- thanks to all the great folks who made it to my classes. It was an absolute treat to teach all of them - and I hope everyone had a good time. Keep an eye on my site here for updates, fun, and even more class announcements very, very soon!
Saturday, April 28, 2012
Thursday, April 26, 2012
Acceler8or.com Likes Finger's Breadth
Wow - and I mean wow - this is very, very cool: the great Sasha Mitchell over at R.U. Sirius's site Acceler8or.com just posted this very cool review of my dark gay thriller Finger's Breadth. Here's a tease:
Did Oscar Wilde ever mention a baby-shit sofa, as fetishized by Tom of Finland, and crusted with salty, sweet sticky? Cliche to throw out Wilde when reviewing a piece of m4m fic? About as cliche as including a reference to Sex in the City in said fic.
Really, I josh. Because apart from a (for me) slightly delayed pick-up—and the more obvious fact that yours truly is of the vaginal realm—I had fun with, and eventually became engrossed by, M. Christian’s Finger’s Breadth.
Boilermakers, mambo-fuck you gay bars, scenarios seemingly inspired by a homoerotic Misery, and of course the ever prevalent ”asses flexing into handful-sized tightened cheeks” (is that your technology chirping, or is throbbing a better adjective?), Christian flaunts a downright capacity for electric lyric as well as (sorry mum, must include this in such a review) all the “hard cocks, strong cocks, long cocks, thick cocks – bobbing up and down, swinging right and left, even swirling in a sweaty circle,” that you could empty.
Not to mention a devilishly intricate plotline, which goes as follows: Fanning is a freelance cop on a most perplexing case. He kicks himself for not having caught whoever is terrorizing the tequila sunrises of Boyz Bay (did I just coin that?) by luring men for nonconsensual finger lobotomies.
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Tuesday, April 24, 2012
Sunday, April 22, 2012
Thursday, April 19, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
Wednesday, April 11, 2012
Tuesday, April 10, 2012
Confessions Of A Literary Streetwalker: Self Or Not?
Check this out: I just wrote a neat little "Confessions Of A Literary Streetwalker" for the great Erotica Readers & Writers site about the perils of self-publishing. Here's a tease - for the rest just check here.
Before I begin, a bit of disclosure: While the following has been written in an attempt to be professionally and personally non-biased I am an Associate Publisher for Renaissance E Books.
Before I begin, a bit of disclosure: While the following has been written in an attempt to be professionally and personally non-biased I am an Associate Publisher for Renaissance E Books.
Now, with that out of the way...
So, should you stay with the traditional model of working with a publisher or go the self-publishing route?
I'd be lying if I said I haven't been thinking – a lot -- about this. The arguments for stepping out on your own are certainly alluring, to put it mildly: being able to keep every dime you make – instead of being paid a royalty – and having total and complete control of your work being the big two.
But after putting on my thinking cap – ponder, ponder, ponder -- I've come to a few conclusions that are going to keep me and my work with publishers for quite some time.
As always, take what I'm going to say there with a hefty dose of sodium chloride: what works for me ... well, works for me and maybe not you.
Being on both sides of the publishing fence – as a writer, editor, and now publisher (even as a Associate Publisher) -- has given me a pretty unique view of the world of not just writing books, working to get them out into the world, but also a pretty good glimpse at the clockwork mechanisms than run the whole shebang.
For example, there's been a long tradition of writers if not actively hating then loudly grumbling about their publishers. You name it and writers will bitch about it: the covers, the publicity (or lack of), royalties ... ad infinitum. Okay, I have to admit more than a few grouches have been mine but with (and I really hate to say this) age has come a change in my perspective. No, I don't think publishers should be given carte blanch to do with as they please and, absolutely, I think that writers should always have the freedom to speak up if things are not to their liking, but that also doesn't mean that publisher's are hand-wringing villains cackling at taking advantage of poor, unfortunate authors.
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