Monday, September 11, 2006

A dear friend --

-- and a great writer. I can't rave too much about AF. Here are two of her sites:

The FAQ on her homepage

Her great Spalding Gray site (miss ya, Spaulding)

Saturday, September 09, 2006

My Rig

It ain't much, but it's served me well: a iBookG4, iPod mini, and run-of-the-mill cell. You're looking at it in "sideways on the couch websurfing" mode, but when I'm seriously working I put it on an AirDesk stand (highly recommended). The novel is not one of mine, btw; it's Jean Shepherd's legendary hoax 'I, Libertine' (with Ted Sturgeon). For the three I wrote on this rig, you should check out my amazon link to the right.

Thursday, August 31, 2006

More Quotes

The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt.
-Bertrand Russell

Intolerance is the natural concomitant of strong faith; tolerance grows only when faith loses certainty; certainty is murderous.
-Will Durant

There is no heresy or no philosophy which is so abhorrent to the church as a human being.
-James Joyce

You laugh at me because I am different; I laugh because you are all the same.
-Daniel Knode

The more I study religions the more I am convinced that man never worshipped anything but himself.
-Sir R. F. Burton

You don't have to give the Republicans Hell. All You have to do is tell the truth, and they'll think that it's Hell.
-Harry Truman

So far as I can remember, there is not one word in the Gospels in praise of intelligence.
-Bertrand Russell

But we, wretched unbelievers, we bear our own burdens; we must say, 'I myself did it, I. Not God, not Satan; I myself!'
-Olive Schreiner

Religion is fundamentally opposed to everything I hold in veneration - courage, clear thinking, honesty, fairness, and, above all, love of the truth.
-H.L. Mencken

The way to see by Faith is to shut the eye of Reason.
-Benjamin Franklin

War is only a cowardly escape from the problems of peace.
-Thomas Mann

Edward R. Murrow

"We must not confuse dissent with disloyalty. We must remember always that accusation is not proof, and that conviction depends upon evidence and due process of law. We will not walk in fear - one, of another. We will not be driven by fear into an age of un-reason, if we dig deep in our history and our doctrine, and remember that we are not descended from fearful men; not from men who feared to write, to speak, to associate, and to defend causes that were - for the moment - unpopular."

Thursday, August 03, 2006

Thursday, July 13, 2006

Prayer

I have never made but one prayer to God, a very short one: "O Lord, make my enemies ridiculous!" And God granted it.
- Voltaire

Friday, July 07, 2006

Felice Picano's Introduction to Filthy

Thanks again, Felice!

#

BY WAY OF A PREFACE
Felice Picano

The minor league, dying performer finally hit a zinger. On his deathbed he was asked if dying was hard. “Dying is easy,” he shot back. “Comedy is hard.”

He also might have replied “short story writing is hard.” It is hard. It requires the talents of a novelist, and of a dramatist, and of a screenwriter, and of an advertising copywriter, all rolled into one. To write a good short story, you need to establish the time and place instantly. You also need to establish a “voice” instantly, meaning the voice of whomever is telling the story. And since that voice usually belongs to a person, you need to establish that character and her/his relationship to the time and place, and to other characters—also fairly instantly.

After that, you've merely got the usual problems of any fiction writer in any other medium: an original idea or significantly well-done twist on a familiar idea, a unique character, a distinct point of view, a particularized perspective on the world, a compelling narrative, and an ending that satisfies.

Oh, and you've only got two to six thousand words to do all that in.

Go on. You try it.

See what I mean? Short story writing is hard.

M. Christian's new collection of singular and satisfying short stories, Filthy, is subtitled “Outrageous Gay Erotica.” Emphasis on “outrageous.” Although each of them does deliver a more than adequate erotic charge, Christian is after bigger game here. He's writing short stories. You know, like the ones you had to read in high-school: anthologies about suburban Connecticut teens and hardscrabble poor white trash and adventurers desperate to light a fire to stay alive. The ones you had to discuss in class, using terms like “irony” and “thematic development” in those seconds before your forehead hit the top of your desk out of total apathy.

Take heart. Christian's stories are sexy, smart and a lot more fun.

Several of the tales here are entertaining take-offs of famous movie classics. “Suddenly Last Thursday” is a sly turn on Tennessee Williams' never-indisputable play, and to my mind it actually plays a lot better than the original. Reader and writer certainly have a more interesting time here, arriving at the questionable ending. I won't spoil it by spilling exactly how Christian bends it.

“Hollywood Blvd.” is, of course, the old William Holden-Gloria Swanson flick redone so that she's a he, a former Porn Star Diva. While the journalist character is, well not very distant from the original, if—like me—you never quite believed the writer's “beard” of a girlfriend in the movie. The same moral applies here as in the Billy Wilder film. But I wonder… Did you, like me, ever ponder what really went on in that big house after the star went to sleep and the German manservant was still awake—and dressed in leather?

Possibly less familiar if equally cool, is “That Sweet Smell,” based on the lurid, Nineteen Fifties model play and then movie The Sweet Smell of Success. I was pleased to see that I wasn't the only viewer who wondered what the real connection was between the characters played by drop-dead sexy (and recently revealed to be bisexual) Burt Lancaster and the still very cute Tony Curtis. In Christian's clever and very noir update, even the “heavy” cop got me wondering, as well as hot.
If like me, you like science fiction, but you like it “soft” i.e. without too many gizmos and objects (read: weapons that do everything but masturbate you while offing the entire population of a Midwest city) but with a real look at how we may possibly live and interact, then you'll like two of the longest and most realized tales in Filthy.

“The Hope of Cinnamon” begins semi-typically sci fi in that it is set in a post-apocalyptic future. What makes it totally non-typical is that its setting is an orbiting mini-world of gays known as Stonewall. The intriguing story is about the time-travel “rescue” by this new society of liberated homosexuals persecuted in earlier times. The protagonist, Gen, is concentrating on what historian Richard Plant called “Men of the Pink Triangle,” i.e. German and other European men oppressed to death because they were homosexual. Christian's story is moving, tender, and questioning, as one after another salvaged man chooses self destruction rather than life in a “perfect” and free gay society. The author's representative opts for a perilous yet surprising path to understand why.

Another futuristic narrative, “Utter West” takes a fresh look on that much iterated adolescent dystopia combined of suburbia and the family, though the old folks here are mostly absent, if only as a result of their own self-involved excesses. It's a tale of first love and wild nights, and of the first time you realize that who and what you idealized into a dream was too busy getting on with life to live up to your high criteria.

Remember those high school stories with suddenly reversed endings: O. Henry, Bret Harte, etc.? Christian does that well, too. In “The Greener Grass,” the narrator leaves his humdrum existence in favor of Mr. Lawrence, his leather master, only to receive the shock of his life. In the tightly controlled story “Bitch,” a gay man's homophobia assumes a life of its own, with a scorpion's sting.

Then there's the indefinable, “Friday Night at the Calvary Hotel,” which I'm tempted to categorize as that rarest of objects: a gay religious story. Not because of the obvious trapping of the tale, but because of the underlying spiritual investigation made by author and reader in tandem.

I could write about how clever and writerly M. Christian is. But if you've read this far you're ready to read the stories. Enjoy.

— Felice Picano, author of Onyx

What's in Filthy

Here's the stories in my new collection, Filthy, from Alyson Books:

The Greener Grasses
Hollywood Blvd.
Flyboy
Oroborous
2+1
Happy Feet
Love
6 Inches Of Separation
Moby
The Hope Of Cinnamon
Heads And Tails
Suddenly, Last Thursday
That Sweet Smell
Bitch
The Hard Way
Utter West
Imago
Friday Night At The Calvary Hotel
About The Author