I'm Teaching For Good Vibrations

(from M.Christian's Classes & Appearances)

Great news: I'm going to be teaching my class, How To Create An Effective Online Profile – And Now To Write Messages That Will Get Good Responses, for the wonderful folks at Good Vibrations (at Polk Street in San Francisco) on April 15, 2013.

Stay tuned for more info, but in the meantime here's a quickie outline of the class:

The world really is the Internet ... and if you don't know how to use it then you are at a serious disadvantage in making any kind of connection: employment, social, artistic and – most of all – erotic. This class will not just explore how to use the Internet and various sites as a resource to explore your own sexuality – in any form – but also how to create an effective and alluring online profile. But creating a digital 'self' is only part of it: participants will also get tips on how to reach out in imaginative ways that will get a positive response, the important things that are too often forgotten and other social niceties that can be the difference between frustration and disappointment and having a wonderful – and best of all – sexy time online!

God Bless America

31 Year-Old Handgun Violence Ad Still Relevant Today:
It ran in 1981, shortly after John Lennon was murdered.

The ad ran soon after Lennon was shot dead by Mark David Chapman. Chapman shot Lennon in the back with four hollow point bullets from a .38 special. 

The handgun death percentages by-country are basically the same today. 

This is not the time to discuss this, though. 

But this is the time to blame the lack of God in schools and gaming for the Sandy Hook shooting. 

Ad created by Advertising Hall of Fame art director Rick Boyko.
(from BuzzFeed)

Reminder: The Mammoth Book of Erotica presents The Best of M. Christian

I am extremely pleased and proud to be able to announce the publication of The Mammoth Book of Erotica presents The Best of M. Christian

What makes this book so special is that it is made up of stories that have previously appeared in Maxim Jakubowski's excellent Mammoth Book of New Erotica series - an honor that still makes me giggle like a schoolgirl.

What's also cool about this new collection is that it has a little bit of everything ... for everyone: erotic science fiction, queer erotic stories, and more! It's quite literally a book for just about everyone.

The Color of Lust - A shark, seedy poolhall, and a wager ... Daisy knew the hustle but what she didn't count on was being played herself. But in the best possible way.... Everything But The Smell Of Lilies - In the near future, Justine is a sex worker with a unique twist: for a fee her clients can do whatever they want - including kill her. Everything is going well for her ... until, that is, she comes across an ambulance attendant with his own unique fetish.  Betty Came - A sweet, and extra-hot, tale of longing and lesbian desire: what do you do when you know what you is so very wrong ... but feels so very right?  Regrets - Sitting on a chair, arms on the desk, fingers on the keyboard, words on the screen-" the letter is a final goodbye from a fellow to the world he's wronged ... or is it? And if he didn't write it then who did?  The New Motor - A steampunky tale of outrageous turn-of-the-century inventiveness: John Murray Spear created The New Motor, The Mechanical Savior, but it was a special woman who gave it a sexy spark of life ... and then some.  NY by Way of Taos - In a trailer baking in the hot desert sun, two women lose themselves to desire and fantasy: going to new and, for them, unexplored sexual worlds ... like New York City

Confessions Of A Literary Streetwalker: What Makes a Good Publisher? (Part 2)

Check this out: I just wrote a brand new "Confessions Of A Literary Streetwalker" piece for the always-great Erotica Readers and Writers site - all my previous columns, of course, have been collected in How To Write And Sell Erotica by Renaissance Books.

Here's a tease:

Before I begin (yet again), a bit of disclosure: While the following has been written in an attempt to be professionally and personally non-biased I am an Associate Publisher for Renaissance E Books. 

Now, with that out of the way (one more time)...

#

Wanna hear something scary?  The build-up might be a bit slow but, believe me, the punch line is more than worth it. 

It begins like this: I'm in the middle of my all-time favorite part of writing – publicity and marketing (and, yes, that was sarcastic) – of a new book of mine called Stroke The Fire: The Best Manlove Fiction Of M.Christian, which is basically my own personal best-of-my-very-best queer erotica, and I'm doing one of those round-robin guest blog things and a question comes up, "How long did it take you to write the first draft?"

Well, without going into the silly details of how I work I answered that, since the book is made up of stories I've written since I first started writing, technically the book was started in 1994.

Got that?  Well, here it comes: that basically means that the book was 18 years in the making ... now that is a terrifying thought.

What this has to do with this Streetwalker is that it got me thinking a lot more about publishers and publishing – and, believe me, after (sigh) 18 years I've had more than my fair share of them.  That, plus the wonderful comments I got on my previous installment, really got my wheels turning.

One of the big revelations I had as my wheels cranked was to agree with many of the comments my first publisher Streetwalker got: a publisher should, naturally, be considered on the quality of its materials and presence.  After all, if a publisher is sloppy with its contracts and site and so forth that doesn't bode well.

But I also have to say that a misspelling here or there shouldn't necessarily be enough to make a writer walk away: typos, do, after all, happen to the best of us.  Some have suggested doing research on a publisher before signing and while that may, on the surface, be a good idea I can't help but think of all the great books, films, etc., that have gotten petty, spiteful and – let's use the word – stupid comments on places like Amazon, Netflix, and all the rest. 

An excellent reason to use the word stupid, by the way, is that the world of writing, editing, and publishing is extremely small and it is far too common for a person to jump from one publisher to another – so venting bile at one target may, actually, hit a lot of targets ... and too often targets that you might not want to have hit sometime in the future.

So reviews are not a good judge of a publisher – though I do think chatting with other writers who may have worked with a publisher is a good idea, if just so you know what to expect – what really does make a good publisher?

A very common mistake a lot of writers make is that they feel a publisher should be a writer's best friend.  That's not to say that that a publisher shouldn't be supportive and enthusiastic about their authors – that's actually extremely important – but just that there is a big difference between being someone being a friend and suggesting that you swim in shark infested waters.  A good publisher should be encouraging but also have the experience and business sense to know what is good for their writers – and so be able to tell them things like: "We love it.  We think it's wonderfully literary.  We want it.  But don't expect it to sell a lot of copies."

[MORE]

Seven Weeks Of M.Christian: Week 1 - Intelligence Is Imagination With An Erection

The thought of that makes your blood run cold, doesn't it?  Well, rest assured, there's no reason to be scared ... well, maybe not that much of a reason to be scared...

The thing is I haven't really talked a lot about myself for a while so I thought it would be a fun little experiment to post - once a week, for seven weeks - a series of essays about little ol' me: where I came from, my professional journey, being an editor, being a publisher ... and even my hopes and dreams for the future.

Hope you like!

WEEK 1 – Intelligence Is Imagination With An Erection

I didn't always want to be a writer.  Sure, I was one of those kids: the ones who are too bright, too creative, too curious – and, yes, in case you're interested, I was bullied ... a lot – but actually doing anything with that brightness, creativity, curiosity didn't pop into mind until high school.

But, boy, did it POP.  In retrospect it's more than a bit ... odd (to be polite) how enthusiastic and disciplined I became about writing.  In hindsight a lot of it probably had to do with trying to find an escape from a less-than-perfect family dynamic – but another big motivator was that I'd always been the kid who didn't just talk about doing things: I did them.  Perfect example: I remember, in early elementary school, discovering that the science classroom had a darkroom ... so I went home and over the weekend read every book I could on photography so when I came back on Monday I developed my first roll of film and did my first few test prints. 

Alas, discipline and enthusiasm are fine and good – actually they are absolutely essential in a writer – but my discipline and enthusiasm was focused on Mount Everest: selling a story to the likes of Fantasy & Science Fiction.   Early rejections didn't stop me – in fact nothing stopped me – and I kept trying, kept writing, kept submitting: my goal was a short story a week and/or three pages of writing or three pages of just story ideas.

And, you know, it worked -- sort of.  I've never sold a story to Fantasy & Science Fiction but all that work, all that passion, paid off ... abet in a very unusual and totally unexpected way.

Eventually I made my way to the Bay Area, got married, and – on a total whim – took a class from Lisa Palac who, at the time, was editing a magazine called FutureSex.  When I discovered ... well, sex, my stories got a little more (ahem) mature.  It was one of those stories I was brave enough to hand to Lisa.

What happened next is, to resort to cliché – and hyperbole – is the stuff of legends: Lisa not just liked the story but bought it.  A year later Susie Bright also liked the story and bought it for Best American Erotica 1994.

Sure, it took me ten years of trying (and, yes, you may whistle at that) but that wasn't important.  People often ask me why I write what I write -- lesbian erotica, gay erotica, bisexual erotica, kink after fetish after stroke after stroke – and the answer couldn't be simpler.

I am a writer ... and for someone who lives to tell stories, who worked so hard to hang onto that brightness, creativity, curiosity, discipline, and enthusiasm, finding a way to do what I love to do and be recognized for it, in demand for it, and even paid for it there is simply nothing better.

My name is Chris, my main pseudonym is M.Christian, and I am a pornographer ... and I couldn't be happier.

(by the way, the quote that starts this is by Victor Hugo ... and is a kind of personal philosophy)

Great Time At Impact Play - Beyond Floggers And Canes!

(from M.Christian's Classes and Appearances)

Just wanted to toss out a heartfelt thanks to all the great - and no doubt gloriously kinky - folks who came out to hear me teach Impact Play - Beyond Floggers And Canes at the San Francisco's Citadel last night.  

I hope everyone had as much fun being there as I did teaching it!

Running Around Shots

IMG_0857, a photo by mchristianzobop on Flickr.

Check out my flickr feed for a few more shots I took while running around this weekend (it was - ahem - a great adventure and then some)

The Next Big Thing - And Stroke The Fire

(from M.Christian's Queer Imaginings)


I'm extremely pleased to be part of the round-robin blog tour started by John Everson - my own invitation coming from the brilliant Lucy Taylor - called The Next Big Thing.  By the way, I also got invites from a similar one from my pal Fulani (via Vanessa Wu) so I'm posting this one, at once, in thanks to all of these great folks!

From here check out the excellent blogs of five of my friends who I've tagged to carry on the tour - they should be posting their answers in about a week or so:

• Jason Rubis 
• Nik Havert
• Felice Picano
• Jan Graham 
• A. F. Waddell

1) What is the working title of your book?

Stroke The Fire: The Best ManLove Fiction of M. Christian!

2) Where did the idea for the book come from?

Well, to put it mildly I have written more than my fair share of queer erotica and fiction – starting with "Stroke the Fire" that was picked up for Best Gay Erotica 1994 – and ending with this brand new best-of-my-very-best short gay erotica: Stroke The Fire: The Best ManLove Fiction of M. Christian!

The book is made up of my handpicked favorite stories from three of my queer erotic collections: the Lambda Award finalist Dirty Words, Filthy Boys, and BodyWork. What's even cooler than this brand new best-of-my-very-best book the great folks at Renaissance E Books/Sizzler editions – that also published Stroke the Fire – have re-released not just Dirty Words, Filthy Boys, and BodyWork, but my queer novels The Very Bloody Marys, and (the rather controversial) Me2 as part of a whole "M.Christian" imprint: The M.Christian: The Manlove Collection ... pretty cool, eh?

3) What genre does it fall under?

Even though Stroke The Fire: The Best ManLove Fiction of M. Christian is basically queer erotica is also contains a lot of stories that run the gamut from horror (like "Wet," Boy," "Echoes" "Matches" and others) to science fiction ("Blue Boy," "Utter West," "Counting," etc) and even stories that, sure, might be gay and erotic but are more-than-a-but off-the-map (like "How Coyote Stole Sun" and "Coyote And The Less Than Perfect Cougar").

I also kept the introductions to the three books that were used to make up Stroke The Fire: my own from BodyWork  Felice Picano's from Filthy Boys and Patrick Califia's from Dirty Words.

4) Which actors would you choose to play your characters in a movie rendition?

Since the book is a collection that's really tough to say ... though I sometimes visualize actors when I write (like Christian Slater and R. Lee Ermey for my novel, The Very Bloody Marys) I rarely do it when I write short stories. But if I had to pick some actors to appear in Stroke The Fire: The Movie I'd have to pick Ian McKellen, Alan Rickman, Christopher Lee, Nathan Fillion, the boys from Supernatural -- sorry, girls, as it's a gay male book there aren't many roles for women, not that I wouldn't love to get Emma Thompson, Gina Torres, Judi Dench, in there somewhere ... if just because I think they are wonderful and it would be a blast to meet them.

5) What is the one sentence synopsis of your book?

Stroke The Fire: The Best ManLove Fiction of M. Christian is quite literally a collection of the best-of-the-best of M.Christian's short queer erotic fiction, taken from his acclaimed collections Dirty Words (a Lambda Literary Award Finalist), BodyWork, and Filthy Boys.

6) Will your book be self-published or represented by an agency?

Stroke The Fire: The Best ManLove Fiction of M. Christian has been published by Renaissance E Books/Sizzler Editions as the benchmark of their The M.Christian: The Manlove Collection imprint, which reprints not just the erotic collections Dirty Words,  BodyWork, and Filthy Boys but also the non-erotic queer novels The Very Bloody Marys, and Me2.

7) How long did it take you to write the first draft?

As the book is a collection – made of other collections – that's really tough to answer. Dirty Words came out in its first edition back in 2001 ... with the other collections coming out every could of years since then. But then the earliest story in the whole book, "Stroke The Fire," first appeared in Best Gay Erotica 1994 so you could almost say that the book took both a month to put together but the content took 18 years ... and, boy, does that sound like a long time when you think of it that way.

8) What other books would you compare this story to within your genre?

For me, Stroke The Fire: The Best ManLove Fiction of M. Christian is a way of putting everything I've felt proud of writing – that's queer and erotic – into one juicy bundle of pages. Sure, there have been other collections but, as far as I know, there hasn't been a collection that's a collection of other collections ... so I think that Stroke The Fire: The Best ManLove Fiction of M. Christian is more than a tad unique.

9) Who or what inspired you to write this book?

The wonderful Renaissance E Books/Sizzler editions asked me to put this book together as part of their launch of their special The M.Christian: The Manlove Collection – to be the one place, if people interested in my queer erotica needed just one place, to go to get the best-of-my-best. If you like what's here, in other words, then you'll no doubt love the other books, collections, and anthologies I've done.

10) What else about your book might pique the reader’s interest?

Well, probably the most unique thing about Stroke The Fire: The Best ManLove Fiction of M. Christian – and the other queer books and stories I've written over the years – is that I'm a straight guy.

It always takes folks more than a bit aback then I say that but – really, honestly – that's what I am: sure I might write about gay characters (and even gay sexuality) but, more than anything, I'm a writer ... and books like Stroke The Fire (and the books that make it up) are just part of what I do.

Now I want to be absolutely clear that I never, ever, lie to editors, authors publishers, or readers about my own sexuality – though there have been a few odd situations over the years, of course. To this day some people simply think that I'm lying to myself about my own sexuality ... but, honesty, unless you’re a woman (especially a BBW) then Mr. Happy just doesn't salute. Sorry, guys....

I got into being a 'gay' author pretty much the same way I became a horror/fantasy/non-fiction, etc., writer: I saw an opportunity – or was asked to participate in some project-or-other – and, since writers and regular human beings grow through challenges, I gave it a shot and (bingo!) I found that I wasn't just comfortable writing queer fiction but that people actually wanted more of it. No dummy, that's what I did: and so I have a few novels, collections and, with Stroke The Fire: The Best ManLove Fiction of M. Christian, my own best-of-my-best collection of short queer erotica.

Speaking of other things, I also write non fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine – as well as the erotic romance novel Brushes, the science fiction erotic novel Painted Doll, and over 25 anthologies like the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and many more.

Amos Lassen Likes Stroke The Fire

(from M.Christian's Queer Imaginings)

This is very cool: the wonderful Amos Lassen just posted a very flattering review of my new best-of-my-very-best short erotic fiction, Stroke The Fire: The Best ManLove Fiction of M. Christian!

I do not read a lot of erotica but I do read a lot of M.Christian and I have, in fact, been reviewing him for almost eight years. “Stroke the Fire” is some of his collected erotica and the stories here are the writer’s own personal selections. Here we have hot sexy men having hot sexy sex, bad boys having sex with good boys and good boys having sex with bad boys. This is just what you need when you cannot get the real thing to keep you warm on a cold winter night.

Simply Sexy!

 

(via bibbwboobs)

Yet More Philosophy

 

Reminder: Impact Play - Beyond Floggers And Canes

(From M.Christian's Classes And Appearances)

Just a little reminder that I'm going to be teaching one of my all-time fan favorite classes for the SF Citadel Community Center on December 11th: Impact Play - Beyond Floggers And Canes

SF Citadel Community Center
181 Eddy Street, San Francisco, CA 

Cost: $20 at door 

Description:

Join this workshop to receive (ahem) 'hands-on' instruction in a wide and sometimes-strange variety of different impact toys hands, hairbrushes, paddles, crops, wooden spoons, batons, quirts, and more. While often the physics of these toys are sometimes closely related, to use each one effectively takes particular skill and techniques that are not immediately apparent. Participants will learn not only how to inflict the most pleasure as well as pain but also how to use each item without hurting the wield-er as well as the wield-ee.