquatch Love Slave
Tuesday, November 10, 2009
Sunday, November 08, 2009
Sex In San Francisco (Update)
Just a little update (and an apology) about the anthology, Sex In San Francisco: I know I've been promising to read the submissions soon but (here's the apology) personal things keep getting in the way. I really do plan on finishing the final selection within the next month or so. I ask all those patient folks who sent me stories to just hang on a little longer. Thanks!
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