Showing posts with label queer imaginings. Show all posts
Showing posts with label queer imaginings. Show all posts

Friday, June 14, 2013

Kindle Give-Away! Get Running Dry FREE For Three Days!

(from M.Christian's Queer Imaginings)

This is exceptionally cool: for three days - starting today, May 14th - you can get the special edition of my gay/vampire/erotic thriller Running Dry absolutely FREE for Kindle! 

Just click on this link and you can start reading the brand new, expanded and enhanced, version of the book that will not just turn you on but totally change the way you think about vamps!



Every time he thinks he's found someone, it all goes horrifically wrong.

Manlove classic, first time ever containing the original story, the sequel novel, and a new, never-before-published concluding novella. M.Christian's masterful queer thriller/horror novel is back in print with 20,000 additional words.

He’s immortal. He drinks blood. But he's not a vampire. Doud’s totally unique – a being no one’s ever seen before – and he’s desperately lonely for a lover: a special someone who will not just join him in his bed but his strange life as well. But every time he thinks he's found someone it all goes horrifically wrong.

Then one day a monster from his past returns: a thing of bitterness and fury he believed was long dead. Doud, with his friend Shelly in tow, begins a terrifying chase that begins in Los Angeles and ends in a blistering confrontation in the desert’s baking wastes. There, in the heat and the dust, Doud will confront what he is, what he’s become, his deepest and darkest sexual desires and lusts.

Doud will get what he’s always wanted out of his long, strange life – but it will be nothing that Doud, or you, could ever have imagined!

#

"I found Running Dry to be a very good read indeed and especially enjoyed its message. Carpe diem, this story tells us. Love is a rare and wonderful thing; use the time that you have in this life to find it instead of reaching for the unattainable. Because where is the joy in a life lived alone?"
– Book Wenches 
"Let's see. Vampire bites man. Man becomes vampire. The biter and the bitten are in love. Must be a gay vampire novel. But not just another gay vampire novel. RUNNING DRY is, yes, about vampires. Hardcore vampires. Unless they're passing along the vampire gene, they don't just sip blood - they suck out every sweet empowering ounce of a body's bodily fluids, leaving behind but a dusty husk. Christian, author of hundreds of acclaimed short stories and editor of many fine anthologies, has crafted a brisk combo of decades-arcing romance, contemporary suspense thriller, and original horror story - Doud, the vampire longing for the lover he thinks he's lost forever, is a mysterious artist whose every painting is daubed with the blood of victims he's had to kill in order to survive, a spooky kind of homage. This is a rip-roaring read that ought to come with this warning: don't read the last page before starting the first, then devouring the rest. The book's ending is a shocker, as lives end and another begins. Enough said."
-Richard LaBronte 
"If you like fiction with gay themes their presence here is a bonus, but the reason to buy this book is because this book is good." - Emily Veinglory 
"With this impressive debut novel, one of our best short story writers shows why he is tops in his field; this book is fascinating, original, creative and can't be put down till it is finished. I cannot recommend it highly enough."
-Greg Herren, author of Murder In The Rue Dauphine and Bourbon Street Blues

Monday, June 10, 2013

Amos Lassen Likes Running Dry

(from M.Christian Queer Imaginings)

Now here's a treat: my great pal, Amos Lassen, just posted this review of the new edition of Running Dry - just released by Renaissance E Books/Sizzler Editions as part of their M.Christian ManLove special imprint.


Ernst Doud is non-human and 154 years young. He lives quietly in Los Angeles and all was fine until he got a letter from a lover he has not seen since 1913 and it was then that he killed him. Now that is a way to start a story as you soon realize that you are reading about the undead. Most of us love a good vampire story and I have often wondered why that is true. I suspect that there are two major reasons and a bunch of lesser ones. Vampires are very sexy and mysterious; they are dark and live forever.

This is a vampire story without all of the “vamping”. M. Christian writes stories that are quite far out yet maintain a sense of truth. This is his way of showing that our worlds can come together. We tend to fear that which we do not know and here is where vampires gain ground. We have never seen a vampire but he has a sense of mystery which is exciting and sexy. In this story we see the themes of vengeance, loyalty and “the humanity of the inhuman”. I believe vampires made a comeback with the AIDS epidemic when gay men’s lives depended on blood tests. The fact that blood is so essential in vampire lore has been a conundrum and an enigma for me especially when you consider the importance of blood in Christian religions and in Roman Catholicism when at the act of transubstantiation, wine turns into blood. Yet it is those very same religions that condemn vampires because of the emphasis on something that is so integral to what their members and religious leaders believe.

Unlike other vampire stories, here is one that will get the reader to think. This in one of those stories in which sex is not important but thoughts are. M. Christian is known as an erotic writer but this time he chose to forego sex and concentrate on the mind. Instead of using his literary skills to write vivid sex scenes, he chose not to write about sex this time and develop characters who not just sexual beings but who have minds with which to think. Instead of a lot of sex, we get a lot of adventure so this is not like other books in this genre. It may just be that M. Christian has begun an entirely new genre but I guess we may have to wait awhile to see if that is true. In the meantime there are many other opportunities to read M. Christian. He is always new and never bores.

Sunday, June 02, 2013

Richard LaBronte Likes Running Dry

(from M.Christian's Queer Imaginings)

Here's another delightful review of Running Dry (out now in a new, complete, and totally WOW edition from Renaissance E Books/Sizzler Editions) from the great Richard LaBronte.



Let's see. Vampire bites man. Man becomes vampire. The biter and the bitten are in love. Must be a gay vampire novel. But not just another gay vampire novel. RUNNING DRY is, yes, about vampires. Hardcore vampires. Unless they're passing along the vampire gene, they don't just sip blood - they suck out every sweet empowering ounce of a body's bodily fluids, leaving behind but a dusty husk. Christian, author of hundreds of acclaimed short stories and editor of many fine anthologies, has crafted a brisk combo of decades-arcing romance, contemporary suspense thriller, and original horror story - Doud, the vampire longing for the lover he thinks he's lost forever, is a mysterious artist whose every painting is daubed with the blood of victims he's had to kill in order to survive, a spooky kind of homage. This is a rip-roaring read that ought to come with this warning: don't read the last page before starting the first, then devouring the rest. The book's ending is a shocker, as lives end and another begins. Enough said.

Thursday, May 30, 2013

Billierosie Likes Running Dry

(from M.Christian's Queer Imaginings)

I probably say too much - but I really do have some truly wonderful friends.  Just take a look at this touching review Billierosie  posted for my very-first novel, Running Dry - out now in a new, expanded edition, from Renaissance E Books/Sizzler Editions.

Thanks so much, Billierosie: you are a real treasure!


In RUNNING DRY, M. Christian, elegantly re-writes the eternal themes of love, loss, betrayal, fear and death. With a flourish of his pen (or lap-top and cursor) Christian gives us a potent potpourri, that has little to do with gracious fragrances and everything to do with the pungent stench of bodily fluids; blood, bile, saliva and mucus.

This is a vampire story with a difference. Unlike Anne Rice’s exotic, erotic Lestat and Bram Stoker’s sinister Count Dracula, M.Christian’s vampires are riddled with guilt about what they have to do to survive. Ernst Doud, paints his guilt, with portraits lurid with the blood of his victims. Doud has a conscience, and he makes it up to those he has killed with a visual, tangible lament. His remorse is palpable.

There’s a mystery here. Who is Doud? Who is Sergio? What is their secret? Why has Doud given up on his art? Why is Sergio trying to seek out Doud? Why does Doud want to kill Sergio? What is Shelly’s place in all of this?

Yes, Doud and Sergio are monsters. They know it; Vince is a monster too. But he’s worse; he’s a killer without a conscience.

There is no “dark trick” in RUNNING DRY. Doud, Sergio and Vince won’t spellbind you with a glamour. In the tradition of the most gruesome fairy tales from the Brothers Grimm, or Angela Carter, they grab you, gobble you up; eat you. Your death won’t be romantic, erotic; sexy. Just complete, total annihilation.

The scene where Doud fights Vince in the desert, is terrifying. It’s visual; like watching a film. My heart is racing, as I read. I can feel the heat of the desert, scorching my lungs. I screw up my eyes, against the glare of the sun; the painful blue of the desert sky.

M.Christian, possesses a rare gift; that of making elegant, lucid prose appear effortless.

Just listen to this:

“...the world acquired sound, the ground achieved traction, the air thinned, the rose-red glow ceased. As his body slowed from the blinding acceleration Doud had forced upon it, the monster’s body completely disintegrated. A body once ninety-five percent water became nothing but a desiccated five percent, falling apart into dust, ash, and a few brittle bones; life and moisture gone.”

Don’t you wish you’d written that? I do!

For me, RUNNING DRY is every bit as good for a second reading; better. Buy it, borrow it, read it. It won’t fail you.

Monday, May 27, 2013

Book Wenches Likes Running Dry

(from M.Christian's Queer Imaginings)

Now here's a real treat: a very nice review of my neo-vampire novel, Running Dry, by Book Wenches!

He might be immortal, but artist Ernst Doud detests his state of being. The method he must use to stay alive fills him with guilt and makes him more a monster than a man. Although his loneliness is crushing, Doud has found that all his attempts to transform a lover to immortality have resulted in disaster, so Doud has chosen to live solitary life. The only person he is close to is his friend Shelly, the jaded and outspoken owner of a Los Angeles art gallery. 

When a man appears at Shelly’s gallery searching for Doud, Doud knows that Sergio has finally found him. Decades ago, Doud converted Sergio into a creature like himself in the hopes of having eternal love and companionship, but instead of remaining his gentle lover, Sergio became a bloodthirsty beast. And now that beast is seeking revenge against the one who made him and who subsequently tried to kill him.

Fearing for Shelly’s life now that his old lover has seen her, Doud snatches her away from her everyday world and runs. He wants to keep his friend safe from a monster who won’t think twice before draining her dry. But when Doud’s own hunger increases and his control grows thin, can he also keep her safe from himself?

#

When I opened M. Christian’s Running Dry for the first time, I expected yet another vampire story. A little extra angst, perhaps, and a GLBT twist but bloodsucking creatures of the night nevertheless – the same old same old. To my surprise and delight, I was completely wrong. This story about love, hunger, self-control, and the terrible cost of immortality is a fresh and intriguing take on the ever-popular vampire. This novel strips vampires of the pointy teeth, holy water aversion, and extreme photosensitivity that we have come to expect and instead offers readers a creature who is a hybrid of human and monster, whose sensitivity and emotions make him real but whose visceral need to kill makes him terrifying as well.

Mr. Christian has a literary and precise writing style that brings the action and the emotion into sharp focus and makes both the story and its characters feel completely real. He writes the way we might think, sometimes slightly stream of conscious but always intelligent and comfortable to read. He very expertly shows instead of tells, giving readers a chance to share in the discovery experience, drawing us in to the story until we feel almost a part of it.

Running Dry is one of those books that begins at a deceptively slow pace but then builds momentum as it goes along. Its short chapters keep the story moving forward at a fast clip, offering many tiny cliffhangers that keep us in constant suspense. I also found myself connecting with both the emotion and the horror of the story. The character Doud’s mental anguish permeates the entire narrative, coloring the simplest items in bleak tones. But even though Doud earns our sympathy, we can’t help but acknowledge the monster within him, because parts of the story are quite gruesome indeed.

I found Running Dry to be a very good read indeed and especially enjoyed its message. Carpe diem, this story tells us. Love is a rare and wonderful thing; use the time that you have in this life to find it instead of reaching for the unattainable. Because where is the joy in a life lived alone?

- Reviewed by: Bobby D Whitney

Thursday, May 23, 2013

Out Now: Running Dry - The Complete Series

(from M.Christian's Queer Imaginings)


This is fantastic news: the great Renaissance E Books/Sizzler Editions - as part of the M.Christian ManLove Collection - has just released a very special edition of my queer thriller/horror/erotic novel Running Dry that includes not just the original novel but the erotic story that inspired the book ("Wet") and a never-before-published erotic epilogue story!

Not only that but the book is available as a free download to Amazon Prime Members!


Manlove classic, first time ever containing the original story, the sequel novel, and a new never before published concluding novella. M.Christian's masterful queer thriller/horror novel is back in print with 20,000 additional words.

He’s immortal. He drinks blood. But he's not a vampire. Doud’s totally unique – a being no one’s ever seen before – and he’s desperately lonely for a lover: a special someone who will not just join him in his bed but his strange life as well. But every time he thinks he's found someone it all goes horrifically wrong.

Then one day a monster from his past returns: a thing of bitterness and fury he believed was long dead. Doud, with his friend Shelly in tow, begins a terrifying chase that begins in Los Angeles and ends in a blistering confrontation in the desert’s baking wastes. There, in the heat and the dust, Doud will confront what he is, what he’s become, his deepest and darkest sexual desires and lusts.

Doud will get what he’s always wanted out of his long, strange life–but it will be nothing that Doud, or you, could ever have imagined!
#
"I found Running Dry to be a very good read indeed and especially enjoyed its message. Carpe diem, this story tells us. Love is a rare and wonderful thing; use the time that you have in this life to find it instead of reaching for the unattainable. Because where is the joy in a life lived alone?"
- Book Wenches
"Let's see. Vampire bites man. Man becomes vampire. The biter and the bitten are in love. Must be a gay vampire novel. But not just another gay vampire novel. RUNNING DRY is, yes, about vampires. Hardcore vampires. Unless they're passing along the vampire gene, they don't just sip blood - they suck out every sweet empowering ounce of a body's bodily fluids, leaving behind but a dusty husk. Christian, author of hundreds of acclaimed short stories and editor of many fine anthologies, has crafted a brisk combo of decades-arcing romance, contemporary suspense thriller, and original horror story - Doud, the vampire longing for the lover he thinks he's lost forever, is a mysterious artist whose every painting is daubed with the blood of victims he's had to kill in order to survive, a spooky kind of homage. This is a rip-roaring read that ought to come with this warning: don't read the last page before starting the first, then devouring the rest. The book's ending is a shocker, as lives end and another begins. Enough said."
- Richard LaBronte
"If you like fiction with gay themes their presence here is a bonus, but the reason to buy this book is because this book is good." - Emily Veinglory
"With this impressive debut novel, one of our best short story writers shows why he is tops in his field; this book is fascinating, original, creative and can't be put down till it is finished. I cannot recommend it highly enough."
- Greg Herren, author of Murder In The Rue Dauphine and Bourbon Street Blues

Friday, March 22, 2013

Rainbow Reviews Likes Me2

(from M.Christian's Queer Imaginings)


Very cool review from Ryes from Rainbow Reviews about my queer horror/thriller Me2:
He looks just like you. He acts exactly like you. Every day he becomes more and more like you, taking away that what was yours until there's nothing left. You may think you've met your match ~ or your double ~ but that's not even close.
Me2 is a psychological thriller about self and identity, written in a unique and interesting structure. The book starts off with an unnamed narrator who works at Starbucks. The narrator mentally labels the Starbucks customers by the flavor/cup sizes of the coffee they order and the personalities he associates with those coffees. This is not different from the way he views the world in terms of brand names. His description of himself also doesn't distinguish him from other men like him. His daily activities are routine, and he even gives his looks a name: a Boy of Summer look.
One of his Starbucks customers tells him about aliens, or clones, amongst us. They blend in with everyone else so you can't tell them apart. He starts wondering if there's someone out there trying to copy him in order to blend in. Suddenly, he starts seeing himself everywhere, and he's not sure why. Parts of the book read like dream sequences as his paranoia grows and he confuses small details like which car is his and which house is his.
The idea planted in his head about doubles and clones begins to consume all his thoughts and he comes to the conclusion that people really are copying details of himself to take over his life. As a result of all this, he begins questioning his identity and wondering what makes him different and what makes him an individual in a world operated by brand names and labels.
Me2 is set up with eleven chapters and three epilogues. Each of the chapters are titled (in order) "Me," "Me2," "Me3," "Me4," etc. The narrator of each chapter is not necessarily the same one from the previous chapters. The epilogues lead up to the publication of this novel, with an amusing letter from the editor to M. Christian (or whoever wrote this book).
Me2 is a well-written and well-thought out take on the issue of identity, and Christian writes with gripping and clear prose. He delivers the "horror" aspect without fail and executes a wonderful build-up. Me2 is an excellent novel that provokes thought and introspection; highly recommended.

Thursday, February 14, 2013

"Love" From Filthy Boys

(from M.Christian's Queer Imaginings)

Just 'cause, here's a story from my recently-released queer collection, Filthy Boys.  I have a certain fondness for this story as it was written as a kind of thanks to all the gay men I've known - and who've changed my life for the better.


LOVE

"You could have stayed with me," he'd said the first time I went to Seattle to see him, but stayed in a motel.  I hadn't even thought of it, and so the disappointment in his eyes.
I never went back.  After he got promoted there wasn't any point.
You could have stayed with me evolves into a fantasy in which those four days play out differently: an invitation made earlier, my discomfort of staying in someone else's house miraculously absent.  Fresh off the plane, strap digging into my shoulder (I always over-pack), out of the cab and up a quick twist of marble steps to his front door.  A knock, or a buzz, and it opens.
A quick dance of mutual embarrassment as I maneuver in with my luggage, both of us saying the stupid things we all say when we arrive somewhere we've never been before.  Him: "How was your flight?" Me: "What a great place."
Son of a decorator, I always furnish and accessorize my fantasies: I imagine his to be a simple one-bedroom.  Messy, but a good mess.  A mind's room, full of toppling books, squares of bright white paper.  Over the fireplace (cold, never lit) a print, something classical like a Greek torso, the fine line topography of Michelangelo's David.  A few pieces of plaster, three-dimensional anatomical bric-a-brac on the mantel.  A cheap wooden table in the window, bistro candle, and Don't Fuck With The Queen in ornate script on a chipped coffee cup.
Dinner?  No, my flight arrived late.  Coffee?  More comfortable and gets to the point quicker.  We chat.  I ask him about his life: is everything okay?  He replies that he's busy, but otherwise fine.  We chat some more.  I say that it's a pleasure to work with him.  He replies with the same.
I compliment him, amplifying what I've already said, and he blushes.  He returns it, and then some, making me smile.  My eyes start to burn, my vision blurs, tears threatening.  I sniffle and stand up.
He does as well, and we hug.  Hold there.  Hold there.  Hold there.  Then, break – but still close together.  Lips close together.  The kiss happens.  Light, just a grazing of lips.  I can tell he wants more, but I'm uncomfortable and break it but not so uncomfortable that I can't kiss his cheeks.  Right, then left, then right again.
But his head turns and we're kissing, lips to lips again.  Does he open his first or do I?  Sometimes I imagine his, sometimes mine.  But they are open and we are kissing, lips and tongue, together.  Hot, wet, hard.
But not on my part.  Wet, definitely – in my mind it's a good kiss.  A generous and loving kiss.  Hot, absolutely, but only in a matter of degrees as his temperature rises and mine does in basic body response.
Not hard on my part, but I am aware of his.  Between us, like a finger shoved through a hole in his pocket, something solid and muscular below his waist.
Does he say something?  "I want you," "Please touch me," "I'm sorry," are candidates.  I've tried them all out, one time or another, to add different flavors, essences, spices to that evening.  "I want you," for basic primal sex.  "Please touch me," for polite request, respect and sympathy.  "I'm sorry," for wanting something he knows I don't.
"It's okay," I say to all of them, and it is.  Not just words.  Understanding, sympathy, generosity.  All of them, glowing in my mind.  It really is okay.
I'm a pornographer, dammit.  I should be able to go on with the next part of this story without feeling like ... I'm laughing right now, not that you can tell.  An ironic chuckle: a pornographer unable to write about sex.  Not that I can't write about myself, that making who I am – really – the center of the action is uncomfortable, because I've certainly done that before.  I've exposed myself on the page so many other times, what makes this one so different?
Just do it.  Put the words down and debate them later.  After all, that's what we're here for, aren't we?  You want to hear what I dream he and I do together.  You want to look over my mental shoulder at two men in that tiny apartment in Seattle.
I'm a writer; it's what I do, and more importantly, what I am.  So we sit on the couch, he in the corner me in the middle.  His hand is on my leg.  My back is tight, my thighs are corded.  Doubt shades his face so I put my own hand on his own, equally tight, thigh.  I repeat what I said before, meaning it: "It's okay."
We kiss again.  A friend's kiss, a two people who like each other kiss.  His hands touch my chest, feeling me through the thin cloth of turtleneck.  I pull the fabric out of my pants with a few quick tugs, allowing bare hands to touch bare chest.  He likes it, grinning up at me.  I send my own grin, trying to relax.
His hand strokes me though my jeans, and eventually I do get hard.  His smile becomes deeper, more sincere, lit by his excitement.  It's one thing to say it, quite another for your body to say it.  Flesh doesn't lie, and I might have when I gave permission.  My cock getting hard, though, is obvious tissue and blood sincerity.
"That's nice," "Can I take it out?" "I hope you're all right with this." Basic primal sex, a polite request including respect and sympathy, and the words for wanting something he knows I don't – any one of them, more added depth to this dream.
My cock is out and because he's excited or simply doesn't want the moment and my body to possibly get away, he is sucking me.  Was that so hard to say?  It's just sex.  Just the mechanics of arousal, the engineering of erotica.  Cock A in mouth B.  I've written it hundreds of times.  But there's that difference again, like by writing it, putting it down on paper (or a computer screen) has turned diamond into glass, mahogany into plywood.
Cheapened.  That's the word.  But to repeat: I am a writer.  It's what I do.  All the time.  Even about love – especially about this kind of love.
He sucks my cock.  Not like that, not that, not the way you're thinking: not porno sucking, not erotica sucking.  This is connection, he to I.  The speech of sex, blowjob as vocabulary.
I stay hard.  What does this mean?  It puzzles me, even in the fantasy.  I have no doubts about my sexuality.  I am straight.  I write everything else, but I am a straight boy.  I like girls.  Men do not turn me on.
Yet, in my mind and in that little apartment, I am hard.  Not "like a rock," not "as steel," not as a "telephone pole," but hard enough as his mouth, lips, and tongue – an echoing hard, wet and hard – work on me.
The answer is clear and sharp, because if I couldn't get hard and stay hard then he'd be hurt and the scene would shadow, chill, and things would be weighted between us.  That's not the point of this dream, why I think about it.
So, onto sex.  Nothing great or grand, nothing from every section of the menu.  A simple action between two men who care about each other: he sucks my cock.  He enjoys it and I love him enough to let him.  That's all we do, because it's enough.
He sucks me for long minutes, making sweet sounds and I feel like crying.  He puts his hand down his own pants, puts a hand around his own cock.  For a moment I think about asking him if he wants help, for me to put my hand around him, help him jerk off.  But I don't.  Not because I don't want to, or because I'm disgusted, but because he seems to be enjoying himself so much, so delighted in the act of sucking me, that I don't want to break the spell, turn that couch back into a pumpkin.
He comes, a deep groan around my cock, humming me into near-giggles.  He stops sucking as he gasps and sighs with release, looking up at me with wet-painted lips, eyes out of focus.  I bend down and kiss him, not tasting anything but warm water.
I love him.  I wanted to thank him.  I hope, within this dream, I have.  The night that didn't happen but could have.
For me, writing is just about everything: the joy of right word following right word all the way to the end.  The ecstasy of elegant plot, the pleasure of flowing dialogue, the loveliness of perfect description.  Sex is good, sex is wonderful, but story is fireworks in my brain.  The reason I live.  The greatest pleasure in my life.
And he has given me that, with nearly flowing letters on an agreement between his company and I, between his faith in my ability and myself.  He looked at me, exposed on the page of a book, in the chapter of a novel, in the lines of a short story, and didn't laugh, didn't dismiss or reject.  He read, nodded, smiled, and agreed to publish.
Sex cannot measure up to that.  Bodies are bodies, but he has given me a pleasure beyond anything I'd felt: applause, and a chance to do much, much more with words, with stories.
He doesn't have a name, this man in my fantasy.  There have been a lot of them over the years, and a lot more in the future, no doubt.  Gay men who have touched me in ways no one has ever touched me before, by making love with my soul through their support of my writing.  Each time they have, this fantasy has emerged from the back of my mind, a need to give them the gift they have given me: passion and kindness, support and caring, and pure affection.
I worry about this.  I worry that they won't understand, take this secret dream of mine as being patronizing, diminishing them to nothing but a being with a cock who craved more cock.  I've confessed a few times, telling a select few how I feel about them, how I wish I could do for them what they have done for me, to be able to put aside my heterosexuality for just an evening, an afternoon, and share total affection together.
Luckily, or maybe there really isn't anything to worry about, the ones I've told, they smile, hold my hand, kiss my cheek, say the right thing and to this day, even right now, make me cry: "I wish we could too, but I understand.  I love you too."
Am I bi?  I know I'm physically not – I simply don't get aroused by men – but that doesn't mean I don't adore men, or for the ones I care about, the men who have touched my soul through their support and affection for my stories and writing, I wish I couldn't change.  More than anything I wish I could give them what they have given me.
With a cock or a pen, with a story or hours of wonderful sex, it all comes down to one thing: love.

Tuesday, February 12, 2013

Orson Scott Card Should Not Be Writing Superman

(from M.Christian's Queer Imaginings)



I don't touch on politics ... much on my blog, but the idea of a homophobic bigot like Orson Scott Card being paid to write Superman - a symbol of liberty, trust, and justice - is completely offensive.

Here's a hyperlink to a petition to get Card fired ... and if you doubt his bigotry just click here (and here's a tease):
According to science fiction author Orson Scott Card (pictured above), recent court decisions in Massachusetts and California recognizing same-sex marriage mean “the end of democracy in America.” As such, he advocates taking down our government “by whatever means is made possible or necessary." 
It’s all there in a truly frightful — and brazenly dishonest — essay that Card published in last Thursday’s edition of the Mormon Times.
I can’t think the last time I’ve read something so offensive and bigoted written by a major media figure. Overthrowing the government because of same-sex marriage? As far as I know, even Pat Robertson doesn’t advocate this. We’re talking Fred Phelps territory here. 
And Card is definitely a major figure in the science fiction community, a three-time winner of both the Hugo and Nebula Awards, and a winner of both the World Fantasy and Locus Awards. His novel, Ender’s Game, is considered a classic, one of the best-selling science fiction novels of all time. A major movie version is in the works with a screenplay written by Card himself. Wolfgang Petersen and Warner Brothers had both been involved, though it’s unclear if either still are. 
Additionally, at this month's Comic Con in San Diego, Marvel Comics announced that this October they are publishing a six issue miniseries based on Ender's Game. 
Some of Card’s arguments against same-sex marriage are straight from the far-right conservative playbook: for example, that marriage is, and must always be, synonymous with procreation. Infertile heterosexual couples are okay because they affirm “the universality of the pattern of marriage” — at least if they adopt. Card seems to grant no credence or respect to heterosexual couples who are childless by choice. 
And Card clearly seems to detest gay people. 
“When gay rights were being enforced by the courts back in the '70s and '80s, we were repeatedly told by all the proponents of gay rights that they would never attempt to legalize gay marriage,” Card writes. “It took about 15 minutes for that promise to be broken.” 
I have absolutely no idea what Card means by this spiteful comment. As long as I’ve been alive and working in gay activism, we gay people have been quite clear about our long-term agenda: liberty and justice for all. It's really not that difficult a concept. 
Card spends a lot of time arguing that the availability of same-sex marriage and the open acknowledgement of gay people is destroying the “family,” but our families definitely don’t count. At no point does Card acknowledge, even tacitly, the legal and psychological burden we gay people bear when our relationships are literally made to be illegal. He certainly doesn’t see us as equal citizens and doesn’t even seem to think of us as human.
[MORE


Tuesday, January 22, 2013

Bravo On The Sizzler Blog Tour

(from M.Christian's Queen Imaginings)


The great Renaissance E Books/Sizzler Editions just posted a rave - a complete well-deserved one - about the book tour they so thoughtfully arranged for my new book, Stroke the Fire:



First Two Sizzler Blog Tours Big Success
Coordinated by Nikki of BTS Virtual Tours, our first author blog tours were smashing successes. Increase in sales and visibility for both authors. Very different though their work is, M. Christian and Betty Carlton both found themselves and their books on nine very different but appropriate blogs. Copies of each author's featured book were given away as prizes - with s grand prize winner receiving copies of all that author's books! The next tour will feature Olivia London's erotic romance novels and collections. 
Thanks Nikki and the great people at BTS!

Monday, December 24, 2012

Book Devotee And Stroke The Fire



The blast that is the Stroke the Fire blog tour continues with a great little write-up and except on the every cool Book Devotee site:


Excerpt: 
“STROKE THE FIRE”

“Man’s got a home, then that’s where he sleeps. Can’t, myself, see how you can stand the god-derned quiet out there in the flats,” Lew had said, listening to the music of the man’s voice.

The man shrugged, the tip of his cigar bobbing in the soft night. ”That it be. Name’s Last. Jeff Last.”

Lew wiped the grime off his hands (and hopefully the fool’s grin off his face) and offered his own. ”Lew. Just Lew around here.”

The handshake lasted a bit too long, long enough for the two men to size each other up. Lew in his Stinkhole clothes was a burly barrel of a man, all beard and round blue eyes. He looked fat from aways, but if you’re ever seen him haul cornmeal or lumber you’d know that it was iron, fella, strong, strong, iron and not just insulation against Craggy’s winds.

Last was long and lanky, and while the light was none too good in that narrow little ways between the public corral and Miller’s Fine Feeds, you could tell that he was a beanpole: Six feet easy, in buckskin and serape. In the dark beneath his wide brimmed hat, his shaved face was carved and as Craggy as Lew’s mountain home. The handshake had lasted way too long. Now, he thought, how to get this fine feller up the mountain…

“Gotta hit the trail if I’m ta make Ridgewood by dawn,” Jeff had said, and Lew’s heart had sunk down to his Stinkhole boots.

“Knows how it is–” he had said, starting to turn, maybe extend a hand, and an invitation for another time.

“But you is one fine figure of a man. Might temptin’–”

Lew stared, unsure of how exactly to respond.

“You think the same, Lew of the Mountain?” Jeff had said.

Even in the low light cast from the lanterns of Sal’s Lew could see Jeff’s fine figure, out in all it’s glory there in the “street” of Stinkhole.

Sunday, December 23, 2012

Full Moon Bites And Stroke The Fire

(from M.Christian's Queer Imaginings)


Wonderful, wonderful, wonderful .... another part of the Stroke The Fire blog tour, this time from the great folks at Full Moon Bites has just gone up: featuring a give-away and an excerpt from my best-of-my-very-best queer erotica: STROKE THE FIRE: The Best ManLove Fiction of M.Christian (part of the special Renaissance E Books/Sizzler Editions M.Christian ManLove Collection)

FROM THE INTRODUCTION BY FELICE PICANO, LAMBDA AWARD WINNER LAMBDA LIFETIME
ACHIEVEMENT AWARD 
See what I mean? Short story writing is hard. 
M. Christian's new collection of singular and satisfying short stories, Filthy Boys, is subtitled "Outrageous Gay Erotica." Emphasis on "outrageous." Although each of them does deliver a more than adequate erotic charge, Christian is after bigger game here. He's writing short stories. You know, like the ones you had to read in high-school: stories about suburbanConnecticut teens and hardscrabble poor white trash and adventurers desperate to light a fire to stay alive.  The ones you had to discuss in class, using terms like "irony" and "thematic development" in those seconds before your forehead hit the top of your desk out of total apathy. 
Take heart. Christian's stories are sexy, smart and a lot more fun-

Friday, December 21, 2012

Stroke The Fire On Cecilie Smutty Hussy's Place

(from M.Christian's Queer Imaginings)


Very cool: as part of the Stroke The Fire blog tour, the very fun Cecilie Smutty has just posted a brief Q&A with yers truly about my best-of-my-very-best queer erotica: STROKE THE FIRE: The Best ManLove Fiction of M.Christian (part of the special Renaissance E Books/Sizzler Editions M.Christian ManLove Collection)


I am pleased to say that M. Christian has graced the Lair with his presence... Please put together a warm, smutty welcome for our guest today!

Since you are a new to me author, I am hoping to bring you to the light of others! So let’s share!


Why don't you tell us a little about yourself.... Something that we cannot Google about you, lol!

Well, let's see ... I began with fertilization (thanks, mom; thanks, dad) then quicly moved along to being a zygote and then to cleavage before going onto blastocyst differentiation. Nine or so months and I was on the scene as a – according to mom – rather big infant.

From there to about high school is not really worth talking about -- bullies, zits, voice cracking, hair where there hadn't been hair before, hormones – the usual stages of development from sprout to young adult.

I'd always been a creative kid – thus the bullies – but didn't really have much of a direction for it, but then in High School I was struck (almost literally) by the idea of being a writer. When I say struck I mean it almost literally: I went after being a published author with a serious vengeance. Reading somewhere that the best way of becoming a writer is to ... well, write I set myself a rigorous regimen.

In the end it paid off ... though in a rather usual way: in 1993 (or so), on the spur-of-the-moment I took a class in writing erotica taught by Lisa Palac (who was editing a magazine at the time called FutureSex). Spur-of-the-moment (2) I handed her a story I had just written ... and was totally, completely, utterly shocked -- and totally, completely, utterly delighted – that she bought it for her magazine. A short time later the same story was picked up by Susie Bright for her Best American Erotica 1994.

Just like that I was a published author: a pornographer, sure, but after struggling with my rigorous regimen for (yes, you may gasp) a little under ten years I was ecstatic. After that first story I write another and another and another until...

...here I am: 400+ published stories in anthologies like (the already mentioned) Best American Erotica, Best Fetish Erotica, Best Bisexual Erotica – and even Best Gay Erotica, and Best Lesbian Erotica – plus a whole lot more. I've edited over 25 anthologies – including the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and lots more.

My short stories have been collected into many books covering a wide variety of genres, including the Gay Literature/Lambda Award finalist Dirty Words and other queer collections like Filthy Boys, and BodyWork; also collections of non-fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine.

I've even written quite a few novels: the queer vamp novels Running Dry and The Very Bloody Marys; the erotic romance Brushes; the science fiction erotic novel Painted Doll; and the rather controversial gay horror/thrillers Fingers Breadth and Me2.

I'm even an Associate Publisher for Renaissance E Books, where I (really) try to be the publisher I want to have as a writer, and to help bring quality books (erotica, noir, science fiction, and more) and authors out into the world. My site is www.mchristian.com.

Tell us a little about your book?

The book I'm pushing right now is called STROKE THE FIRE: The Best ManLove Fiction of M. Christian and it's the best-of-the-best of my queer erotic short stories – taken from my previous collections Bodywork, Filthy Boys, and the celebrated Dirty Words. In addition to the best stories from each book I also included the introductions to each book as well: Me from BodyWork, Felice Picano from Filthy Boys, and Patrick Califia from Dirty Words. A lot of the stories have been in books like Best American Erotica, Best Gay Erotica, and the like.

What's rather odd (to be polite) about this book is that while it's queer erotica –and I've written a lot of queer fiction in general – I'm straight.

The way it happened Рme being a straight author of queer fiction Рis actually rather simple: one day an editor friend was doing a book of gay erotica and wanted to know if I could write a story ... so I did, and he bought it. A few dozen or so stories later I got an offer by a gay publishing house to write a novel, which led to move novels, some anthologies and the rest, as the clich̩ goes, is history.

Being serious for a second, I am always very clear with every editor and publisher I work with that I am not gay. In fact when I teach my Sex Sells: How To Write And Sell Erotica class – and what I also say in my How To Write And Sell Erotica book – is that fiction is fiction and that writers should always stretch themselves creatively but when it comes to be a writer talking to a publisher they should never, ever pretend to be someone they are not.

I cannot begin to say how touched I am by the queer community for being (1) to supportive of my work and (2) so understanding of who I really am. A great friend of mine – a publisher of many of my books – once said, and I totally agree with him, that love is love: meaning that even though I may not be sexually queer I adore my gay characters and friends. The mechanics are secondary once you realize that all of us – gay, bi, straight or otherwise – have more in common than less and that we all share the same, basic emotional landscape.

Oh, and just for shits and giggles, here's the table of contents forStroke The Fire:

Stroke The Fire
The Greener Grasses
Hollywood Blvd.
The Hope Of Cinnamon
Suddenly, Last Thursday
That Sweet Smell
Utter West
Friday Night At The Calvary Hotel
Spike
How Coyote Stole Sun
Echoes
Blue Boy
Matches
Wet
Coyote And The Less Than Perfect Cougar
Counting
About The Author (which is actually the title of a story)

How easy do stories come to you?

I like to say I have it bad -- I'm not just a writer by profession but in every way, every part of myself: I just absolutely love to think about stories, plots, characters, novels, settings ... you name it. Sure, writing can still be a trial (to put it mildly) especially when you have to hammer your head again and again and again against things like publicity and the other awful, icky parts that come with the professional side of writing, but when it does get difficult I always try to get back to the joy I feel when I'm writing ... when I'm tellingstories.

What is your favorite part of the book?

I don't really have any favorites ... mainly because I always try and look forward rather than backward when I think about stories and novels and all that.  When I'm feeling cute I say that my favorite story is the one I haven't written yet.

You can only pick 3 words for your main characters ... what would they be?

Hum ... I do know that my stories and books and characters have a tendency to be bittersweet – which kind of reflects my view of life, I guess: that there really aren't happy, shiny endings but, instead, shiny, happy moments in what can be dark and stormy lives.

That being said I'm actually working on a new book – a sequel to my science fiction erotica collection The Bachelor Machine – where my goal is to write not just hot science fiction erotica but stories where the future is depicted as being a very positive place. Part of my reason for doing this is noticing that the stories in I wrote for the original Bachelor Machine were a tad ... stormier than usual, but also because I've noticed a lot of people seem to be reflexively negative about the future. So I want to show that the future could just as easily become a wonderful, positive place – even with scary things like genetic engineering, artificial intelligences, memory alteration, and so forth.

Which was the easiest character to write and the hardest -- and why?

Characters themselves, believe it or not, can sometimes be the problem. I usually write as more of a storyteller, who keeps his characters really tightly in check as what they are doing is usually more important who they are. I know some writers who let their characters roam free, and say that their books or stories aren't done until the characters tell them so ... but that's just not the way I work.

But I should also say that I'm a huge fan of pushing yourself in all kinds of ways: professionally, personally ... you name it. So one thing I'm planning for the future is a book where the characters are running the show – if just to see how it all goes. After all, I didn't know I could write erotica until I tried, didn't know I could write gay fiction until I tried, didn't know I could edit books until I tried ... you get my gist. Who knows what I – or anyone – might be good at until you give it a shot?

What are you currently working on?

Well, I just mentioned a book that is more character than plot-driven as an experiment, and I also chatted a bit about my follow-up to The Bachelor Machine ... but I'm also planning in starting a new novel very soon. I really enjoyed writing the books Me2 and Finger's Breadth – as they touched on a favorite theme of mine: playing with the unexpected and unusual way we human beings act and interact with each other -- the roles we unconsciously play, the dark (and light) sides of our natures that come out under adversity, mob psychology ... all that fun stuff.

Do you have anything due to release soon?

The great folks ay Renaissance/Sizzler Editions (who I also – ahem – happen to be an Associate Publisher for) are going to re-releasing a new edition of my erotic romance, Brushes, and a collection of my non-queer short stories. I'm also finishing up my first shot at a comic book, called Masquerade (with incredible art by Wynn Ryder), and an anthology I edited – about food and sex – called A Lover's Feast, and a new edition the transgender anthology I edited a few years back, Trans Figures.

In other words I like to stay busy – and then some! I'm also getting out there more as a reader/teacher/performer. Just check out my sub-site at mchristian-teaching.blogspot.com for info on all that fun stuff.

What's one thing that you enjoy about writing?

Well, as I said I have it bad. I see writing as an almost spiritual thing – that, somehow, my one little brain can create characters, worlds, tales ... all kinds of things ... that, if I do my job right and/or am damned lucky can reach out and truly affect people's lives. And if I really do my job right and/or am lucky my words will outlive me by decades or maybe even hundreds of years.

When I teach my classes I tell my students – and tell myself when things get dark and depressing – that writers are true and real magicians: our spells are our words, our stories, and they can literally change the world.

I truly love to explore, learn and more of all play with language and story. It's not just what I do as a living but who I am as a person. I don't think I could ever not be a writer.

What do you prefer ebooks or paperbacks?

I actually started my 'career' in the days of paper so I'm one of those folks who can actually look at both pretty clearly ... and I have to say, without hesitation, that eBooks are better for both writers as well as readers. Sure, writers won't get those advances again, but they always seem to forget that's just what they were: money givenagainst the sales of their books, and the brutal truth is that if their books didn't make that money back – and more – their 'career' could very well be over. With eBooks there is no pressure to make your book into a bestseller in the first month – in fact, eBooks can sit on their virtual shelves for a very long time before taking off and it in no way affects how the publisher feels about that author's work. This also means that publishers can take books that are more ... experimental, as they don't have to invest thousands of dollars into printing, distributing and promoting them – just to break even!

eBooks are great for readers (and authors as well) as books don't have to die. One of the man things I love about working for an eBook publisher is being able to re-release books that otherwise would be either out-of-print or practically out-of-existence. I think that is marvelous as there are so many fantastic books out there that otherwise people would never have a chance to read. With eBooks they can!

Is there a genre you would like to write but are a little apprehensive to try?

Well, I always try to push myself in all kinds of ways – you've already heard my little rant about "not knowing you are good at something until you try" so, with that in mind there are a LOT of things I'd love to try: I have plans to try my hand at either a one-act play or a screenplay, a more (ahem) optimistic romance novel, a straight-up horror novel, plus a few really out-there-experimental projects that will hopefully push the boundaries of what a book can be. We're seen a little bit of this kind of stuff with augmented reality games but I want to do so much more with it.

Okay ... personal time! Oh yeah, I go there: If you thought you were safe ... Nah ... Forgot it ... Not a chance! We will start off slow and easy, I promise!

What is on your night stand/dresser?

I really don't have either: I live in what I call an artist's colony – which is really just a big, crazy house I share with a musician, painter, and a gardener. My room is small but – as mom was an interior decorator – it's really very nice. I only have room for a small bookcase (comic books) a large bookcase (books), my desk, and a bed. I do have a few odd things, a pair of model Theo Jansen strandbeests, another pair of models but this time from Hieronymus Bosch's Garden Of Earthy Delights, a miniature terrarium, and two huge stained glass windows my father made.

What are you listening to you right now?

Actually I don't write to music: I'm much more of a visual person so I watch movies while I work. I don't have cable – in fact I can't stand broadcast TV – but I have a great Internet connection so I have Netflix, Hulu, Amazon Prime, and a whole bunch of other great sources of entertainment and information. Right now I'm watching Roger Corman's War-Gods Of The Deep on YouTube (with Vincent Price) but later I'm planning on watching one of my all-time favorite films: Seconds by John Frankenheimer (starring Rock Hudson).

What are you reading right now?I have an iPad and a rather huge eBook library but, thanks to a nice sale on Amazon, I scored a bunch of Philip K. Dick books for a buck each, so I'm halfway through my favorite of his: Eye In The Sky.

What is your favorite season? Holiday?

My family is just my brother (my mom and dad both passed away) and so my family is all my friends -- so we don't have a lot of traditional holidays. I like to say that we have a celebration every time any two of us get together ... that and holidays and such just feel a bit too stiff and 'traditional' for me.

You know you do ... Quickie time ... Think fast ... Dark or Milk Chocolate?

Dark, absolutely. Vosage's bacon dark when I can afford it, Trader Joe's dark chocolate peanut butter cups when I can't

Whipped or Melted?

Definitely melted: cheese is one of my big weaknesses – though I have been trying to cut down on it a bit.

Straight up or with a twist - sex?

Even though I've written quite a lot of queer fiction (erotic or non), I'm straight – and even though I've written a lot of kinky sex I'm actually a very meat-and-potatoes straight guy ... though I have a weakness of big, beautiful girls. But I never let my libido run the show: I fall in love with a woman, first, and her body second.

What's your fave drink - in a glass or on her?

Can I say in her ... I'm more than a tad orally fixated when it comes to sex.

Spank or Flogger?

Neither, but I teach classes in both ... as well as bondage, caning, nipple play, cupping, and a whole lot more.

Junk or Health Food?

Neither, as I'm kind of a foodie – though I do try and eat as healthy as I can. At home I've been experimenting (be afraid ... be very afraid) to give me better options than just quesadillas, but I love to get out and try new places and new cultures. There's this Turkish place in Berkeley I'm seriously in love with....

Leather or Lace?

Either is fine with me. I'm a very empathetic lover so if my partner lives something and gets turned on then I get turned on ... even though, like I said, I'm really a very simple guy when it comes to sex.

Control or Be Controlled?

I say controlled: I'm a pleaser – especially in bed. Oh, I know how to top and am quite good at it but my heart is never really in it ... though, again, if my partner is into it then I will definitely try anything.

Vampire or Werewolf?

Neither – even though I wrote two vamp books (Very Bloody Marys and Running Dry) and plan on working on a sort-of werewolf book – I really am quite bored with the whole paranormal thing. Come on, folks, let's be a bit more original!

Wednesday, December 19, 2012

Lynna Reynolds Likes Stroke The Fire



Here's a great review of my new book, Stroke The Fire: The Best ManLove Stories of M.Christian (part of the new M.Christian ManLove Collection from Renaissance E Books/Sizzler Editions) by Lynna Reynolds - from the very cool Stroke The Fire blog tour!



This book is the best of M.Christian’s ManLove Fiction but it is so much more. Instead of giving us one story, he packs in a lot of stories in just a few pages. When you purchase this book you need to know that the stories can be very graphic. And what’s good about an anthology is you don’t have to feel as if you have to read all the stories at once.

M.Christian gives us one story where he has you thinking of food. He also shows the reader that there is more than one way for two people to love each other. Some couples seem totally vanilla and others more adventurous. There are those people that like to be treated like someone else’s property. One short story had me thinking that if it were made into a movie Nathan Lane would be the perfect diva (a la Bird Cage).

Our author also doesn’t use the same type of story over and over. We get some paranormal, a lot erotic, and even some gore (think bloody). This book is not for someone who can’t think outside the box or have an open mind. You need to accept strong language and scenes that are very descriptive. There was one short story that had me think “incestuous”. M.Christian even surprised me with one story with religious undertones (I have a feeling you will know it as soon as you read). I will admit that a couple of the stories lost me – but it’s possible it was just me. You will have to let me know if you feel the same.

If you are looking for a straight book of romance, you won’t find it here. M.Christian explores all different types of love and you become a part of the story. Unless you are a person with no feelings, you can’t help but be touched (good or bad) by his writing. If you are someone that likes a little “meat” to your story, then you will want to get this book.

Rating: 4 stars

Tuesday, December 11, 2012

The Next Big Thing - And Stroke The Fire

(from M.Christian's Queer Imaginings)


I'm extremely pleased to be part of the round-robin blog tour started by John Everson - my own invitation coming from the brilliant Lucy Taylor - called The Next Big Thing.  By the way, I also got invites from a similar one from my pal Fulani (via Vanessa Wu) so I'm posting this one, at once, in thanks to all of these great folks!

From here check out the excellent blogs of five of my friends who I've tagged to carry on the tour - they should be posting their answers in about a week or so:

1) What is the working title of your book?

Stroke The Fire: The Best ManLove Fiction of M. Christian!

2) Where did the idea for the book come from?

Well, to put it mildly I have written more than my fair share of queer erotica and fiction – starting with "Stroke the Fire" that was picked up for Best Gay Erotica 1994 – and ending with this brand new best-of-my-very-best short gay erotica: Stroke The Fire: The Best ManLove Fiction of M. Christian!

The book is made up of my handpicked favorite stories from three of my queer erotic collections: the Lambda Award finalist Dirty WordsFilthy Boys, and BodyWork. What's even cooler than this brand new best-of-my-very-best book the great folks at Renaissance E Books/Sizzler editions – that also published Stroke the Fire – have re-released not just Dirty WordsFilthy Boys, and BodyWork, but my queer novels The Very Bloody Marys, and (the rather controversial) Me2 as part of a whole "M.Christian" imprint: The M.Christian: The Manlove Collection ... pretty cool, eh?

3) What genre does it fall under?

Even though Stroke The Fire: The Best ManLove Fiction of M. Christian is basically queer erotica is also contains a lot of stories that run the gamut from horror (like "Wet," Boy," "Echoes" "Matches" and others) to science fiction ("Blue Boy," "Utter West," "Counting," etc) and even stories that, sure, might be gay and erotic but are more-than-a-but off-the-map (like "How Coyote Stole Sun" and "Coyote And The Less Than Perfect Cougar").

I also kept the introductions to the three books that were used to make up Stroke The Fire: my own from BodyWork  Felice Picano's from Filthy Boys and Patrick Califia's from Dirty Words.

4) Which actors would you choose to play your characters in a movie rendition?

Since the book is a collection that's really tough to say ... though I sometimes visualize actors when I write (like Christian Slater and R. Lee Ermey for my novel, The Very Bloody Marys) I rarely do it when I write short stories. But if I had to pick some actors to appear in Stroke The Fire: The Movie I'd have to pick Ian McKellen, Alan Rickman, Christopher Lee, Nathan Fillion, the boys from Supernatural -- sorry, girls, as it's a gay male book there aren't many roles for women, not that I wouldn't love to get Emma Thompson, Gina Torres, Judi Dench, in there somewhere ... if just because I think they are wonderful and it would be a blast to meet them.

5) What is the one sentence synopsis of your book?

Stroke The Fire: The Best ManLove Fiction of M. Christian is quite literally a collection of the best-of-the-best of M.Christian's short queer erotic fiction, taken from his acclaimed collections Dirty Words (a Lambda Literary Award Finalist), BodyWork, and Filthy Boys.

6) Will your book be self-published or represented by an agency?

Stroke The Fire: The Best ManLove Fiction of M. Christian has been published by Renaissance E Books/Sizzler Editions as the benchmark of their The M.Christian: The Manlove Collection imprint, which reprints not just the erotic collections Dirty Words,  BodyWork, and Filthy Boys but also the non-erotic queer novels The Very Bloody Marys, and Me2.

7) How long did it take you to write the first draft?

As the book is a collection – made of other collections – that's really tough to answer. Dirty Words came out in its first edition back in 2001 ... with the other collections coming out every could of years since then. But then the earliest story in the whole book, "Stroke The Fire," first appeared in Best Gay Erotica 1994 so you could almost say that the book took both a month to put together but the content took 18 years ... and, boy, does that sound like a long time when you think of it that way.

8) What other books would you compare this story to within your genre?

For me, Stroke The Fire: The Best ManLove Fiction of M. Christian is a way of putting everything I've felt proud of writing – that's queer and erotic – into one juicy bundle of pages. Sure, there have been other collections but, as far as I know, there hasn't been a collection that's a collection of other collections ... so I think that Stroke The Fire: The Best ManLove Fiction of M. Christian is more than a tad unique.

9) Who or what inspired you to write this book?

The wonderful Renaissance E Books/Sizzler editions asked me to put this book together as part of their launch of their special The M.Christian: The Manlove Collection – to be the one place, if people interested in my queer erotica needed just one place, to go to get the best-of-my-best. If you like what's here, in other words, then you'll no doubt love the other books, collections, and anthologies I've done.

10) What else about your book might pique the reader’s interest?

Well, probably the most unique thing about Stroke The Fire: The Best ManLove Fiction of M. Christian – and the other queer books and stories I've written over the years – is that I'm a straight guy.

It always takes folks more than a bit aback then I say that but – really, honestly – that's what I am: sure I might write about gay characters (and even gay sexuality) but, more than anything, I'm a writer ... and books like Stroke The Fire (and the books that make it up) are just part of what I do.

Now I want to be absolutely clear that I never, ever, lie to editors, authors publishers, or readers about my own sexuality – though there have been a few odd situations over the years, of course. To this day some people simply think that I'm lying to myself about my own sexuality ... but, honesty, unless you’re a woman (especially a BBW) then Mr. Happy just doesn't salute. Sorry, guys....

I got into being a 'gay' author pretty much the same way I became a horror/fantasy/non-fiction, etc., writer: I saw an opportunity – or was asked to participate in some project-or-other – and, since writers and regular human beings grow through challenges, I gave it a shot and (bingo!) I found that I wasn't just comfortable writing queer fiction but that people actually wanted more of it. No dummy, that's what I did: and so I have a few novels, collections and, with Stroke The Fire: The Best ManLove Fiction of M. Christian, my own best-of-my-best collection of short queer erotica.

Speaking of other things, I also write non fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine – as well as the erotic romance novel Brushes, the science fiction erotic novel Painted Doll, and over 25 anthologies like the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and many more.



Friday, November 23, 2012

Sigmund Freud's Letter Regarding Homosexuality


(from M.Christian's Queer Imaginings)
Sigmund Freud's Letter Regarding Homosexuality 
In a response to a worried mother's inquiry about the sexuality of her son, Freud writes, “Homosexuality is … nothing to be ashamed of." 
The original letter and complete transcript can be read at Letters Of Note
(via BuzzFeed)