You definitely cannot say Internationally known photographer and publisher Erik Von Gutenberg hasn't worked diligently over the past decade to present his unique vision though his quarterly magazine, social media presence and interactive website. Von Gutenberg showcases provocative, cutting edge styles paired with fashion trend reporting and featured writing by acclaimed writers, designers and photographers. Von Gutenberg's brand encompasses everything “fashion, latex, and lifestyle”, says Erik.
Now the Von Gutenberg brand is branching out to publish its first eBook aptly entitled All The Word’s A Rage featuring the same themes such as ‘comic’ ‘steampunk’ and ‘fetish’ that have made Von Gutenberg a world wide read.
“The eBook focuses on the most popular fiction, expert columns, photo-essays, reviews, 'how-to' articles, model interviews and of course the most loved photos from the past 7 issues of the printed magazine and our multitude of blog fashion posts. We combined what our readers enjoyed the most into one best-of-the-best eBook.” explains Erik. “It's perfect for the existing fans and also for those new to the Von Gutenberg brand. It gets them up to speed.”
Erik continues, “We did add one or two pieces commissioned specifically for this eBook to give our regulars some unique content. Being unique is something we always strive toward.” he chuckles. “I think the mix of the old and the new works perfectly to make All the Word’s A Rage a definite one-of-a-kind offering.”
Look for All The Word’s A Rage today on Amazon; For Kindle Fire Readers, at Barnes and Noble for Nook and Apple
Special offer for Apple customers: Buy All The Word’s A Rage for an introductory low price of $4.99 until August 31, 2013 (reg. price: $7.99)
Wednesday, August 14, 2013
Von Gutenberg Magazine: All the Words a Rage - and I!
This is extremely cool: I am tickled and then some to be in the brand new ebook release from the fetish-fantastic Von Gutenberg Magazine: check it out and read my never-before-published story "On The Rooftop."
Will Eisner And I?
As a long-time comics fan - and, if you remember, I even wrote one
- this is extra-special: the great Renaissance E Books (who I'm an
Associate Publisher for) has just stepped into graphic novels ...
beginning by releasing classics like The Phantom Lady.
Well, one of the titles they also just released is a little-known treasure by the comic legend Will Eisner called The Flame - and guess who was asked to write the introduction?
Here's a tease of my intro - and here's where you can get this the fantastic new edition.
EISNER'S FLAME OF
INSPIRATION
If you were to
create a Mount Rushmore for comic creators they'd certainly be a lot of controversy
on who to immortalize. Alan
Moore? Winsor McCay? Art Spiegelman? Osamu Tezuka? Robert Crumb?
But the one that everyone – and I
mean everyone -- would agree should have his face etched in stone is Will
Eisner.
To say that Will
Eisner, famed for his groundbreaking noir creation The Spirit, made comics what
they are today is like saying the sun is just that warm thing in the sky. Born in Brooklyn in 1917, Eisner made
his first tentative steps onto the comic book stage at 16 by sending his
artwork, with prodding from Batman creator Bob Kane, to Wow, What A Magazine!
Back in the
late-1930s comic books were still deciding what they were and where they were
going – it was a real wild west for writers and artists, with publishers,
editors, writers, artists, and characters coming and going almost daily.
It was during
these crazy times that The Flame was
created by Eisner and Lou Fine – another illustrious member of those Golden
Years. Their brainchild, first
appeared in Wonderworld Comic #3,
July 1939. The Flame was so popular the character soon graduated to his own
comic – but, alas, it was snuffed out after only eight issues, going dark on
January 1942, a victim not of a vividly costumed menace or even the Nazis, but of
the publisher's bankruptcy.
While The Flame's run in the superhero game
was a short one the comic still – excuse me – burns quite bright for its
originality. In fact, you could
easily trace a lot of The Flame
forward to many now legendary comic characters.
Just look at his
origin story: poor little Gary Preston was the only survivor of a flood that
killed his father, Charteris Preston – a missionary in China. Little Preston was saved by a
benevolent order of Tibetan monks who taught him the mysterious power of heat
and fire. Gary knew that power
must be used for good and The Flame was born.
[MORE]
Monday, August 12, 2013
Excerpt From Running Dry: The Complete Series
(from M.Christian's Queer Imaginings)
Wheeee! This is very cool - the very fun Gay/Lesbian Fiction Excerpts site just posted a teasing taste of my newly released Running Dry: The Complete Series (from the fantastic Sizzler Editions).
Here's a bit of it - for the rest just click here.
"You want some?" came a voice from the next-door stall: deep and mature, but not old; faintly lyrical but not threateningly exotic; alluring and tempting, but not shallow or jaded.
Wheeee! This is very cool - the very fun Gay/Lesbian Fiction Excerpts site just posted a teasing taste of my newly released Running Dry: The Complete Series (from the fantastic Sizzler Editions).
Here's a bit of it - for the rest just click here.
EMPTY
"You want some?" came a voice from the next-door stall: deep and mature, but not old; faintly lyrical but not threateningly exotic; alluring and tempting, but not shallow or jaded.
"S-sure," he stammered as he leaned
forward to undo the latch, gently push the door open.
The similar sound of a cheap bolt being drawn back
made his heartbeat race, a stroboscopic cascade of imagination making his
eyes blur.
When he did appear, Vince saw that his voice was ...
and could not be anything but, his: a face with lines of experience,
but not aged; unique features, but without the fear of being too foreign; a
sensually wry smile on delicate lips, but not mockingly lecherous.
Not old, but he immediately put his nearly-elegant
and almost-refined face between thirty and forty; not local, but he dreamed
of Cinzano umbrellas and waiters with thick mustaches ... a land within sight
of an-always-turquoise Mediterranean; and a truly happy grin and an honestly
playful dance of gray eyes. He wore simple but too-clean clothes, to be
working simply: dark jeans, a pair of new-ish tennis shoes, and a black,
well-washed, turtle-neck.
Standing, framed by the battered metal of the narrow
bathroom stall, he looked down at Vince for a moment, as if doing the same
cascade of imagination – and, as he did, Vince felt himself faintly blush:
wondering how this handsome-but-not pretty man, who maybe (maybe-not) came
from a warm land on a side of that southern sea, and who had asked to come
over and suck his cock, saw him.
The floor of the bathroom was tiled, smudged and
streaked here and there with whatever the owner of the Crooked Crow
couldn't, or wouldn't be bothered, to clean, but it didn't stop him from
kneeling down in front of Vince. The blush, at which Vince's face further
warmed, didn't go away as the stranger put one hand, and then the other, on
either side of Vince's thighs and gently – almost lovingly – parted them.
"You're new at this, aren't you?" the man
said, with humor – but not laughter – in his voice. It matched the calmness
in his touch; his playful, but not catty, tone. "There's nothing to be
afraid of."
"O-Okay," Vince said, his own voice coming
out too many stepped-up octaves high.
From his right thigh, the man's hand deftly slipped
further up, between Vince's legs to wrap firmly, but still kindly, around his
hard cock. Vince's blush remained – but then faded quickly: he'd
half-expected (and half-not) that his cock would fail him, that his naïveté
would leave him at half-mast, and less-than-full-steam.
This time the other man did laugh – but with
and not at – and squeezed Vince's cock ever-so tighter. "I think
we'll have a good time," he said.
All Vince could do was nod – and that came as a
basic, deep-down reflex.
Then the other man, the stranger, dipped his head
down and – with a neat, smooth, and Vince suspected well-practiced gesture,
put his lips around the head of his cock. The contact was almost an electric
shock: a bolt of sensuality that made – another basic, deep-down reflex –
Vince hiss, and then softly moan.
[MORE]
Sunday, August 11, 2013
Confessions Of A Literary Streetwalker: Self Or Not?
Check it out: I just posted a Streetwalker column on the always-wonderful Erotica Readers And Writes site. It might be an old one but it's also something that a LOT of people have been talking to me about - so I thought it was worth posting again.
[MORE]
Before I begin, a bit of disclosure: While the following has
been written in an attempt to be professionally and personally non-biased I am
an Associate Publisher for Renaissance E Books.
Now, with that out of the way...
So, should you stay with the traditional model of working
with a publisher or go the self-publishing route?
I'd be lying if I said I haven't been thinking – a lot -- about
this. The arguments for stepping
out on your own are certainly alluring, to put it mildly: being able to keep
every dime you make – instead of being paid a royalty – and having total and
complete control of your work being the big two.
But after putting on my thinking cap – ponder, ponder, ponder -- I've come to a few conclusions that are going to keep me and my work with publishers for quite some time.
But after putting on my thinking cap – ponder, ponder, ponder -- I've come to a few conclusions that are going to keep me and my work with publishers for quite some time.
As always, take what I'm going to say there with a hefty
dose of sodium chloride: what works for
me ... well, works for me and maybe not you.
Being on both sides
of the publishing fence – as a writer, editor, and now publisher (even as a
Associate Publisher) -- has given me a pretty unique view of the world of not
just writing books, working to get them out into the world, but also a pretty good
glimpse at the clockwork mechanisms than run the whole shebang.
For example, there's been a long tradition of writers if not
actively hating then loudly grumbling about their publishers. You name it and writers will bitch
about it: the covers, the publicity (or lack of), royalties ... ad
infinitum. Okay, I have to admit
more than a few grouches have been mine but with (and I really hate to say
this) age has come a change in my perspective. No, I don't think publishers should be
given carte blanch to do with as they
please and, absolutely, I think that writers should always have the freedom to
speak up if things are not to their liking, but that also doesn't mean that
publisher's are hand-wringing villains cackling at taking advantage of poor,
unfortunate authors.[MORE]
Thursday, August 08, 2013
Reminder: Cupping - Using The Ancient Medicinal Technique For Erotic Play
(from M.Christian's Classes And Appearances)
Just a reminder that my very fun - if I do say so myself - on Cupping is coming up next week, here in San Francisco:
Cupping: Using The Ancient Medicinal Technique For Erotic Play
Thursday, August 15, 2013, 8:00 PM –10:00 PM
Cost: $20 at the door, $15 in advance- buy advanced tickets on WePay
SF Citadel Community Center
181 Eddy Street, San Francisco, CA
For thousands of years, Asian cultures have been using 'cupping' as a remedy for a variety of ills – from muscle strains to just a wonderful way to relax. In this unique class, participants will not just learn how to use cupping safely but also how to use it to enhance all kinds of erotic – and kinky – play. Demonstrations will include not just how to use cupping on various parts of the body in new and exciting ways but also the different types of cupping sets that are available and what type is right for everything from advanced BDSM play to just soothing an achy back.
Just a reminder that my very fun - if I do say so myself - on Cupping is coming up next week, here in San Francisco:
Cupping: Using The Ancient Medicinal Technique For Erotic Play
Thursday, August 15, 2013, 8:00 PM –10:00 PM
Cost: $20 at the door, $15 in advance- buy advanced tickets on WePay
SF Citadel Community Center
181 Eddy Street, San Francisco, CA
For thousands of years, Asian cultures have been using 'cupping' as a remedy for a variety of ills – from muscle strains to just a wonderful way to relax. In this unique class, participants will not just learn how to use cupping safely but also how to use it to enhance all kinds of erotic – and kinky – play. Demonstrations will include not just how to use cupping on various parts of the body in new and exciting ways but also the different types of cupping sets that are available and what type is right for everything from advanced BDSM play to just soothing an achy back.
Tuesday, August 06, 2013
M.Christian In August!
(from M.Christian's Classes And Appearances)
August is going to be a very fun month for classes and events - for me, for sure, and hopefully for anyone out there who wants to attend one of my classes or readings!
Check it out:
Cupping: Using The Ancient Medicinal Technique For Erotic Play
Thursday, August 15, 2013, 8:00 PM –10:00 PM
Cost: $20 at the door, $15 in advance- buy advanced tickets on WePay
SF Citadel Community Center
181 Eddy Street, San Francisco, CA
For thousands of years, Asian cultures have been using 'cupping' as a remedy for a variety of ills – from muscle strains to just a wonderful way to relax. In this unique class, participants will not just learn how to use cupping safely but also how to use it to enhance all kinds of erotic – and kinky – play. Demonstrations will include not just how to use cupping on various parts of the body in new and exciting ways but also the different types of cupping sets that are available and what type is right for everything from advanced BDSM play to just soothing an achy back.
#
Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality & Spirituality
Tuesday, August 27th, 6:30PM - 8:30PM
$20 in advance, $25 at the door
Polk Street Good Vibrations Store
1620 Polk Street (at Sacramento Street), San Francisco, CA 94109
There are many ways to reach your inner sexual and spiritual self -- but one of the most surprisingly powerful paths is through the written word. In this workshop with prolific erotic author and sexual skills teacher M.Christian, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, help make surprising and important self-discoveries and to assist in a personal journey of identity and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence (and listen to) the inner critic. For more about the presenter visit mchristian.com.
#
Godless Perverts Story Hour
Saturday, August 31, 7:00PM - 9:00PM
$10-20 Sliding Scale Donation
Center for Sex and Culture
1349 Mission St San Francisco, CA United States
Join us for another evening of blasphemy and depravity at our next Godless Perverts Story Hour on Saturday, August 31. The Godless Perverts Story Hour is an evening about how to have good sex without having any gods, goddesses, spirits, or their earthly representatives hanging over your shoulder and telling you that you’re doing it wrong. We’ll be bringing you depictions, explorations, and celebrations of godless sexualities, as well as critical, mocking, and blasphemous views of sex and religion. The evening’s entertainment will have a range of voices — sexy and serious, passionate and funny, and all of the above — talking about how our sexualities can not only exist, but even thrive, without the supernatural.
August is going to be a very fun month for classes and events - for me, for sure, and hopefully for anyone out there who wants to attend one of my classes or readings!
Check it out:
Cupping: Using The Ancient Medicinal Technique For Erotic Play
Thursday, August 15, 2013, 8:00 PM –10:00 PM
Cost: $20 at the door, $15 in advance- buy advanced tickets on WePay
SF Citadel Community Center
181 Eddy Street, San Francisco, CA
For thousands of years, Asian cultures have been using 'cupping' as a remedy for a variety of ills – from muscle strains to just a wonderful way to relax. In this unique class, participants will not just learn how to use cupping safely but also how to use it to enhance all kinds of erotic – and kinky – play. Demonstrations will include not just how to use cupping on various parts of the body in new and exciting ways but also the different types of cupping sets that are available and what type is right for everything from advanced BDSM play to just soothing an achy back.
#
Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality & Spirituality
Tuesday, August 27th, 6:30PM - 8:30PM
$20 in advance, $25 at the door
Polk Street Good Vibrations Store
1620 Polk Street (at Sacramento Street), San Francisco, CA 94109
There are many ways to reach your inner sexual and spiritual self -- but one of the most surprisingly powerful paths is through the written word. In this workshop with prolific erotic author and sexual skills teacher M.Christian, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, help make surprising and important self-discoveries and to assist in a personal journey of identity and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence (and listen to) the inner critic. For more about the presenter visit mchristian.com.
#
Godless Perverts Story Hour
Saturday, August 31, 7:00PM - 9:00PM
$10-20 Sliding Scale Donation
Center for Sex and Culture
1349 Mission St San Francisco, CA United States
Join us for another evening of blasphemy and depravity at our next Godless Perverts Story Hour on Saturday, August 31. The Godless Perverts Story Hour is an evening about how to have good sex without having any gods, goddesses, spirits, or their earthly representatives hanging over your shoulder and telling you that you’re doing it wrong. We’ll be bringing you depictions, explorations, and celebrations of godless sexualities, as well as critical, mocking, and blasphemous views of sex and religion. The evening’s entertainment will have a range of voices — sexy and serious, passionate and funny, and all of the above — talking about how our sexualities can not only exist, but even thrive, without the supernatural.
Friday, July 26, 2013
Amos Lassen Likes Running Dry
(from M.Christian's Queer Imaginings)
Now here's a treat: my great pal, Amos Lassen, just posted this review of the new edition of Running Dry - just released by Renaissance E Books/Sizzler Editions as part of their M.Christian ManLove special imprint.
Now here's a treat: my great pal, Amos Lassen, just posted this review of the new edition of Running Dry - just released by Renaissance E Books/Sizzler Editions as part of their M.Christian ManLove special imprint.
Ernst Doud is non-human and 154 years young. He lives quietly in Los Angeles and all was fine until he got a letter from a lover he has not seen since 1913 and it was then that he killed him. Now that is a way to start a story as you soon realize that you are reading about the undead. Most of us love a good vampire story and I have often wondered why that is true. I suspect that there are two major reasons and a bunch of lesser ones. Vampires are very sexy and mysterious; they are dark and live forever.
This is a vampire story without all of the “vamping”. M. Christian writes stories that are quite far out yet maintain a sense of truth. This is his way of showing that our worlds can come together. We tend to fear that which we do not know and here is where vampires gain ground. We have never seen a vampire but he has a sense of mystery which is exciting and sexy. In this story we see the themes of vengeance, loyalty and “the humanity of the inhuman”. I believe vampires made a comeback with the AIDS epidemic when gay men’s lives depended on blood tests. The fact that blood is so essential in vampire lore has been a conundrum and an enigma for me especially when you consider the importance of blood in Christian religions and in Roman Catholicism when at the act of transubstantiation, wine turns into blood. Yet it is those very same religions that condemn vampires because of the emphasis on something that is so integral to what their members and religious leaders believe.
Unlike other vampire stories, here is one that will get the reader to think. This in one of those stories in which sex is not important but thoughts are. M. Christian is known as an erotic writer but this time he chose to forego sex and concentrate on the mind. Instead of using his literary skills to write vivid sex scenes, he chose not to write about sex this time and develop characters who not just sexual beings but who have minds with which to think. Instead of a lot of sex, we get a lot of adventure so this is not like other books in this genre. It may just be that M. Christian has begun an entirely new genre but I guess we may have to wait awhile to see if that is true. In the meantime there are many other opportunities to read M. Christian. He is always new and never bores.
Thursday, July 25, 2013
Tuesday, July 23, 2013
"Meet the Editors" w/ M. Christian, Sascha Illyvich & Jean Marie Stine
If you couldn't make the "Meet the Editors"interactive event last month then no worries: the great folks at Creative Sexuality have just posted an edited version of the event on YouTube. Stay tuned for more events like these!
Friday, July 19, 2013
Orphans From Love Without Gun Control
(from M.Christian's Technorotica)
A long time and New Mexico. He felt the fever start as he walked down dusty streets, passing stores selling fake Indian art, plastic tomahawks. In a narrow alley, an old man with heavy features slept out the hot afternoon, a bronze-colored bottle by his hand.
He went into a dark bar and sat in the corner, feeling his core temperature rise, his skin shimmy with cold shakes. Taking deep breaths, he sipped a warm beer.
He remembered its pathology, its transmission rates, preferred vectors. He thought he’d have more time, and silently felt a heavy sadness at not being able to see the Pacific. It hadn’t been a real goal, but had begun to be a kind of benchmark, a saccharin epitaph.
He’d met some good people as he’d traveled from Atlanta, and felt sorry for them. But he also remembered those faces on all those files. It wasn’t virulent, but it did spread. Airborne was tough, but it could manage.
Too few to care about. Not enough to bother curing. It had almost been gone, at least to the Center for Disease Control. Exiled to its refrigerator, the vault. A rarity that claimed maybe a hundred, maybe two each year, almost just a memory. So rare that they’d passed judgment on it: extinction. It had been his job to destroy the samples, to consign the virus to a few sad cases scattered around the world.
The faces on those folders. Too few to care about. As the shivers began in earnest, he tried to think about them, to hold each and every one of them in his mind. Coldly told their wasn’t enough of them to bother, to care about, to cure.
Sipping his beer, feeling his strength drain, he hoped that now -- after all those miles he’d managed, those rides, those hands he’d shaken -- they wouldn’t be so alone.
I always liked this story - so I thought I'd share it with you. "Orphans"
first appeared in Talebones Magazine and now, of course, is in my
science fiction/fantasy/horror collection, Love Without Gun Control ...
out in 'e' and paperback from the great Renaissance E Books.
Orphans
Outside
of Atlanta, after standing under the flickering fluorescent lights of a
sprawling truck stop for almost an hour, he was picked up by a heavy faced man
driving a ratting sixteen wheeler. Red hair an angry mop on his head,
brushy beard all wild and unkempt, the driver said “Glad for the company”
before they’d even pulled out onto the dark highway.
#
In a little town somewhere just beyond the Louisiana border, he was picked up by a middle-aged woman in a green station wagon, who seemed to delight in creating herself as the perfect housewife: housecoat, hair in curlers, kid’s seat in the back. She spent the first few miles prattling nervously, obviously just wanting companionship but frightened with herself for choosing the young hitchhiker to try and sate it. He listened, hypnotized by the landscape blurring by. Finally she asked, “Been on the road long?”
“Not long,” he said, wishing again that it had been someone else who’d picked him up, “just getting out. Meeting people.”
“That’s good,” she said, innocently. “Nothin’ worse than being alone.”
To that he just nodded, still staring out the window.
#
He’d never heard of a nut log, and would be damned if he was going to try some. But the salesman, Lou Phillips, was so insistent that -- before he was even aware of it -- he had some on the end of his fork.
“Now me, son,” Lou said, smiling broad and bright, “I ain’t a flincher. You take that shit there on the end of your fork. What’s the worse that could happen? It taste like crap -- but that ain’t gonna kill you, is it? But maybe it’s gonna be the best damned shit you ever tasted. Ain’t gonna know till it’s in your mouth, right?”
He didn’t answer, and instead stared at the tip of his fork, at the brown sticky mass. Before he was aware of it he was categorizing diseases, vectors and transmission rates. Closing his eyes, he breathed in, out, in and again, then put it into his mouth. The sweetness was almost alarming, and without conscious control he opened his eyes -- and stared into Lou’s sparking brown eyes. “See, that ain’t so bad! Fuck it, son -- life’s too short to be scared.”
A cup of coffee later, Lou confessed that he was a widower. His wife of twenty-six years having passed away that spring. “Some kind of virus got her. By the time she went to the damn doc it was she was thin as a rail. Didn’t last more than a month.”
Sipping hot, bitter -- with a touch of slightly turned cream, he hung his head down, mumbling, “Sorry” like it was his fault.
“I mean we all got to go, right? When it’s our turn. But what pisses me off is the shit those damned doctors put ya through. Pretend that they know it all when they don’t know shit. Tell ya what, kid, if I ever get something I’m just gonna drive out to the desert somewhere and just lay out there in the sun. Damn sight better chance then letting them touch ya.”
It seemed such a positive act that he smiled, despite himself -- masking it by sipping the foul coffee again and saying “Sometimes it isn’t that they don’t know -- it’s that it’s just not worth knowing.”
#
Another big truck -- this time cleaner, almost polished. Like a fighter plane, sporting a elegant pin-up on the driver’s side door. Haulin’ Ass, scrolled under a cheesecake girl with golden blond hair. The driver was gaunt, a narrow sketch of a man. Peppered hair and the ghostly scar of a hair lip.
They didn’t speak for many miles, then the driver said, unexpectedly, “What cha’ runnin’ from, man?”
His first reaction was so say, “nothing” but the word didn’t come. Was he running? When he thought about it, watching the double-yellow vanish under the windshield, the direction wasn’t right. “Not from, towards.”
“What cha’ goin’ to, then?”
He didn’t know. He did know, though, that he couldn’t stay in Atlanta. It was such a lonely place ... no, not right. It was where he discovered loneliness. A dusty little room and files -- at first just one or two then more. Some of them had faces, pictures charting their progress -- images to match the declining graphs. Aside from the wasting, he’d seen something else in those faces, the sunken eyes, the fallen features -- loneliness. In their worlds they’d been too few, not enough to matter ... to save.
He’d managed a rough smile, trying to put a comedic face over tragedy. “Just makin’ friends,” he said.
#
Texas was hot, ghostly heat hovering above the roadway. Sky too blue, too pure to be stared at for long. Sitting in a McDonald’s, slowly sipping a shake to avoid going out into the hot, dry, he struck up a brief conversation with a young couple. Too pressed, too clean. A few miles beyond, the air conditioner in their older car cranked up to full, they started to talk about Jesus.
He responded noncommittally, but soon their tone started to irritate him. Looking out at the hot land, he could too easily see the ghostly hopelessness, the abandonment he’d first seen in Atlanta overlaid on every face they passed. Maybe the harried father in the RV -- stricken with something that struck one on ten thousand. Maybe that old woman, all blue hair and cautious hand on the wheel -- catching something that would waste her, slowly, horribly but only affected one in a hundred thousand.
He listened, for a moment, about what they were saying -- instantly realizing that they were following a well-hewn grove. Something like Parkinson’s, a horrible inlaw to the more popular disease: a gradual wasting of the mind -- something affecting one in a million. He could too easily see them, parroting their beliefs till they had no more will, no more strength left to even move their lips.
At the next town he asked to be left off, dismissing their offer of finding him a shelter, a meal, but he did take the money they offered, more than anything to get them to leave.
#
Too many miles. Still in Texas but the weather had changed -- high, turbulent clouds casting deep shadows onto the flat land. Too many miles. Maybe that was it. A pressure. They all saw him the way they wanted to, a young man traveling. A bum, a threat, a homeless person, an object of pity, something to hate and blame. The pick-up truck full of teenagers, throwing a half-empty can of beer as they passed, the too-helpful families that desperately wanted his absolution.
So he told some of it to the bald man, the man in the jeans and stained tee-shirt. He knew he’d been picked up for rough trade, but didn’t care. He avoided his inquiring eyes and, at first, answered with only a few words, but as they drove and the driver’s interest became more and more obvious he found himself talking more, stringing together fact and fiction.
To “-- where are you headed?” he said, “Los Angeles, my mom’s in the hospital. Something wrong with her liver.”
To “-- that sounds pretty serious. What does her doctor say?” he said, “They know what it is, some kind of hepatitis variant. Rare, though, like one in a hundred thousand get it.”
To “-- at least they know what it is. They got all kinds of drugs and shit nowadays” he said, pausing “They know what it is, but not enough people get it. So they don’t make a cure, not cost effective. They call them ‘orphan diseases’ -- too rare to bother curing. She’s going to die.”
They rode in uncomfortable silence till the next town. This time he was asked to leave -- and he did, stepping out into the darkness of a cloud’s shadow. It had been the shortest trip he’d been on, but he felt lighter, less burdened. That it had only been part of the truth didn’t matter; he’d spoken enough of it to get someone to understand, if maybe just a little.
#
#
In a little town somewhere just beyond the Louisiana border, he was picked up by a middle-aged woman in a green station wagon, who seemed to delight in creating herself as the perfect housewife: housecoat, hair in curlers, kid’s seat in the back. She spent the first few miles prattling nervously, obviously just wanting companionship but frightened with herself for choosing the young hitchhiker to try and sate it. He listened, hypnotized by the landscape blurring by. Finally she asked, “Been on the road long?”
“Not long,” he said, wishing again that it had been someone else who’d picked him up, “just getting out. Meeting people.”
“That’s good,” she said, innocently. “Nothin’ worse than being alone.”
To that he just nodded, still staring out the window.
#
He’d never heard of a nut log, and would be damned if he was going to try some. But the salesman, Lou Phillips, was so insistent that -- before he was even aware of it -- he had some on the end of his fork.
“Now me, son,” Lou said, smiling broad and bright, “I ain’t a flincher. You take that shit there on the end of your fork. What’s the worse that could happen? It taste like crap -- but that ain’t gonna kill you, is it? But maybe it’s gonna be the best damned shit you ever tasted. Ain’t gonna know till it’s in your mouth, right?”
He didn’t answer, and instead stared at the tip of his fork, at the brown sticky mass. Before he was aware of it he was categorizing diseases, vectors and transmission rates. Closing his eyes, he breathed in, out, in and again, then put it into his mouth. The sweetness was almost alarming, and without conscious control he opened his eyes -- and stared into Lou’s sparking brown eyes. “See, that ain’t so bad! Fuck it, son -- life’s too short to be scared.”
A cup of coffee later, Lou confessed that he was a widower. His wife of twenty-six years having passed away that spring. “Some kind of virus got her. By the time she went to the damn doc it was she was thin as a rail. Didn’t last more than a month.”
Sipping hot, bitter -- with a touch of slightly turned cream, he hung his head down, mumbling, “Sorry” like it was his fault.
“I mean we all got to go, right? When it’s our turn. But what pisses me off is the shit those damned doctors put ya through. Pretend that they know it all when they don’t know shit. Tell ya what, kid, if I ever get something I’m just gonna drive out to the desert somewhere and just lay out there in the sun. Damn sight better chance then letting them touch ya.”
It seemed such a positive act that he smiled, despite himself -- masking it by sipping the foul coffee again and saying “Sometimes it isn’t that they don’t know -- it’s that it’s just not worth knowing.”
#
Another big truck -- this time cleaner, almost polished. Like a fighter plane, sporting a elegant pin-up on the driver’s side door. Haulin’ Ass, scrolled under a cheesecake girl with golden blond hair. The driver was gaunt, a narrow sketch of a man. Peppered hair and the ghostly scar of a hair lip.
They didn’t speak for many miles, then the driver said, unexpectedly, “What cha’ runnin’ from, man?”
His first reaction was so say, “nothing” but the word didn’t come. Was he running? When he thought about it, watching the double-yellow vanish under the windshield, the direction wasn’t right. “Not from, towards.”
“What cha’ goin’ to, then?”
He didn’t know. He did know, though, that he couldn’t stay in Atlanta. It was such a lonely place ... no, not right. It was where he discovered loneliness. A dusty little room and files -- at first just one or two then more. Some of them had faces, pictures charting their progress -- images to match the declining graphs. Aside from the wasting, he’d seen something else in those faces, the sunken eyes, the fallen features -- loneliness. In their worlds they’d been too few, not enough to matter ... to save.
He’d managed a rough smile, trying to put a comedic face over tragedy. “Just makin’ friends,” he said.
#
Texas was hot, ghostly heat hovering above the roadway. Sky too blue, too pure to be stared at for long. Sitting in a McDonald’s, slowly sipping a shake to avoid going out into the hot, dry, he struck up a brief conversation with a young couple. Too pressed, too clean. A few miles beyond, the air conditioner in their older car cranked up to full, they started to talk about Jesus.
He responded noncommittally, but soon their tone started to irritate him. Looking out at the hot land, he could too easily see the ghostly hopelessness, the abandonment he’d first seen in Atlanta overlaid on every face they passed. Maybe the harried father in the RV -- stricken with something that struck one on ten thousand. Maybe that old woman, all blue hair and cautious hand on the wheel -- catching something that would waste her, slowly, horribly but only affected one in a hundred thousand.
He listened, for a moment, about what they were saying -- instantly realizing that they were following a well-hewn grove. Something like Parkinson’s, a horrible inlaw to the more popular disease: a gradual wasting of the mind -- something affecting one in a million. He could too easily see them, parroting their beliefs till they had no more will, no more strength left to even move their lips.
At the next town he asked to be left off, dismissing their offer of finding him a shelter, a meal, but he did take the money they offered, more than anything to get them to leave.
#
Too many miles. Still in Texas but the weather had changed -- high, turbulent clouds casting deep shadows onto the flat land. Too many miles. Maybe that was it. A pressure. They all saw him the way they wanted to, a young man traveling. A bum, a threat, a homeless person, an object of pity, something to hate and blame. The pick-up truck full of teenagers, throwing a half-empty can of beer as they passed, the too-helpful families that desperately wanted his absolution.
So he told some of it to the bald man, the man in the jeans and stained tee-shirt. He knew he’d been picked up for rough trade, but didn’t care. He avoided his inquiring eyes and, at first, answered with only a few words, but as they drove and the driver’s interest became more and more obvious he found himself talking more, stringing together fact and fiction.
To “-- where are you headed?” he said, “Los Angeles, my mom’s in the hospital. Something wrong with her liver.”
To “-- that sounds pretty serious. What does her doctor say?” he said, “They know what it is, some kind of hepatitis variant. Rare, though, like one in a hundred thousand get it.”
To “-- at least they know what it is. They got all kinds of drugs and shit nowadays” he said, pausing “They know what it is, but not enough people get it. So they don’t make a cure, not cost effective. They call them ‘orphan diseases’ -- too rare to bother curing. She’s going to die.”
They rode in uncomfortable silence till the next town. This time he was asked to leave -- and he did, stepping out into the darkness of a cloud’s shadow. It had been the shortest trip he’d been on, but he felt lighter, less burdened. That it had only been part of the truth didn’t matter; he’d spoken enough of it to get someone to understand, if maybe just a little.
#
A long time and New Mexico. He felt the fever start as he walked down dusty streets, passing stores selling fake Indian art, plastic tomahawks. In a narrow alley, an old man with heavy features slept out the hot afternoon, a bronze-colored bottle by his hand.
He went into a dark bar and sat in the corner, feeling his core temperature rise, his skin shimmy with cold shakes. Taking deep breaths, he sipped a warm beer.
He remembered its pathology, its transmission rates, preferred vectors. He thought he’d have more time, and silently felt a heavy sadness at not being able to see the Pacific. It hadn’t been a real goal, but had begun to be a kind of benchmark, a saccharin epitaph.
He’d met some good people as he’d traveled from Atlanta, and felt sorry for them. But he also remembered those faces on all those files. It wasn’t virulent, but it did spread. Airborne was tough, but it could manage.
Too few to care about. Not enough to bother curing. It had almost been gone, at least to the Center for Disease Control. Exiled to its refrigerator, the vault. A rarity that claimed maybe a hundred, maybe two each year, almost just a memory. So rare that they’d passed judgment on it: extinction. It had been his job to destroy the samples, to consign the virus to a few sad cases scattered around the world.
The faces on those folders. Too few to care about. As the shivers began in earnest, he tried to think about them, to hold each and every one of them in his mind. Coldly told their wasn’t enough of them to bother, to care about, to cure.
Sipping his beer, feeling his strength drain, he hoped that now -- after all those miles he’d managed, those rides, those hands he’d shaken -- they wouldn’t be so alone.
Thursday, July 18, 2013
Greener Grasses On GetLusty For Couples!
(from M.Christian's Queer Imaginings)
This is very cool: my queer BDSM story, The Greener Grasses - which is in my newly released collection, Filthy Boys, (and part of the Sizzler M.Christian ManLove imprint) - was just excerpted on the excellent GetLusty for Couples site. Here's a link ... you need to register but there's no charge.
It's not often you hear of submissive males in erotica. We appreciate this perspective and recently had the pleasure of approving this erotica for your viewing pleasure. Because it's nice to hear erotic tales from the male point of view. Curious about the submissive gentlemen below? Erotica writer M. Christain will tantilize you with his erotic prose abilities. Read on, Lusties! Want more? Check out part 2 coming soon.
* * *
Hand on the knob, I took a deep breath. I resisted checking my watch again, not wanting to show, even just to myself, how nervous I was. Rules formed the world, framed it, and defined it. The door would only be unlocked from 1:15 to 1:25 PM. After that, the bolt would be thrown, and I'd have to come back next week – to a frightening punishment for being late.
I turned the knob. Open. I stepped in and closed it carefully. Japanese. I felt Japanese – or at least what I imagined it might be like – a member of a rigid world, where punishment for transgression was certain and terrifying. But I knew one thing for certain: I belonged to Mister Robert.
Down the hall, through the door at the end. The room. The room where I lived, where I existed: black carpeting on the floor and walls – even over the door. Bare wooden ceiling; rough, bare beams flaked with original white paint. Track light with three high intensity pots. One wall had a board bolted to it, on the board a line of cheap coat hooks. On the hooks the dark leather of the toys. Another board on the opposite wall, this one with two big eyebolts. In one corner the sawhorse. The room I wished I never had to leave.
I got undressed, carefully folding my clothes in a corner. I waited. Ten minutes, exactly. Then the door opened.
I didn't turn. To turn would break a rule. I was property; I belonged to Mister Robert. Property wasn't a man, with desires. Nevertheless, I was happy.
[MORE]
This is very cool: my queer BDSM story, The Greener Grasses - which is in my newly released collection, Filthy Boys, (and part of the Sizzler M.Christian ManLove imprint) - was just excerpted on the excellent GetLusty for Couples site. Here's a link ... you need to register but there's no charge.
It's
not often you hear of submissive males in erotica. We appreciate this
perspective and recently had the pleasure of approving this erotica for
your viewing pleasure. Because it's nice to hear erotic tales from the
male point of view. Curious about the submissive gentlemen below?
Erotica writer M. Christain will tantilize you with his erotic prose
abilities. Read on, Lusties! Want more? Check out part 2 coming soon.
* * *
Hand on the knob, I took a deep breath. I resisted checking my watch again, not wanting to show, even just to myself, how nervous I was. Rules formed the world, framed it, and defined it. The door would only be unlocked from 1:15 to 1:25 PM. After that, the bolt would be thrown, and I'd have to come back next week – to a frightening punishment for being late.
I
turned the knob. Open. I stepped in and closed it carefully. Japanese. I
felt Japanese – or at least what I imagined it might be like – a member
of a rigid world, where punishment for transgression was certain and
terrifying. But I knew one thing for certain: I belonged to Mister
Robert.
Down the hall, through the door at the end. The room. The room where I lived, where I existed: black carpeting on the floor and walls – even over the door. Bare wooden ceiling; rough, bare beams flaked with original white paint. Track light with three high intensity pots. One wall had a board bolted to it, on the board a line of cheap coat hooks. On the hooks the dark leather of the toys. Another board on the opposite wall, this one with two big eyebolts. In one corner the sawhorse. The room I wished I never had to leave.
I got undressed, carefully folding my clothes in a corner. I waited. Ten minutes, exactly. Then the door opened.
I didn't turn. To turn would break a rule. I was property; I belonged to Mister Robert. Property wasn't a man, with desires. Nevertheless, I was happy.
- See more at: https://couples.getlusty.com/Article/7609/Erotica!-The-Greener-Grasses-Pt-1#sthash.s0NNAVHD.dpuf
* * *
Hand on the knob, I took a deep breath. I resisted checking my watch again, not wanting to show, even just to myself, how nervous I was. Rules formed the world, framed it, and defined it. The door would only be unlocked from 1:15 to 1:25 PM. After that, the bolt would be thrown, and I'd have to come back next week – to a frightening punishment for being late.
Down the hall, through the door at the end. The room. The room where I lived, where I existed: black carpeting on the floor and walls – even over the door. Bare wooden ceiling; rough, bare beams flaked with original white paint. Track light with three high intensity pots. One wall had a board bolted to it, on the board a line of cheap coat hooks. On the hooks the dark leather of the toys. Another board on the opposite wall, this one with two big eyebolts. In one corner the sawhorse. The room I wished I never had to leave.
I got undressed, carefully folding my clothes in a corner. I waited. Ten minutes, exactly. Then the door opened.
I didn't turn. To turn would break a rule. I was property; I belonged to Mister Robert. Property wasn't a man, with desires. Nevertheless, I was happy.
- See more at: https://couples.getlusty.com/Article/7609/Erotica!-The-Greener-Grasses-Pt-1#sthash.s0NNAVHD.dpuf
It's not often you hear of submissive males in erotica. We appreciate this perspective and recently had the pleasure of approving this erotica for your viewing pleasure. Because it's nice to hear erotic tales from the male point of view. Curious about the submissive gentlemen below? Erotica writer M. Christain will tantilize you with his erotic prose abilities. Read on, Lusties! Want more? Check out part 2 coming soon.
* * *
Hand on the knob, I took a deep breath. I resisted checking my watch again, not wanting to show, even just to myself, how nervous I was. Rules formed the world, framed it, and defined it. The door would only be unlocked from 1:15 to 1:25 PM. After that, the bolt would be thrown, and I'd have to come back next week – to a frightening punishment for being late.
I turned the knob. Open. I stepped in and closed it carefully. Japanese. I felt Japanese – or at least what I imagined it might be like – a member of a rigid world, where punishment for transgression was certain and terrifying. But I knew one thing for certain: I belonged to Mister Robert.
Down the hall, through the door at the end. The room. The room where I lived, where I existed: black carpeting on the floor and walls – even over the door. Bare wooden ceiling; rough, bare beams flaked with original white paint. Track light with three high intensity pots. One wall had a board bolted to it, on the board a line of cheap coat hooks. On the hooks the dark leather of the toys. Another board on the opposite wall, this one with two big eyebolts. In one corner the sawhorse. The room I wished I never had to leave.
I got undressed, carefully folding my clothes in a corner. I waited. Ten minutes, exactly. Then the door opened.
I didn't turn. To turn would break a rule. I was property; I belonged to Mister Robert. Property wasn't a man, with desires. Nevertheless, I was happy.
[MORE]
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