The Loophole by Garfunkel and Oates

Happy May

Alan Is So Right -

 

 

“I believe that Magic is Art and Art whether it be music, writing, sculpture or any other, is literally magic. Art, like any magic, the science of manipulating symbols, words or images, to achieve changes in consciousness… Indeed to cast a spell is simply to manipulate words, to change people’s consciousness, and this is why I believe that an artist or a writer is the closest thing in the contemporary world to a Shaman.”

—	Alan Moore

Kinky Relationship Support AND Teaching Polyamory: April at The Citadel

(from M.Christian's Classes And Appearances)

The last week in April is going to be delightfully busy! On Monday April 28th, 2014 I'll be leading a new session in my ongoing group: Leading Relationships And The Scene - A Discussion/Support Group for SF Citadel:

Occasionally people in "The Scene" forget that they are not just dealing with sexual play but human interactions and relationships as well. In this discussion and support group, participants will be encouraged to share their experiences in an open environment to receive support and understanding from others who may have experienced the same, or just similar, situations.

7:30PM to 9:30PM: $10

- then, the next day, I'm going to be teaching Polyamory: How To Love Many And Well:

Sure, you've heard of it - and maybe have been intrigued by it - but what is polyamory and how do you love more than one person and make it work? How can you deal with jealousy, 

time-management, emotional rough patches, and more to enter into multiple sexual relationships? In this class, participants will learn to separate the myths from the realities of polyamory, how to make tentative steps towards having more than one partner, and how to approach and deal with the problems of sharing yourself with others, and being involved with someone who, in turn, is involved with someone else. Included in this class will be simple emotional exercises, true life experiences, unique techniques and innovative approaches to understanding the joys - and the risks - of beginning, or entering into, a polyamorous relationship.

Class from 8:00PM - 10:00M

Cost: $20 at the door, $15 in advance via PurplePass: http://www.purplepass.com/sfc04292014

About the presenter:

M. Christian has been an active participant in the San Francisco BDSM scene since 1988, and has been a featured presenter at the Northwest Leather Celebration, smOdyssey, the Center For Sex and Culture, The National Sexuality Symposium, San Francisco Sex Information, The Citadel, The Looking Glass, The Society of Janus, The Floating World, Winter Solstice, and lots of other venues. He has taught classes on everything from impact play, tit torture, bondage, how to write and sell erotica, polyamory, cupping, caning, and basic SM safety.

M. Christian is also a recognized master of BDSM erotica with more than 400 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and many other anthologies, magazines, and other sites; editor of 2t anthologies such as the Best S/M Erotica series, Pirate Booty, My Love For All That Is Bizarre: Sherlock Holmes Erotica, and more; the collections Dirty Words, The Bachelor Machine, Love Without Gun Control, Rude Mechanicals, and more; and the novels Running Dry, The Very Bloody Marys, Me2, Finger's Breadth, Brushes, and Painted Doll. His site is www.mchristian.com

Confessions Of A Literary Streetwalker: Worth a Thousand Words: My Life with Tumblr

Extremely cool - check out this brand new column I just wrote for the excellent Writesex site:

It may come as a surprise, but far too often authors—people who are supposedly very comfortable with words!—have days when they just don’t want to write at all.

It’s a common mistake writers make when they begin to think about social media, marketing, and all that other fun stuff: this idea that words are the be-all and end-all for them. They force themselves far too often to script tweet after tweet, Facebook post after Facebook post…until they just can’t write another line of original content, even if only to say “Look at my book!” Worse, they come to feel that because they’ve burnt out on writing tweets and posts and marketing copy, they have failed. They think about all the potential readers they have lost; markets they haven’t tapped; piles of beguiling words they should have written—because are they not supposed to be endless fonts of text? (Spoiler: no.)

Fortunately for you if you’re one of these writers, there are some great options for social networking that don’t require you to write a word. They are wordless yet powerful, simple yet evocative, easy yet poignant.

In short, Facebook and Twitter are not the only games in town when it comes to keeping yourself and your writing in the public eye.

I’m talking about using pictures rather than words. Using Flicker, Instagram, Pinterest or Tumblr to make your point, catch your Twitter followers’ imaginations, engage them emotionally in a way that leaves a favorable impression of you in their minds. An image-sharing tool like these can help you reach out to others, and save you a thousand words of writing, every day.

There are quite a few image-sharing venues out there—and while your mileage and social media needs may vary, in my experience they’ve basically boiled down to just one. Allow me: Flickr is ridiculously clunky and doesn’t share well with others—just spend a few minutes trying to either find an image or a keyword, or pass along a photo. Pain. In. The…youknowwhatImean. Instagram is fine and dandy for taking snapshots of your dinner, your dog, your kids, your whatever…but when it comes to sharing what you snap, or using images from other sources, it’s not exactly user-friendly.

This basically leaves us with two choices, if you want to save those thousands of words: Pinterest and Tumblr. I’ve tried both and the choice was extremely easy to make—it comes down to one thing: sex.

Let’s face it, when you’re an author of erotica and erotic romance, you are dealing with—in one way or another—characters having sex. Like lots of erotica authors, I’ve learned to (sigh) deal with platforms like Facebook that will wish you into the cornfield for showing—or in some cases even talking about—something as threatening as a nipple. We deal with Facebook because we have to. But an open-minded image-sharing social media venue is a bit like Twitter: the more the merrier.

Pinterest doesn’t like sex…at all. I used to have a Pinterest account but then I began to get messages, here and there to start, but then tons: each one about a posted image of mine that was removed due to the dreaded Terms of Service. A few were obvious, but then the images they were yanking became and more innocent. Bye-bye Pinterest.

Tumblr isn’t perfect—far from it—but even after being purchased by the search engine deity Yahoo, I can count on the fingers of one hand the times it has caused me any kind of headache. Mostly they will reject anything that really pushes a button—think of the deadly erotica sins, but with pictures, and you know what I mean (hate speech, rape, bestiality, incest, underage, pee or poo, etc).
In a nutshell, Tumblr is easy, fun, and—best of all—a rather effective social media tool that also neatly and simply integrates into Twitter and Facebook…and, no, I do not own stock.

The way it works couldn’t be less complicated: you can create any number of Tumblrs—think folders—(even with an “age appropriate” warning if you want), and then design them with any one of a huge number of themes. From your master dashboard you can see—and tweak —all the separate Tumblrs you’ve created. The themes are a blast, and the interface takes very little skill to navigate.
As for what Tumblrs you should create…well, that’s up to you. Like food? Make a nice edibles Tumblr (and they have an app that lets you to take shots of your meals if that’s what you’re into). Like history? Create a vintage photo site. Love sex? Well, it’s pretty obvious about what you can do with that.

Where do you get your pictures? You can certainly take them yourself or upload them from your various devices, but where Tumblr becomes a real social media machine is in reposting. Once you create your account just look for other Tumblrs by interests or keywords and then hit that little follow button. Then, when you look at your dashboard, you’ll see a nice stream of pictures that you can like, share, or repost to your own various Tumblr incarnations. Plus, the more people you follow, the more people will follow you.

Just to give you an idea, I started—rather lazily—my dozen or so Tumblrs four or so years ago and now my main one, Rude Mechanicals, has close to 4,000 followers. You can imagine the reach you could have if you really put some work into it.

And if you want to see how far that reach extends, you can go back and look at your posts to see how many times they’ve been liked or reposted. It’s harder to tell when it’s a reposted picture but it can also be very heartwarming to see that, for instance, when you post about a good review or a new book announcement, dozens of people liked your news or, even better, shared it with their own vast audience.

What’s also fun about Tumblr is the auto-forward feature. It’s not perfect, as there are some periodic glitches, but all in all it works rather well. When you set up your separate Tumblrs you can then select an option where—if you choose—you can also send any image to Twitter or to Facebook.
That increases the number of people your image will potentially reach. It can even go to a Facebook page you’ve created. Neat!

One trick I use is to click the handy “like” button to create an inventory of images and then—once or twice a day—go back into my list of likes to repost them to my appropriate sites…with or without Twitter or Facebook reposting as I see fit. Tumblrs also feature RSS, which means you can subscribe to one of them through an aggregator like Feedly.

What’s also neat about Tumblr is its flexibility: you can post images (duh) but you can also embed video (from YouTube or wherever) and post text, quotations, links, chat streams, and audio.
Let your eyes do the walking and let the images they find do the talking. Image-sharing tools like Tumblr are a super easy way to fulfill your need for social media presence without having to write anything.

M.Christian has become an acknowledged master of erotica, with more than 400 stories, 10 novels (including The Very Bloody Marys, Brushes and The Painted Doll). Nearly a dozen collections of his own work (Technorotica, In Control, Lambda nominee Dirty Words, The Bachelor Machine), more than two dozen anthologies (Best S/M Erotica series, My Love for All That is Bizarre: Sherlock Holmes Erotica, The Burning Pen, and with Maxim Jakubowksi The Mammoth Book of Tales from the Road).  His work is regularly selected for Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and others. His extensive knowledge of erotica as writer, editor, anthologist and publisher resulted in the bestselling guide How To Write And Sell Erotica.
He can be found in a number of places online, not least of which is mchristian.com.

Amos Lassen Loves Brushes

 

Romantic, Erotic and Gorgeous:

"Brushes" is great erotica set in a romantic setting. It is a multi-layered look at love, Paris and the world of art. We meet eight people, all of whom are involved in the art world. As their lives intertwine, each experiences a form of sexual contact that will change them completely.

Escobar is a very talented artist but exactly who he is and how he works is the essence of "Brushes". The world sees him as a genius. His mastery of color, form and shape is unequaled and he has taken the art world by storm. To discover who he, we look at him from different viewpoints. His wife, his manager, his forger, his brother, his model and others tell us about him in separate stories that all come together. However, these stories tell us more about the teller than they do about the man in question. In that, Escobar is like the art he creates. It is studied and it is open to different interpretations as well as misinterpretations.

M. Christian is a master storyteller. I have read a lot of him and each time I pick up something by him, I find myself so involved in the story that I feel it is actually happening as I read. "Brushes" evokes carnality and in dealing with the art scene of Paris and those that inhabit it, Christian gives us an erotic treat. He so captures the scene that I was completely engulfed by the novel by the third page. Sure the eroticism is very hot but it is the story that is better. The intriguing characters and the way that they come in and out of each others' lives in handled brilliantly. We see, though the characters that all is not always what it seems to be and surprises lurk and wait. This is a gorgeous book to be savored.

Donna George Storey Loves Brushes

Donna George Storey, a wonderful person and an absolutely fantastic writer, posted this touching review of Brushes - including a mini interview - on her Sex, Food and Writing blog awhile ago.  And, since this erotic romance novel has just been released by the wonderful Sizzler Editions I thought I'd repost it.  Thanks again, Donna!

I’ve been an admiring fan of M. Christian’s work since well before I began writing erotica myself. He’s edited twenty anthologies and written over three hundred stories, four novels, and four short story collections, with numerous appearances in Best American Erotica and other Best of’s as well as being an annually returning alumnus of The Mammoth Book of Best New Erotica. His narrators and protagonists come in a rainbow of sexual preferences, yet the stories are always incandescently erotic and convincing. On top of this, his work spans a range of genres, from literary to horror, science fiction and a soupcon of erotic romance.

I’ve always wondered what the “M” in M. Christian stands for, but I’m pretty sure it stands for “Maestro”!

I recently had the pleasure of reading one of his most recent novels, Brushes. A multi-layered treat for the mind and the senses, Brushes reminded me how a well-written novel can really draw you into a totally different world and keep you there, enchanted. M. Christian transports us to glittering Paris where we follow the adventures of eight denizens of the art world, from an acclaimed artist and his muses to desperate wannabes. As their lives brush up against each other, serendipitously, inevitably, all experience a compelling sexual encounter that changes their lives forever. The variety of sex scenes is like a tempting buffet, the prose as silky smooth as a pot de crème. The novel definitely raises fascinating questions about the artist’s life and the silliness of the business surrounding it. This tale of mystery will definitely provoke and entertain anyone who’s intrigued by the power of the creative--and the erotic—spirit.

That’s me, baby—how about you?

And now, I have the even greater pleasure of inviting the Maestro to my blog to chat about writing, erotica and sensual indulgence of the culinary persuasion.

DGS: I’ve always been amazed at your versatility as a writer, your virtuoso ability to cross genres and genders. How do you do it? Or are you actually a shapeshifter from another galaxy?

MC: Nah, I’m just a classic hack, though being a shapeshifter from another galaxy would make it a lot easier to find a date on Saturday night.

How did you get started writing erotica?

Well, I’ve always wanted to be a writer – in fact I first remember deciding it would be the life I wanted to live when I was in the fourth grade or so – but I had zero luck with it for, oh, about fifteen years. Tired of rejection slips, I signed up for an erotica writing class from Lisa Palac, who used to edit a magazine called Future Sex. My thought at the time was something like: why the hell not?

Turns out I was pretty good at pornography – who knew? – and Lisa bought my first story, which was subsequently published by Susie Bright in her Best American Erotica 1994. The rest, as the cliché goes, is history.

You’ve been publishing erotica for a long time now. In your view, how has the genre and the publishing environment changed over the years.Lordy, that’s a big subject! Right off the top of my head I’d guess the biggest change has got to be the death – or imminent death, to be polite – of the traditional publishing model of business. Printed books are simply way too expensive to produce, especially these days, and far too difficult to sell. Sure, there will always be big houses operating like we’re still in the ‘50s but going forward we’re going to see far more small-to-medium-sized publishers connecting with very specific audiences. That’s good news for readers, as a publisher’s profit doesn’t have to be hundreds of thousands of dollars. Only having to make a few thousand means they can take risks and produce books for very narrow-focused interests. The bad news, though, is that the days of huge – or even large – advances for authors are gone … bummer. Don’t despair, though. Because the smaller publishers don’t have huge overhead, they can pay better royalties, and because of Amazon – the sort-of-great literary equalizer -- a small-time author has about the same ‘shelf’ space as a big-time one … the trick, of course, is to get yourself noticed.

You’re now blogging at Imagination is Intelligence with an Erection, Frequently Felt, Meine Kleine Fabrik and The New Café (Racer) Society. What do you like about blogging? How does it fit into your fiction writing schedule?

Actually The New Café (Racer) Society is a two-wheeled, one-man enterprise run by my brother, S.A. – who works with me on Meine Kleine Fabrik. I like blogs because they’re a way to get yourself out there. With Meine Kleine Fabrik, which is German for “My Little Factory,” the name of a jewelry company S.A. used to have, it’s a kind of commonplace book; a way of sharing the fun and wild and weird and silly and cool things we’ve come across. Frequently Felt is kind of the same thing but with a sexy twist – and is also a place where authors can share their work as well: my way of opening the door for new erotica writers. Imagination is Intelligence with an Erection, is my writing site: the place where I post reviews, announcements about new projects, new books and suchlike.

I kind of cheat, to be honest, with these blogs: I usually just post or repost stuff I find. Sure it makes them a bit less ‘rich’ but I simply don’t understand writers who spend hours posting and no time on their craft. Working on stories and books is what I love to do, so they will always be my top priority.

One of the pleasures for me while I was reading Brushes was the chance to come to my own conclusions about the shadowy central figure, the artist Escobar, based on the clues provided by the perspectives of the different narrators. It’s also fun to see how the different characters “brush up” against each other in different ways on the streets of Paris. But what might be pleasure for the reader could present a real logistical challenge for the author. Did you have a particular strategy to plan and keep track of all the “brushes” in the novel?

Thank you so much – it means a lot to me that you liked it!

While it was a tad challenging, it was also a lot of fun to do. My motivation was to try to put together something showing our various ‘faces:’ like the Donna I know isn’t the Donna other people know, etc. In the case of Escobar these multiple ‘faces’ are amplified because of his fame: the people around him have their own perspectives on him, twisted by jealousy, fear, unreasonable admiration, and all those other lovely emotions. Occasionally I’d find myself ‘painted into a corner’ especially since I was trying to tell the story from different perspectives but also taking place at the same time. Although there are some things I wish I’d done better, I thought it came out pretty well. I guarantee I’ll do better with the next book, and the one after that, and the one after that, and the one after that ….

Your novel has countless wonderful examples of how an erotic scene reveals character—this is really the heart of the book. I’ve chosen this excerpt from chapter 4, told from the point of view of Marcel, a snobbish, fastidious gallery owner, who has called in a paid companion to “celebrate” after a long day in the art business. Here’s a tasty sampling of the scene:

"I love my breasts," she said. "I love they way they look, but I really like the way they feel." Purple painted nails slid over the slopes, stroked under, and deliberately hesitated over the rises of her nipples. One hand went behind, reaching for another clasp, preparing for another revelation.

More than at any time in recent memory, he was aroused. With Josephine it had been there, but more abstract, more a quality of the whole experience than a pulse-matched deep down, stirring where he wasn't Marcel the gentleman, the rich man, the owner of L'Art, but rather just a man and a very demanding desire. He might still be struck by silence, but he could move.

There was a good reason Zazu would love her breasts. They were phenomenal. Large yet exceptionally firm, they swept gently from the satin of her chest, ending in two saucer-sized, swollen areolas, topped by aggressively firm nipples the color of fresh strawberries and the size of gumdrops. As her bra joined her clothes at her feet, her breasts swung and jiggled, a mesmerizing display.

"Aren't they beautiful? I'm so lucky. But what's even better is that I like how they feel, not just how they look." With thumb and forefinger she tightly plucked at her right nipple, much harder than he'd ever seen a woman do before. She hissed, deep and languid, in response. Then the same, this time to the left, but now the hiss became a moan and her knees seemed to lose a bit of their strength. "Oh, wow," she said through a sharp laugh.

Stroking himself, he realized he didn't care that he was or that she knew he was. It was too good. This woman was beautiful and sexy, and more importantly, he was enjoying himself more than he ever had before. How his zipper had come down, how he'd extracted himself from his underwear, he didn't know, but there it was and he wasn't about to stop. Again, the question -- but this time only the barest of whispers in his mind and nowhere near a loud thought: what am I? The answer came immediately: I am me... and I like this.

The other nipple again; this time she had to catch herself before dropping all the way to the carpet. It took her some time to pull herself up and stand straight. "I like this. It's one of my... things, I guess you could call it." Peering through her purple bangs, she caught his gaze with hers. "Having fun?"

Even before he'd realized he'd broken the silence, he found his voice. "I-I am."

Do you have a particular favorite among the characters or scenes in Brushes? Any that were harder or easier to write?

Once again, I really appreciate your kindness and support, Donna! Writing can be a damned hard life so compliments and kindness – especially from a writer I like and admire – are a real treat!

Each of the characters in Brushes had their challenges, as well as their easier bits. I’m so glad you liked Marcel: he was a particularly fun one as I was trying to use his sexuality as a pretty broad reflection of his personality: removed and controlling in life, removed and controlling in bed. Escobar was probably the hardest because as I was ‘doing’ him, I kept thinking that here he is, the guy everyone’s talking about. A bit of pressure there ….

What’s next for you?

Let’s see … working on a gay horror novel called Monster that should be done in a few months. Have a new collection of straight erotica coming out soon, called Licks & Promises. Both The Bachelor Machine, my science fiction erotica collection, and Dirty Words, which is a gay erotica collection, are being reprinted and should be out soon. I’m also chatting with some publishers about doing some new anthologies – more on those very soon. I’ve also done my first screenplay, the movie for which should be shooting soon, and I’m working on other fun stuff as well. Just keep an eye on my blog for more info and updates and such.

Finally, describe a perfect meal that would be guaranteed to seduce you—into a deep conversation about the writing life, if not something even juicier!

A perfect meal? Hummm … I love a lot of food, and have a long list of great restaurants, but to make any meal perfect I’d have to have the company of my wonderful lady, and soon-to-be-wife, Sage Vivant. As I already mentioned, writing can all-to-often be a brutal and hard life. I am very fortunate to have found the woman of my dreams, and would never do anything without her.

Well, congratulations--that's definitely a match made in erotica heaven!! I wish you both all the happiness in the world (as well as many delicious meals together).

Thanks so much for stopping by to talk shop with me. And for those of you interested in some more hot-and-hot-off-the-presses M. Christian fiction, check out his novel Painted Doll and Hack Work, a series of short story downloads, as well.

Had A Blast Teaching Sex Sells - How To Write and Sell Erotica At Feelmore510!

(from M.Christian's Classes And Appearances)

It was a blast and-a-half teaching my Sex Sells: How To Write And Sell Erotica class for the great folks at Feelmore510 last night.  It always means a lot to me to have a fun and enthusiastic audience and the fantastic folks who came out last night were some of the best I've ever had the honor to meet.  Thanks so much!

Stay tuned for more classes and more fun stuff...

Reminder: Sex Sells - How To Write and Sell Erotica At Feelmore510!

(from M.Christian's Classes And Appearances)

This is going to be an extra-special blast: I'm going to be teaching my very fun, and very entertaining (if I do say so myself) class on erotica writing, Sex Sells - How To Write and Sell Erotica, for the fantastic folks at Feelmore510 on April 10th.

Here's the info - see you there!

Sex Sells - How To Write and Sell Erotica

The market for erotic fiction and nonfiction is booming!

There actually is a secret to writing great erotica - and you'll discover just what that is in this fun, hands-on workshop with well-known erotica writer and teacher M.Christian. For the beginning writer, erotica can be the ideal place to begin writing, getting published, and - best of all - earning money. And for the experienced writer, erotica can be an excellent way to beef up your resume and hone your writing skills. M. Christian will review the varieties of personal and literary expression possible in this exciting and expanding field. He'll also teach you techniques for creating love and sex scenes that sizzle. Plus: current pay rates, how to write for a wide variety of erotic genres, where and how to submit your erotic writing, and more.

M.Christian is a remarkably prolific author and editor who works in a wide range of genres: from science fiction, horror, non-fiction, to erotica

$20
April 10th, 2014
7:00PM - 9:00Pm

Feelmore Adult Gallery
1703 Telegraph Ave
Oakland, CA 94612

Mammoth Book of Erotic Romance and Domination And Me!

 (from M.Christian's Technorotica)

This is wonderful news: I'm pleased and proud to announce that I have not one but two techno-erotic BDSM erotic tales in Maxim Jakubowksi's brand new anthology, Mammoth Book of Erotic Romance and Domination.  Coolness!

Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality And Spirituality

(from M.Christian's Classes And Appearances)

This is going to be a blast!  If you are in San Francisco I'm going to be teaching my fun class, Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality And Spirituality, for the SF Citadel on Tuesday, March 18

#

Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality And Spirituality

Tuesday, March 18, 2014 · 8:00 PM –10:00 PM

SF Citadel
181 Eddy St, San Francisco, CA

Cost: $20 at door, $15 in advance- see link below for advanced ticket purchase

Dress code: Whatever makes you comfortable!

There are many ways to reach your inner sexual and spiritual self - but one of the most surprisingly powerful paths is through the written word. In this lecture/workshop, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, help make personal discoveries and to assist in a personal journey of self and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence - and when to listen - to the inner critic.

Cost: $20 at the door, $15 in advance via PurplePass

About the presenter:

M. Christian has been an active participant in the San Francisco BDSM scene since 1988, and has been a featured presenter at the Northwest Leather Celebration, smOdyssey, the Center For Sex and Culture, The National Sexuality Symposium, San Francisco Sex Information, The Citadel, The Looking Glass, The Society of Janus, The Floating World, Winter Solstice, and lots of other venues. He has taught classes on everything from impact play, tit torture, bondage, how to write and sell erotica, polyamory, cupping, caning, and basic SM safety.

M. Christian is also a recognized master of BDSM erotica with more than 400 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and many other anthologies, magazines, and other sites; editor of 2t anthologies such as the Best S/M Erotica series, Pirate Booty, My Love For All That Is Bizarre: Sherlock Holmes Erotica, and more; the collections Dirty Words, The Bachelor Machine, Love Without Gun Control, Rude Mechanicals, and more; and the novels Running Dry, The Very Bloody Marys, Me2, Finger's Breadth, Brushes, and Painted Doll. His site is www.mchristian.com

TWO Columns On One Day!

Wow!  Not just one but two of my writing erotica columns just went live - how cool is that?

Over at the Erotica Readers And Writers site my piece, Thinking Outside Your Box, just went up - and on the brilliant WriteSex site my brand new essay, Meet Me Halfway, also was just posted.  Here are teases of both:

Thinking Outside Your Box...

Or Writing Isn't Always About Writing

Sure, we may all want to just cuddle in our little garrets, a purring pile of fur in our laps, leather patches on our sleeves, a pipe at the ready, and do nothing but write masterpieces all day and night – with periodic breaks for binge-drinking and soon-to-be legendary sexual escapades – but the fact of the matter is that being a writer has totally, completely, changed.

I'm not just talking about the need to be a marketing genius and a publicity guru – spending, it feels too often, more time tweeting about Facebook, or Facebooking about tweeting, than actually writing – but that authors really need to be creative when it comes to not just getting the word out about their work but actually making money.

A lot of people who claim to be marketing geniuses and publicity gurus will say that talking about you and your work as loud as possible, as often as possible, is the trick ... but have you heard the joke about how to make money with marketing and PR? Punchline: get people to pay you to be a marketing genius and/or a publicity guru. In short: just screaming at the top of the tweety lungs or burying everyone under Facebook posts just won't do it.

Not that having some form of presence online isn't essential – far from it: if people can't find you, after all, then they can't buy your books. But there's a big difference between being known and making everyone run for the hills – or at least stop up their9 ears – anytime you say or do anything online.

Balance is the key: don't just talk about your books or your writing – because, honesty, very few people care about that ... even your readers – instead fine a subject that interests you and write about that as well. Give yourself some dimension, some personality, some vulnerability, something ... interesting, and not that you are not just an arrogant scream-engine of me-me-me-me. Food, travel, art, history, politics ... you pick it, but most of all have fun with it. Forced sincerity is just about as bad as incessant narcissism.

[MORE]

Meet Me Halfway

Let’s open with a joke: a guy pleads with god over and over: “Please, Lord, let me win the lottery.” Finally, god answers: “Meet me halfway – buy a ticket!”

Back when publishers only put out – gasp – actually printed-on-paper books I was known as a writer who would give anything I did that extra mile: readings, interviews, PR events, press releases … you name it, I’d do it. To be honest, I’ve always had a small advantage in that my (unfinished) degree was in advertising and I’ve less-than-secretly really enjoyed creating all kinds of PR stuff. I’ve always felt that a good ad, or marketing plan, can be just as fun and creative as actually writing the book itself.

Sure, some of my PR stuff has gotten me (ahem) in some trouble … though I still contest that the “other” M.Christian who staged that rather infamous plagiarism claim over the novel Me2 was at fault and not me, the one-and-only; or that my claim to amputate a finger as a stunt for Finger’s Breadth was totally taken out of context…

Anyway, the fact is I’ve always looked at publishers as people to work with when it comes to trying to get the word out about my books. Sure, some publishers have been more responsive and accepting than others and, yes, I still have bruises from working with a few who couldn’t have cared less about me and my books, but in the end most of them have been extremely happy to see my excitement when one of their editions hit the shelves.

Duh, things have changed a lot since then – but in many ways things haven’t changed at all. Books are still books, even if they are now digital files and not dead trees, and bookstores are still in the business of selling those books, even if they’re now Amazon, iBooks, and Kobo instead of brick-and-mortar establishments … and publishers still want to work with authors who want to work with them.

Not going into the whole publisher-versus-self-publishing thing (in a word: don’t) one thing that has totally changed is the importance of marketing, social media, and public relations. Simply put, it’s gone from being somewhat necessary to absolutely essential.

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