Tony Stark is Just 'Spam in a Can.' Here's a Real Iron Man Genius

From Meine Kleine Fabrik:

Forget Jon Favreau's multi-million dollar production, David Guivant created this intro to an Iron Man TV series with nothing but some good friends, a camcorder, Photoshop, and some real talent. Bravo!

Shot entirely in New Caledonia, South Pacific, this was made with 900 USD $ and recorded with a Sony Mini DV Camcorder. The Actors were shot on a black backgound and the lighting is from torch lights or Garden projectors, I don't have anything to record audio and to produce sound itself.

My actors are friends, students and teachers doing it for fun. No drama training at all.

What you see is 2D frame by frame animation, all done in photoshop. My main area is pre-production and graphics so the lack of dialogue don't really bother me at all.
As my strength lies more in the image department: GIJOE WIDEVISION TRADING CARDS, JOE COLTON CARDS, BIRDS OF PREY SEASON 2 LITHOGRAPHS, TRANSFORMERS LITHOGRAPHS

2 For Me and Me for 2: An Interview with M.Christian & M.Christian

Tape Begins

M.Christian 1: So I’ve finally apprehended you, foul fiend!

M.Christian 2: What the hell are you talking about? I caught you!

MC1: There’s no denying it: you’re the wretched scoundrel who’s been impersonating me, writing books under my name, soiling my creative reputation, attempting to profit by using my name –

MC2: Hold it right there, buddy! I don’t know what kind of twisted game you’re playing but you’re the one who’s been copying me, ripping off my name –

MC1: Liar! J'accuse! It is you who have stolen my identity, my very existence, and sought to supplant me as the rightful owner to the life of ‘M.Christian!’

MC2: You’re freaking nuts!

MC1: No, sir, it is you who is the clearly unbalanced one. To even attempt such a reckless and audacious act reveals a tentative grasp of reality.

MC2: Look, you clearly need some kind of professional help: hardcore therapy, some good meds, maybe even a straight jacket. What I don’t get is why you even bothered to try and steal my name. It’s not like I’m a damned Stephen King or anything. I’m not worth very much. Hell, it’s not like you really needed to be me anyway. You’re a crook, okay, but you’re still a damned good writer. I really hate to say it but Me2 is a really good read. If you just hadn’t been so damned stupid to try and take my name away from me, you might have been able to make a real one for yourself.

MC1: Devil! Miscreant! How contemptible you are. How arrogant! Not only do you attempt the theft of my existence but now you play the game of mock sincerity and even praise your own impersonation. Well, sir, I think that the evidence of your crime is written on the very pages you try to pass off as my work. Agreed, the novel Me2 is the work of a writer with no small amount of talent but it is clearly not a subject matter that I, the true and real M.Christian, would ever create. For example, just look at the following text featured on the back of the current edition: “He looks just like you. He acts exactly like you. He takes away your job. He steals your friends. He seduces your lover. Every day he becomes more and more like you, pushing you out of your life, taking away what was yours … until there’s nothing left. Where did he come from? Robot? Alien? Clone? Doppelganger? Evil twin? Long lost brother? A shocking new view of queer identity, Me2 is a groundbreaking and wildly twisted novel that you’ll remember for a long time – no matter who you are, or who you think you may be.” That, sir, is not a book that the real M.Christian would ever deem to write.

MC2: Forget the pills and straight jacket, it’s a nice rubber-walled accommodation for you, buddy: you’re the one who wrote the damned book. But one thing you’re right about, Me2 sure isn’t something I would write. Sure it’s got a real interesting theme and all: existence, identity, the horror of losing who you are, of not only being replaced by a copy but even one who does a better damned job of living your life than you ever could. Yeah, it’s got an interesting and very readable style, even though it’s dealing with a lot of weird crap, but it sure isn’t something I would do.

MC1: Again you distort the truth of the situation. Curse you, impostor! I have worked for too many years to build up what I can only hope is a moderately respected literary career only to have to try to co-opt all my hard-won successes for your nefarious ends. I will fight you with every fiber of my being, thief! I am the one and the only M.Christian. I am the author of more than 250 short stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, and many, many other fine publications. Only I am the editor of 20 anthologies such as The Burning Pen, Guilty Pleasures, The Mammoth Book of Future Cops, The Mammoth Book of Tales of the Road (both Mammoth books with Maxim Jakubowksi), and Confessions, Garden of the Perverse, and Amazons (with Sage Vivant). I, and I alone, am the author of four collections – Dirty Words, Speaking Parts, The Bachelor Machine, and Filthy – and the novels Running Dry, and The Very Bloody Marys. You, sir, can never take that away from me!

MC2: God, you are a complete and total fruitloop, aren’t you? You’d have to be to sit there and rattle off my writing credits as yours. I tell ya if you weren’t such a 98-pound weakling, I’d be tempted to drive you into the ground like a tent peg. But since you are, I’m just going to keep reminding myself that you’re a little loose, brain-wise, and try not to take you too seriously. For God’s sake you don’t need to pretend to be me to get your name out there. Like I said, Me2 is a damned good book. Take the way you knock out all the usual explanations -- robot, alien, clone, doppelganger, evil twin, long lost brother – and offer up a totally unique explanation, and then totally screw with the idea of who the main character is. I tell you, I hate to say this, but it was quite brilliant. And then there’s the way you use humor as well as horror … you don’t need to pose as me: you could be right up there with me (if I’m even ‘up there’ to begin with) with a little work.

MC1: Is there no end to your infamy? Is there no depth to your depravity? How contemptible you are to stand there and claim to be the one, true, original M.Christian and then to compliment yourself for the work that you, yourself, created! The audacity! Beyond the insult to my person, however, is the loathing I feel for you for what you have done, in my name, to people I thought I could claim to be friends, associates .. people I respected. How did you manage to deceive so many people that you were myself? People who were not familiar with me or my work I could understand but to trick such luminaries as Felice Picano and Michael Thomas Ford … that is beyond fraud, bordering on evil criminality. Just look at what you tricked them into writing about this book you have written under my name. Lisabet Sarai, of Incognito and Fire fame says: “Absolutely brilliant. M.Christian explores the meaning of identity and humanity in a generic world where literally everything can be manufactured -- a world frighteningly like our own.” Art & Sex in Greenwich Village author Felice Picano writes: “Me2 is a unique and always entertaining fable-novel about what exactly identity may entail and how we may or may not decide whether it's worth the price of keeping it.” Mari Adkins contributing editor, Apex Science Fiction and Horror Digest, says “M. Christian has a delightful, marvelously twisted way with words which cause his narratives to crawl beneath your skin and fester there, making you go back for more. He writes with a strong, unique voice which is not only entertaining but also makes you think, makes you ponder the improbable. You'll think you've read this delicious, fast-paced story, but did you? Or was it you?” And Full Circle and Changing Tides author Michael Thomas Ford writes "With delicious slyness , M. Christian creates a world in which the familiar becomes sinister and the comfort of daily routine is replaced by a growing sense of dread. His modern parable lays bare the all-too-real dangers inherent in the sacrifice of individuality in the pursuit of cultural homogenization.” I say again, and with heightened furor: how dare you, sir!

MC2: Okay, that’s it. I’ve had enough of you … you … damned copycat.

MC1: Is this it then? Are you so cowardly you resort to brute antagonism, simple violence?

MC2: You damned well started this – but I’m gonna finish it.

MC1: Unhand me, I say! I warn you, Sir, I was quite the pugilist in my day. Do not force me to defend myself.

MC2: Put ‘em up, you thief!

MC1: Have at you, sir!

MC2: Crook!

MC1: Plagiarist!

MC2: Jerk!

MC1: Rogue!

MC2: Bastard!

MC1: You leave my mother out of this, reprobate!

MC2: Prick!

MC1: Degenerate!

Tape Ends

Further Me2 Outrage

It's bad enough that this fraud, this impostor, this rotten so-and-so has the audacity to publish a book under my name, attempt to steal my very identity, but now he's managed to even garner a very nice review from Ann Somerville at Uniquely Pleasurable! When will this nightmare end!?

I should first of all say this book is not a romance at all, so doesn’t really come under the umbrella of ‘original slash’ or whatever you want to call it. However, it’s such a clever bit of writing, it’s a shame to pass up the chance to draw readers’ attention to it.

The story is told from a POV - not necessarily a single POV, but that’s part of the conceit of an unnamed male narrator. He’s gay, but this is not about him being gay - his sexuality is just part of what makes him who he is and how he lives his life. If you’re tired of gay novels which are all about the anguish of being gay or how to find gay love, then this will be a refreshing change. [Interestingly, on his website, the author claims to be straight - but there’s a good deal of fucking with readers’ heads going on there, so I don’t know if that’s meant to be taken at face value.]

Our narrator’s life isn’t exactly challenging his intellect. He makes a habit of assessing people by their appearance, judging, tagging them, never really delving under the ensemble to the person’s soul. He treats himself in the same way, living superficially, obsessed with his looks and how he appears to other people. He works at Starbucks, doing the same thing, living the same meaningless existence in the same way every day, his customers no more distinct or real to him than the kinds of coffee they order. Until he talks to a crazy man who tells him about the doppelgangers, the doubles, the fakes, and how there are people walking among us who are mere simulacra of humanity, trying all the time to perfect the imitation. Our narrator starts to wonder if he has a double too, and the horror starts for him when he realises he does - and that the double is rapidly taking over our narrator’s existence. For the first time, he has to question just what makes him, his life and what is there that he desperately wants to call his own and no one else’s.

It’s a clever story exploring identity, mass consumption, the search for individualism in a world which promotes uniformity, where differences are superficial, and we become the labels we hang on ourselves and which are placed by the people. Christian asks in Me2, exactly what is the nature of self, and how much of what we believe we are, is merely a product of accumulated possessions, experiences and delusions. He also asks how can we hold onto true individuality in a consumer driven mass-marketed society. It’s a rather bleak portrait of American life, very time and place specific in its popular references, though perfectly comprehensible to the well-read non American. As ‘McCulture’ takes over the world, and rage against consumerism and Americanisation grows, Christian is taking pointed aim at the emptiness and meaningless of an existence dominated by brand names and advertising. It’s the same target that American Psycho went for, but in a very different and less bloody manner.

It’s a confusing, gripping story, though it loses pacing slightly towards the end, where it becomes a tad tiresome with its extremely long denouement. It demands closed attention, and the writing is layered, literate and intelligent, so not something for a lazy afternoon after a big meal. He builds the horror of the narrator’s situation beautifully, but the elliptical narrative with all the quotes from other speakers, told out of sequence, will be challenging to read if you’re not used to science fiction or the horror genre.

The idea of cloning, of doubles taking over one’s life, isn’t exactly new, but Christian’s spin on the idea and the execution is crisp and fresh. If you want a sturdy, well-written horror novel which will make you think, with a protagonist who’s gay in a completely non-exploitative way, then Me2 is one to buy.

Me and Me2

Let me be very clear about this: I did not write the novel Me2. Yes, the book certainly sounds like a book I would write: a unusually constructed tale about queer identity, human existence, and the horror of having your life copied and stolen from you. Certainly it's with a publisher I have worked with many times before, having edited many anthologies, written one novel - Running Dry - and three previous collections of short stores - Dirty Words, Speaking Parts, and Filthy. Absolutely the style of the book - surreal yet lightly conversational and easily comprehensible - is very similar to styles I've used in past, for instance in my recently released gay vampire novel The Very Bloody Marys (from Haworth Books).

But I did not write Me2. Someone else did: someone who is attempting to steal my identity as a writer. Through devious means this shadowy impostor is attempting to supplant my career and even my existence. Rest assured that even though he at first appears to be my equal or even - I must grudgingly admit - my superior with regard to writing ability, I will not rest until he is exposed for the impostor he is. I want my life returned to me.

But if I did write Me2 here's how I would go about it.

I have to admit that I've always been fascinated by the illusion of individuality; how every one of us clings to the idea of being unique in the world yet feels comforted by a crowd of strangers who might share only the most superficial of interests with us. I also am interested in situations were lives are stolen: identity theft, impostors ... notions like that. What does it say about us if our 'selves', our identities, can be stolen, replaced, or sold off?

So if I was going to write a book like Me2 the proposal would come first. Then, with fingers firmly crossed, I'd submit it to, say, the great folks at Alyson Books. If luck and potential sales were on my side, Alyson Books would agree and a contract would be sent.

Then would come the fun -- and the hard -- part. That is if I were to write a book like Me2. Which, as I've said, I did not.

But if I had, I'd then break the book down into eleven or so pieces, each a set length -- say 5,000 to 6,000 words. After doing 5,000-word chapters for my first book, Running Dry, I swore I'd only do 3,000-word chapters going forward, which I did do for The Very Bloody Marys, but there's something about the idea of a book like Me2 that lends itself to longer chapters. In fact, what I might do -- if I were to write a book like Me2 -- is start each chapter with a brief monologue from a character trying to explain the presence of the double (Robot? Alien? Clone? Doppelganger? Evil twin? Long lost brother?). That way the reader would have their own guesses about what's happening tossed out until it gets to the wonderfully weird ending and final explanation to What's Really Going On.

Even though I didn't write Me2, I imagine that writing it would be a lot of fun, giving me the chance to have a lot of crazy, strange, surreal fun with the story. So crazy, strange, and surreal that I would never tip off a reader by, say, going into too much detail in a How I Wrote The Book piece like this one. Instead I'd only drop vague hints as well as warped and twisted tricks such as claiming not to have written the book, blaming the whole thing on a mysterious impostor ... which, naturally, is what the book is all about. That is, if I were to write something like Me2, which, as I've said, I didn't.

I usually write about 3,000 or so words a week, which is what happens when you have a day job as well as friends and family, so I'd probably have the book done in about six or so months. With Running Dry, I practically rewrote the book after I'd finished the first draft but since then I rarely touch the finished manuscript except to give it a final, careful read. Even so, no one can proof their own work, so I'd then send the manuscript over to my cherished partner-in-all-things Sage Vivant, who'd then read and copy edit the manuscript for me.

I should probably mention an interesting fact about writing a book like Me2. The book, if I were going to write it, would technically be a gay horror novel, as it would be written with a gay male focus and would be published by Alyson Books, which publishes gay and lesbian fiction as well as non-fiction books. Even though I did not write Me2, the one that has recently come out from my impostor, I would have no problem with it being a gay book as I am extensively published in that genre. Running Dry and The Very Bloody Marys are also gay horror books and three of my four collections were queer-specific.

But I'm straight.

I've never hidden my orientation. Far from it: I've written several essays and such on being a straight man writing gay stories. How it happened, and for that matter why it still happens, is simple: I'm a writer. I love to write, more than just about anything else. What it's about and who the stories are for really doesn't matter to me: having an audience who likes what I do, and gives me chances to write more, is what gets my motor going, so to speak. As I like to say, I might be straight but my orientation really is writer.

Starting out, I wrote a lot of queer porn. It was wonderful to sell what I wrote, and to have readers, editors, and then publishers want more of it. In fact I consider it a glorious compliment that I've worked with so many gay and lesbian writers, editors, and publishers who look beyond my own orientation and see just a writer who lives to tell a fun story.

A fun story like Me2. If I'd written it, that is.

After the book would be copy edited, it would then, naturally, go out to Alyson Books for their final thumbs-up. After that the novel would enter Alyson's pipeline: editing, cover design, back cover copy, promotion, distribution -- all of that.

Then it would be finished: from an few bubbling ideas to a proposal, from a proposal to an agreement, from an agreement to a manuscript, manuscript to finished book. From nothing to a few megs on my laptop's hard drive, then from bits and bytes to something you could go out and buy and, hopefully, enjoy.

But I didn't write Me2. I don't know who did. I've read the book, of course. And while I have to admit that it is well written, clever, haunting, disturbing, but also witty and evocative, I am still very disturbed that there is someone out there who is not only attempting to steal my life and writing career but is somehow doing a better job of being me than even I could have.

So I implore you: buy this book! Read it for yourself and discover the horrible truth of Me2!

I just wish I written the damned thing myself.

-- The REAL M.Christian

Put Your Work on Frequently Felt!

Here’s a special invitation to unpublished – or just beginning – erotica writers looking for a bit of free exposure.

Frequently Felt is my playful little blog -- “A lobcock of erotic trivialities, oddities, and miscellanea transcribed with jaundiced talent for naught but a boxing Jesuit indulgence by a disreputable posse mobilitatis” – where I’ve been posting this, that, and everything betwixt and between having to do with sex and erotica. What I’d like to do is open Frequently Felt to very short stories, on a first-come-first-posted basis.Here are the specifics:

• Stories or literary pieces no longer than 500 words.
• No underage characters, excessive violence, incest, homophobia, or bestiality
• Please include some form of contact information at the end (email, Web site, etc.) to be published with your piece
• I reserve the right to refuse to publish anything – it’s my blog, after all

Submit your work to mchristianzobop@gmail.com. I do my best to post things every other day or so but things sometimes happen to disrupt that schedule...

I’m also interested in interviews, reviews, editorial pieces, artwork, blog posts and other fun things. If you want to help out with that, just write me and we’ll chat about it.

Be On The Look Out -

WANTED!
For Impersonating Author M.Christian

Sketch by Daryl Walker

Do You Know This Man?
Do You Even Know Yourself?

The REAL M.Christian is asking for your help in tracking down an impostor who is claiming to be the author of an innovative, thought-provoking, humorous, terrifying, surreal, and unforgettable novel called Me2:

He looks just like you. He acts exactly like you. He takes away your job. He steals your friends. He seduces your lover. Every day he becomes more and more like you, pushing you out of your life, taking away what was yours … until there’s nothing left. Where did he come from? Robot? Alien? Clone? Doppelganger? Evil twin? Long lost brother?

This impostor has even duped such notable authors as Felice Picano and Michael Thomas Ford, getting from them rave blurbs such as:

Absolutely brilliant. M.Christian explores the meaning of identity and humanity in a generic world where literally everything can be manufactured - a world frighteningly like our own.
- Lisabet Sarai, author of Incognito and Fire

Me2 is a unique and always entertaining fable-novel about what exactly identity may entail and how we may or may not decide whether it's worth the price of keeping it.
- Felice Picano, author of Art & Sex in Greenwich Village

M. Christian has a delightful, marvelously twisted way with words which cause his narratives to crawl beneath your skin and fester there, making you go back for more. He writes with a strong, unique voice which is not only entertaining but also makes you think, makes you ponder the improbable. You'll think you've read this delicious, fast-paced story, but did you? Or was it you?
- Mari Adkins contributing editor, Apex Science Fiction and Horror Digest

"With delicious slyness, M. Christian creates a world in which the familiar becomes sinister and the comfort of daily routine is replaced by a growing sense of dread. His modern parable lays bare the all-too-real dangers inherent in the sacrifice of individuality in the pursuit of cultural homogenization."
- Michael Thomas Ford, author of Full Circle and Changing Tides

Don't be fooled! Accept no substitutes!

In order to defeat this devious impostor, please purchase as many copies as you can of this innovative, thought-provoking, humorous, terrifying, surreal, and unforgettable novel:

Me2
M.Christian
Alyson Books
ISBN-10: 1555839630
ISBN-13: 978-1555839635
$13.95

If you're a reviewer and you'd like to receive a review copy of this one-of-a-kind novel -- as either a paper copy or as a pdf file -- please contact M.Christian for a copy of this outrageous book:

M.Christian
41 Sutter Street, #1012
San Francisco, CA 94194
zobop@aol.com
mchristianzobop@gmail.com
www.mchristian.com

Confessions of a Literary Street Walker: Tooting

(the following is part of an ongoing series of columns I did for The Erotica Readers & Writers Association on the ins and outs and ins and outs and ins and outs of writing good smut)


There are a lot of myths about being a writer: Fame, fortune, tweed coats with leather patches, million dollar advances, movie deals, publisher-sponsored book tours and so forth. Not that there aren't a few instances of these things actually being true, but for their rarity they might as well be right up there with unicorns and trolls under bridges.

For the most part these fables only turn a smile into a frown for the newly published writer, but with book tours and publicity the affect can be much more traumatic: the writer who depends only on their publisher for publicity is quickly going to find their book remaindered, their work quickly forgotten.

Certainly some publishers are very good about heralding their books - like Alyson Books, who I've worked with several times - but that still doesn't mean they're going to do all the work. It all comes down to numbers: even a great publisher has a LOT of books to sell; they simply don't have time or resources to publicize each and every one. Most of the time you're lucky that the publisher sends out a dozen or so review copies or galleys - let alone does the legwork and makes the calls to drum up interest. Getting your book published, in other words, is just part of the battle: you have to do even more work to get your work noticed.

There is a fine line in publicity, one that's way too easy to cross: one side is humility and invisibility, on the other is hyperbole and arrogance. The trick, obviously, is to try and put you and your work somewhere between the two. I wish I could say I'm good at this, but to be honest I have the same problem other writers have in regards to publicity: you don't know you've become one or the other until it's almost too late.

Publicity usually takes several forms, but what I usually do just a few - mainly because I have a full-time job and my time is limited: press releases, readings, and interviews. Press releases are simple in concept, but take some skill in creating effectively: they should be short, a page to a page in a half, be attractive to various media outlets (magazines, radio, Web sites, etc.), and give all the info they need to write up something about your book. For interviews, you can create your own - which works quite often - or ask a friend or regular interviewer to do one and send it out with your press stuff. Readings are tougher, as it usually requires quite a bit of time (research, phone calls, sending our press stuff) and the rewards are scant, but it can get your name out there - especially to bookstores that, after all, buy your books.

Speaking of books, many publishers give free copies of your book, but only so many. I always buy 30-40 copies of whatever I do and then spend about $4 each sending them off with press releases and interviews to all kinds of friends, reviews, magazines and Web sites. Yes, it is unfair that you have to buy your own books - though most publishers give you as much as a 50% discount, which is nice - but that's the facts of life. Besides, if a copy you buy gets enough publicity to sell more books then it's more than worth it.

A Web site listing your accomplishments, contact info, and reviews is also a very good idea. Try and keep it professional, lean, and easy to access (no flash or java). Don't date it unless you plan on updating it regularly (unlike me), and don't put anything up there you wouldn't want your parents to see - erotica can make a lot of media nervous and you don't want to scare them off.

As for what to say and how to avoid sounding like a self-important jerk easy, take a good look at what you've accomplished and try and present it realistically, though attractive enough for a reviewer to pick up. Try and get some nice juicy blurbs from other writers, especially those who you recognize and respect (or who sell books). In your press release, mention and quote any reviews you may have gotten (though be careful of getting permission - some don't care, others are very prickly about such things). Avoid hyperbole in describing yourself or your accomplishments - this might work in getting your name out there, but can cause problems when other writers, editors and publishers get annoyed at you calling yourself "the greatest living American writer," or some such - though if a lot of other, neutral folks have called you that then go for it. Also, try and keep your announcements down to a dull roar - or set up an email list so people at least know that it's a regular thing and not just an "I'm fantastic" email that comes in your mailing every few months, unsolicited.

Another cold hard fact about publicity is that it usually only works for books - short stories in anthology, magazines, and Web sites simply aren't impressive enough to warrant a press release. The best you can do for shorts in magazines, Web site and anthologies is volunteer yourself for readings and offer possible reviewers or interviewers for the editor.

Doing publicity always reminds me of the joke where a man is constantly entreating God to let him win the lottery. Finally, fed up, God responds: "Meet me half-way: buy a ticket." In others words, the reality of writing is that success comes to those who try, try again, try some more, and - more than anything - keep trying. The work of making your book a success doesn't stop when you finish writing it - in fact, that's often just half the battle. The rewards, luckily, are more than worth it - especially when you get your first good reviews or people actually start to know your name.

Regarding My Impostor

Thank you all so much for your interest in my terrible plight. Before I touch on now you might help me in dealing with this frightening situation let me address a few of you who have expressed doubts about the existence of this 'other' M.Christian.

True I have a fondness for pranks and hoaxes, definitely the book itself it about an individual being haunted by an imitator, sure the book is written in a style that is as good as -- if not, I have to grudgingly admit, better than -- my usual style, but believe me when I say that THIS IS NOT ME!

As for how you can help me deal with this impostor please keep a regular eye here, on my site at www.mchristian.com, as well as purchase a copy of the book so you can read for yourself how this book differs than anything I might write.

Best regards,

The REAL M.Christian

A Wonderful Gift

My new pal, Daryl Walker, who is a fantastic artist just sent me this lovely drawing of Sage Vivant and myself. Keep an eye out for Daryl and myself to be doing some very cool things in the future.

PLAGIARISM ALERT: Me2 novel by ‘other’ M.Christian

I’m writing to inform you about a disturbing situation that has recently come up. In my ten-plus years as a professional author with more than 250+ short stories, 20 anthologies, four collections, and five published novels to my credit, I have never had someone try and impersonate me and plagiarize my work.

Until now.

Someone calling himself “M.Christian” has been publicizing a gay horror novel from Alyson Books called Me2. This person is not me, the real M.Christian, but rather someone trying to capitalize on my name and steal my identity.

Sure, the plot of Me2 sure sounds like something I would create. Agreed, the style is very close to my own. And yes, I have done a lot of good work with Alyson Books before. But Me2 is not mine, and this other “M.Christian” is not me.

Just take a look at the back cover copy. Does this sound like a novel I would write?

Do You Know Yourself?

He looks just like you. He acts exactly like you. He takes away your job. He steals your friends. He seduces your lover. Every day he becomes more and more like you, pushing you out of your life, taking away what was yours … until there’s nothing left. Where did he come from? Robot? Alien? Clone? Doppelganger? Evil twin? Long lost brother?

A shocking new view of queer identity, Me2 is a groundbreaking and wildly twisted novel that you’ll remember for a long time – no matter who you are, or who you think you may be.

This copy even goes for far as to steal my actual biography and even make fun of the fact that the author is not the real me! Here’s what he says on the back of the book:

M. Christian’s numerous stories have appeared in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, as well as in the collections Dirty Words, Speaking Parts, The Bachelor Machine, and Filthy. He is also the author of the novels, Running Dry, The Very Bloody Marys, The Painted Doll, and Brushes. Some, however, suspect that M.Christian may be more than one person. The other “M.Christian” adamantly denies this rumor.

What’s even worse is that this copycat hasn’t just managed to trick Alyson Books into publishing this novel, but he’s somehow tricked respectable authors and reviews such as Felice Picano and Michael Thomas Ford into providing blurbs for the book!

Absolutely brilliant. M.Christian explores the meaning of identity and humanity in a generic world where literally everything can be manufactured - a world frighteningly like our own.
- Lisabet Sarai, author of Incognito and Fire

M2 is a unique and always entertaining fable-novel about what exactly identity may entail and how we may or may not decide whether it's worth the price of keeping it.
- Felice Picano, author of Art & Sex in Greenwich Village

M. Christian has a delightful, marvelously twisted way with words which cause his narratives to crawl beneath your skin and fester there, making you go back for more. He writes with a strong, unique voice which is not only entertaining but also makes you think, makes you ponder the improbable. You'll think you've read this delicious, fast-paced story, but did you? Or was it you?
- Mari Adkins contributing editor, Apex Science Fiction and Horror Digest

"With delicious slyness , M. Christian creates a world in which the familiar becomes sinister and the comfort of daily routine is replaced by a growing sense of dread. His modern parable lays bare the all-too-real dangers inherent in the sacrifice of individuality in the pursuit of cultural homogenization."
- Michael Thomas Ford, author of Full Circle and Changing Tides

Please, help me catch this "other" M.Christian and expose him for the plagiarist and fraud that he is. It’s important to me, as the real M.Christian, to preserve my identity and career as a writer. For updates on this fraud being perpetuated in my name, please check out my Web site at www.mchristian.com.

Luckily I have managed to get my hands on the novel itself. If you’d like to receive a copy of Me2 -- either in its final printed form or as a PDF file -- so you can see that while is this is a excellent novel full of humor, horror, suspense and all kinds of devish twists and turns it's still not a book that I would actually write, please contact me:

The REAL M.Christian
41 Sutter Street, #1012
San Francisco, CA 94194
zobop@aol.com
mchristianzobop@gmail.com
www.mchristian.com.

For your reference, I’m attaching info on the impostor’s book:

Me2
Alyson Books
ISBN-10: 1555839630
ISBN-13: 978-1555839635
$13.95

Thank you for your help and support regarding this frightening situation.

Almost as good as 'frequently felt'

From Frequently felt:


But it's too late to change the name of this blog [frequently felt] but Pornosec would have made a great title:

From 1984:

"She [Julia] had even (an infallible mark of good reputation) been picked out to work in Pornosec, the sub-section of the Fiction Department which turned out cheap pornography for distribution among the proles. It was nicknamed Muck House by the people who worked there, she remarked. There she remained for a year, helping to produce booklets in sealed packets with titles like Spanking Stories or One Night in a Girls' School, to be bought furtively by proletarian youths who were under the impression that they were were buying something illegal."

Welcome to Weirdsville: The New Motor

From Meine Kleine Fabrik:

John Murray Spear and a guess at what the New Motor looked like

As promised, I’m continuing to dig through my dusty books to pull up odd-tasting tidbits of information, which is to say hard-core, certifiable, definitive, positive, and no-shit Weirdness.

And few things are as strange as the tale of the The New Motor.

1854, America, the Northeast. The time, particularly, is important. Think about it: 1854. Years before even the civil war, a time of technological innovation. No electric lights. The safety match was even a year away. No elevators. The hypodermic syringe and spinal anesthesia was either just developed (the former) or just a little ways away (the latter). So don’t even THINK of getting sick. Think coal, wool coats, the Crimean War, legal slavery, and Sir Richard Burton in Mecca and Medina.

Also John Murray Spear.

Go ahead, look him up. If you’re lucky, you might find him as a footnote, a side-thought in the spiritualist movement of the time. You know: ghosts, table-turning, trances, automatic writing, levitations ... in other words, spirits. Spear was part of that world, a medium-temperature medium. Then sometime during that coal and Crimean War year of 1854 Spear was elevated from mediocrity to the domain of the truly, magnificently ... unusual.

See in 1854 Spear was contacted by a bunch of spirits, with an “apparent mechanical turn of mind” (to quote A.J. Davis) that included the ghost of Benjamin Franklin: the Association of Electricizers, who commanded him to go forth unto this world and build The New Motor.“The Physical Savior of the race,” was how Spear described the Motor. As to its mysterious workings he said it was to be powered by “power from the magnetic store of nature, and therefore to be as independent of artificial sources of energy as was the human body.”

What the hell the New Motor looked like anyone’s guess. A clockwork Jesus? A steam-powered messiah? A rubber-band savior? A locomotive God? The fact that we haven’t the foggiest idea of what his “The Physical Savior of the race” looked like doesn’t diminish the fact that Spear and his spiritual mechanical gizmo really existed -- at least according to the eminent Lewis Spence in his An Encyclopedia of Occultism.

Slowly, Spear collected quite a little cult of followers … who did just that: Trail behind him and the New Motor, which they worshipped as a god, on tours throughout the Northeast. Eventually, this little band ended up in the lovely little town of Lynn, Massachusetts. There a certain lady received a vision of the New Motor and, while in its presence, suffered “birth pangs” for over two hours.

After this certain lady went through her “pangs” it was said that “it was averred that pulsations were apparent in the Motor”. After learning of this wonderful bit of unusual (okay, weird) history, the term “jump start” has not meant the same to me ….

I really wish this story had a better ending: like maybe Spear vanishing one day with the Motor, or that it ascended into some kind engineering nirvana, or was lost only to be discovered to our fascination and delight in some farmhouse in Connecticut. But, sadly, real like is too often stuffed with clichés: I can only hope that the “outraged” citizenry of Randolph, New York, who smashed the Motor to bits, had been carrying torches.

Still, who knows? Maybe someone someday will discovered a twisted bit of spring and cylinder, a crumpled mixture of glass and copper, a wind-up collection of gears and pendulums in a old barn, at the bottom of a filled well, on a dusty shelf somewhere and, to his surprise and shock, he will notice certain ... movements ....

No, that’s not quite right. Not movement, rather: “pulsations” ….

And so maybe The New Motor of John Murray Spear will tick and tock, and live again …

High Rock Cottage, Spear's home

Here's a bit more info on Spear and the Motor, compliments of Old Is the New New:

In 1851 or 1852, Spear and his daughter Sophronia began seeking messages from the spirit world. In 1853, they announced that Spear had become the mouthpiece for the General Assembly of Spirits, a benevolent association of departed worthies like Franklin, Jefferson, and Emmanuel Swedenborg. The Assembly of Spirits was divided into a number of committees and subcommittees: the “Educationizers,” the “Governmentizers,” the “Healthfulizers,” the “Agriculturalizers,” and so on, but it was the “Electricizers,” headed of course by Franklin, who had immediate plans for Spear.

Franklin tasked Spear with building a series of electrical inventions—a “wizard’s suit” made of minerals and batteries, an electric ship shaped like a duck (they ply the waters of Boston Harbor to this day!), and most famously, a perpetual motion machine known variously as the New Motor, the New Messiah, and the God Machine. From all this I deduce that Franklin got a little freaky in the half-century after his death. The New Messiah, which Spear constructed in Lynn, Massachusetts, was a roughly human-shaped machine, with an electric “brain,” magnetic “lungs,” and many more strange attachments. Bringing it to life involved much channeling of spiritual energy by male and female mediums “mingling into one,” and a “New Mary” going through simulated pregnancy and labor. (Spear had a string of “New Marys” as he drifted into Free Love circles, at least one of whom simulated pregnancy so well as to bear him an un-simulated son.)

Other delightful details can be found on the Fortean Times site.