I'll be putting up pages from the final periodically ... or you can read the entire thing on Wynn's Deviantart pages.

Sure enough, Macintoshes don’t fall skyward, and panthera leo doesn’t have beautiful plumage.
But if you happened to be living in Cameroon you’d know all too well that lakes can, and do, explode.
Take for example the Lake Nyos in the Northwest Province of Cameroon. Part of the inactive Oku volcano chain, it’s an extremely deep, extremely high and, most importantly, very calm, very still, lake.
But it hasn’t always been so calm or still. In 1986 something very weird happened to Lake Nyos, a weirdness that unfortunately killed 3,500 head of livestock … and 1,700 people.
No jokes this time. No clumsy 50’s horror movie metaphors. What happened to the people in the three villages near that lake isn’t funny. Most of them luckily died in the sleep, but the 4,000 others who escaped the region suffered from sores, repertory problems and even paralysis. All because Lake Nyos exploded.
Before the why, here’s some more. What happened to the villages of Cha, Nyos, and Subum that time isn’t unique. The same thing happened to lake Monoun, also in Cameroon, in 1984. That time 37 people died, again not very pleasantly. What does sound like a scene from some only horror flick is the story of a truck that had been driving near the scene. Mysteriously, the truck’s engine died, and then so did the ten people who got out: suffocating within minutes of stepping down. Only two people of the dozen survived, all because they happened to be sitting on top of the truck.
The technical term for what happened to Lake Nyos and Monoun is a limnic eruption. To get one you need a few basic elements: one, a very deep volcanic lake; two, said lake has to be over a slow source of volcanic gas; and three, it has to be very, very still.
What happens is that volcanic gas, mostly carbon dioxide but nasty carbon monoxide as well, super saturates the lake. A clumsy way of thinking about it is a can of soda: shake it up like crazy and the fluid in the can, held back by pressure, doesn’t do anything.
But pull the top, or in the case of Nyos and Monoun, a small landslide or low magnitude earthquake, and all that trapped gas rushes out in an immense explosion. That’s bad enough, as there are even some theories suggesting that the subsequent lake-tsunami from the gassy blast has wiped out still more villages, but what’s worse is that those gasses trapped in the lake water are absolutely deadly.
Heavier than air, the carbon dioxide flows down from the mountain lake, suffocating anything and anyone in it’s path – which explains how those two lucky bus passengers managed to escape: they were simply above the toxic cloud.
Fortunately scientists and engineers are working on ways to stop limnic blasts. Controlled taping of the gasses, bubbling pipes to keep the water from becoming super saturated, it’s beginning to look like they might be able to keep what happened to the 1700 people of Nyos from happening again.
But what keeps other scientists awake at night is that there are more than likely lots of other lakes ready to explode, the question being … when?
Okay, so lakes can explode. But fruit doesn’t drop to the sky and feline African predators aren’t born with fluffy down, and frogs don’t pop … right?
Not if you happened to live in Germany a few years ago: for awhile there toads were doing just that. And we’re not talking a few here and there. Over 1,000 frogs were found burst and blasted in a lake that was soon stuck with the pleasant name “the death pool.”
Theories flew like parts of an exploding frog: a virus? A crazy who had a thing for dynamite and toads? A detonating mass suicide? What the hell (bang) was going (boom) on (kablam)?
The cops checked out the area and the local nut-houses but there wasn’t anyone with that very weird and very specific MO. Scientists check out the exploded remains but found no suspicious viruses, parasites, or bacteria.
They one veterinarian came up with the most likely answer: crows.
As anyone who has ever watched a crow knows they do not fit the label “bird brain.” Extremely clever and resourceful, crows are not only fast learners but they study, and learn from, other crows. What Frank Mutschmann, one clever vet, hypothesized was that it was happening was the meeting of smart crows and a frog’s natural defenses -- plus the allure of livers.
Wanting that tasty part of the toads, the crows had learned how to neatly extract it from their prey with a quick stab of their very sharp bills. In response, the toads did what they always go: puff themselves up. The problem – for the amphibians that is – is that because they now had a hole where their livers were that defense then became an explosive problem. Weasels might not literally go pop in that old kid’s song but that seems to be just what was happening to that lake of German toads in 2005.
But that still doesn’t change that Pipins don’t fall up, and lions don’t have tails like a peacock’s, right? And what about ants? They don’t explode, do they?
But they do. Ladies and Gentlemen allow me to present camponotus saundersi. Native to Malaysia, this average looking ant has a unique structure giving it an even more unique behavior when threatened.
Running the length of it’s little body are two mandibular glands full of toxins. That’s bad enough, as any critter that decides to try a bite will get a mouthful of foul-tasting, maybe even deadly, venom, but what sets this ant aside from others is what happens when it gets pushed into a corner.
By clamping down on a special set of muscles these ants can commit violent and, yes, explosive suicide: taking out any nearby threat with a hail of nasty poisons. It’s certainly a dramatic way to go but you can bet anything threatening it’s colony will get a shock it won’t soon forget.
Sure apples do not fall up and lions don’t have feathers – but what with exploding lakes, bursting toads, and suicide-bombing ants it you might want to check that your grandmother’s homemade pie doesn’t float away or that lions aren’t about to swoop down from the sky and carry you off.
Writers are professional liars: it’s our job is to tell a story so well that the audience believes it’s the truth, at least for the course of the story. The technical term, of course, is suspension of disbelief – the trick of getting the reader to put aside any doubts that what you’re saying isn’t the truth, the whole truth, so help you God.
For erotica writers that means convincing the reader that you really are a high school cheerleader named Tiffany who likes stuffed animals and gang-bangs with the football team … or that you’re a pro tennis player named Andre who has a mean backhand and can suck cock like a professional. A writer’s job is to convince, to put aside doubts … in other words to lie through their fucking teeth.
As any liar worth their salt knows, the trick to telling a good one is to mix just the right amount of truth with the bullshit. You don’t tell your mom who went to the movies rather than church: you say you had a sick friend, that your car broke down or that you had a cold. The same goes for fiction: spinning something that everyone knows is a lie (“the check is in the mail”) is flimsy, but adding the right amount of real life experience makes a story really live. Rather than Tiffany and the football players, how about a young woman who really wants to do a gangbang but doesn’t know how to break it to her boyfriend or girlfriend? We’ve all had the experience of trying to find a way to communicate our sexual fantasies to someone, so that rings true … even though our character is a total fabrication.
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It's a joy to re-read these stunning stories, but M. Christian has a lot to answer for! His Bachelor Machine zaps the reader with a selection of wildly erotic short stories, set to raise the blood pressure and increase heart failure statistics.
This is futuristic pornography. The sleaze of porn is there, combined with the mysterious worlds of galaxies never before dreamed of. M.Christian’s imagination is really, beyond belief.
The gloves are off, taboos shattered in this daring collection of futuristic fantasy erotica. If your taste in fantasy is hobbits, noble deeds and happy endings these stories are probably not for you. If you're up for a challenge, if you can run with Metropolis meets nine and a half weeks, meets dark, vintage erotica, then the Bachelor Machine will give you the fix you need. M.Christian's stories are superbly written and well crafted. Can the sensation of spinning rotation be erotic? When it comes from M.Christian’s keyboard; yes! As I read, I am constantly pushed into the giddy, whirling position of inter-galactic voyeur, leaving me shattered and spinning, helplessly, with a glorious, life threatening attack of vertigo.
When I was first becoming familiar with the landscape of the contemporary erotica scene, I quickly learned that one of the preeminent masters of the genre was an intriguing writer and editor called M. Christian. And it was obvious why M.C. had such a status: his work was not only extraordinary in quality and originality, but also in its versatility. This was clearly a writer who went beyond the familiar challenges of writing convincingly from different genders and orientations and psychologies and walks of life, in different settings, subgenres, moods, and tones; this was a writer who seemed to take all this one step further, to thoroughly reinvent himself, as a voice, every time he picked up the pen—and with glorious results. I'm sure I'm not the first to use the word "chameleon" in describing the man's genius: yes, M. Christian is a rock star of a chameleon.But literary brilliance in an incredible range of voices is just part of what M. Christian is about. I have also observed, and indeed repeatedly experienced firsthand, his dedication to supporting other writers. For example, he uses his Frequently Felt blog to showcase our work, generously using his time and bandwidth to curate.
How typical it is of his spirit that when I invited M.C. to make an appearance here, he chose to use this opportunity, in part, to praise me. But I can't let you go without reprinting his bio, because my message here is a twofold one: M. Christian is a great guy AND M. Christian is a rock-star chameleon.
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Let's see. Vampire bites man. Man becomes vampire. The biter and the bitten are in love. Must be a gay vampire novel. But not just another gay vampire novel. RUNNING DRY is, yes, about vampires. Hardcore vampires. Unless they're passing along the vampire gene, they don't just sip blood - they suck out every sweet empowering ounce of a body's bodily fluids, leaving behind but a dusty husk. Christian, author of hundreds of acclaimed short stories and editor of many fine anthologies, has crafted a brisk combo of decades-arcing romance, contemporary suspense thriller, and original horror story - Doud, the vampire longing for the lover he thinks he's lost forever, is a mysterious artist whose every painting is daubed with the blood of victims he's had to kill in order to survive, a spooky kind of homage. This is a rip-roaring read that ought to come with this warning: don't read the last page before starting the first, then devouring the rest. The book's ending is a shocker, as lives end and another begins. Enough said.
I am a somewhat disillusioned fan of vampire fiction. I have a few hundred vampire books and have read a few hundred more than that. The days when I would buy a book just because it was vampire fiction are long gone given the sheer quantity of them out there and the average quality, which seems to sink every year. In the last week I just happen to have read three vampire books over the last week or so and this one, 'Running Dry' by M. Christian, made me think: Oh, right. This is what I loved about vampire fiction all along.
And I should probably make clear is that we are not talking about bats, tuxedos and mock-European-accent type vampire cliches here. The very essence of the vampire mythos is having to take something from someone else to live, take so much that they die. That is the monster inside the man, that is the dilemma. Modern vampires who have immortality, angst and superpowers but no real down side to their state pale in comparison to this.
The basic story is about Doud, a conflicted man trying to reconcile what he needs to do to live his long life with his respect for human life. Shelly is his friend, a middle-age gallery owner who has to confront a few of her own personal demons when she finds out what Doud really is. And finally the story starts with the return of Doud's old lover Sergio who had every reason to want Doud dead. The kind of creature Doud really is would take a little long to explain. He needs to feed off others but his nature springs from the author's unique vision and has none of the surface features of the stock blood-sucking monster.
There really is very little to complain about in this book. I do think some of the events in the last third of the book could have been described at more length to help us setting into the twists and turns and to add pathos to the ending which could (should?) have had more emotional impact. But this is a quibble. The characters are likeable without being particularly heroic or virtuous (like real people). The story pulls you along with something new unfolding in every chapter. More than anything the writing is effortless to read, so it is more like watching the story through a window than wading through a swamp of words (this being the greatest difference between this book and the others I read this week). Based on my experience of M. Christian's writing so far (this book and his anthology 'Filthy') my main advice is this, if a book has his name on it you should buy it.
If you like fiction with gay themes their presence here is a bonus, but the reason to buy this book is because this book is good.