M.Christian is an acknowledged master of erotica with more than 300 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Fetish Erotica, and many, many other anthologies, magazines, and Web sites. He is the editor of 20 anthologies including the Best S/M Erotica series, The Burning Pen, Guilty Pleasures, and many others. He is the author of the collections Dirty Words, Speaking Parts, The Bachelor Machine, and Filthy; and the novels Running Dry, The Very Bloody Marys, Me2, Brushes, and Painted Doll.
His site is www.mchristian.com. You can also get a glimpse into M. Christian through the blogs MEINE KLEINE FABRIK and Frequently Felt.
Once again, acclaimed author M. Christian writes of the art of seduction. One of the pleasures of a dystopic future is the erotists, professionals who paint their clients' bared skin with neurochemicals that induce sensuality. Erotists offer landscapes of ecstasy, pain, joy, and delight. Few citizens can afford the skills of the talented Domino. Fewer still know her identity is but a mask.
Beneath the facade, Claire hides from a vicious crime lord who would not only kill her but her childhood lover. But the mask of Domino is beginning to crack...
Painted Doll is futuristic noir tale, a wildly imaginative erotic adventure, exploring who we are and the sexual awakenings that occur when we become someone else.
From Chapter Two, Painted Doll: An Erotist's Tale:
On the banister going up, winding down the paired columns at the top, lizards were marching in a tightly twisting single file, preceding tails barely touching the tips of a following hissing tongue. Round and round, up and up, each lizard behind the other. Under her fingers, sliding smoothly along the silken lacquer, scales, dagger teeth, and clawed toes, were almost too precisely carved, too excellent. Their realism a soft whisper of perhaps, maybe, could-be movement.
Claire didn’t like the walk up those carpeted stairs, another parade of tiny reptiles woven into the border in careful golden thread, because of that banister. Didn’t like putting her hand on the smooth pillars on the upper landing, either; that long dead Malay, Indonesian, or Chinese wood carver’s art too haunting, ghostly shivers up her arm.
One step, a pause. Another, and then another, and another of each: closer to the top with each careful, controlled, ascent, each cool hiatus. Hand out, holding the railing with each rise, the wood carver’s art was just a decoration, the thing that gave the Salamander Room its name. Domino, not Claire.
Vaulted in an upward sweep of beams that seemed transported from somewhere else, the room was warm, looming to be even hotter later in the day. But that was a long time to come, and the client had only paid for any hour. Two pieces of furniture, one piece of baggage: an opium bed, frayed fabric from generations of smokers, trim and tassels missing or discolored. Next to it, a high octagonal table, rosewood glowing from different generation’s use. On it, a leather satchel, low and square, showing early signs of wear at the corners but otherwise anyone’s carry-on, containing almost anything.
As Domino reached the top, the man on the bed rolled to one side; he looked back at her, she saw him.
“K-Konichiwa,” he stammered, with a sharp dip of his chin, eyelids lowering. Young, but not a boy. Dark hair in a corporate apprentice pudding bowl, growing out in a soft bristle around the ears meaning an approaching graduation to junior salariman. A few months before a move from the dormitories to a single men’s building. Student larva cocooned before emerging as a fully-formed and valued worker.
Flowing slowly into the room, the hushing of her kimono was her only answer. A celebration then. A promise to himself, a reward for memorizing the company manual, no doubt standing in the rain, pattering ice water on his bare shoulders, and singing their anthem until his voice had cracked, then broken.
Naked then, more than likely; naked now, clearly. Hairless and smooth, with nipples the color of his bloodless lips. Between his legs, no sign of a penis. Tucked between his thighs in a reflex of Japanese decorum. He could have been as sexless as a bee.The Question: Reflect on the stories you have written – the stories waiting to be written. What themes, topics do you find your writerly mind pushing you to write?
How do these themes, topics portray themselves through you as a male writer?
I’m a weird critter – writing-wise – in that I’ve written a lot of work beyond my own (ahem) direct experience … male or otherwise. To put it another way I’ve had stories published in Best Gay Erotica (but I’m not gay), Best Bisexual Erotica (but I’m straight), Best Lesbian Erotica (but I’m not … well, you know) and even have two collections of gay erotica, Filthy and Dirty Words, and one of lesbian erotica, Speaking Parts. I’ve also written many similar novels, Running Dry, The Very Bloody Marys, Me2, and (recently) Painted Doll that are gay-themed. By the way, I’ve also published straight stories and novels, such as Brushes and the upcoming collection Licks & Promises, so I’m not just a “not gay but write guy stuff” writer.
What does this have to do with being a male writer? Well, I’d like to say that it doesn’t – or shouldn’t. After all, writers are professional liars in that it’s our job to convince people we’re telling the truth when we’re not – and we succeed when there’s very little, or no, doubt about that. I’m tremendously lucky – and tremendously touched -- that my work in the gay community has been so well received. I’m not alone, of course. Many writers have told wonderful stories about characters and situations far removed from who they really are.
The key, I think, is to respect your audience and your subject matter. People often ask me about how I can write about something like being gay or lesbian without have done (ahem) ‘field research.’ Sure I might not have direct experience but I do know what love, hope, fear, excitement, and disappointment feel like so I try to bring as much of that ‘reality’ to whatever I’m doing – and always approach whatever I’m doing with a serious hope of touching my readers.
The bottom line is that while I’m a guy I’m always working hard to stay true to what joins us together: that we’re more the same than different.
Monday, October 20, 2008
Sunday, September 21, 2008
Open Source Sex, Love and Intimacy: Sex | Relationships | Sexy - SLI 059: M. Christian: Sexy Stories, Arousal Through Intelligence
Monday, September 15, 2008
Well, the show is now live so here's a rare chance - lucky you - to actually hear me being interviewed. If you'd prefer to just read the show the transcript is here.
Sunday, September 07, 2008
You can read about Chip and the workshops here and click here to subscribe to his very fun podcasts.
Monday, August 18, 2008
CA: What genre(s) do you write? Why do you write the stories that you write?
MC: Well, I like to call myself a ‘literary streetwalker with a heart of gold” meaning I usually write what folks – meaning publishers and editors -- want, which can mean anything from non-fiction to horror, from science fiction to humor, from advice columns to gay fiction, from blog stuff to smut, although most folk seem to want smut most of all. Not that I’m complaining, you understand: smut has been very, very good to me. In fact it’s how I got started and how I made my ‘name.’ Not to toot my horn … at least not too much … I’ve sold close to 300 stories short stories that have been in a whole lot of ‘best’ erotica books: Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica … well, you get the picture. I also have four collections of my stories in print: Dirty Words (gay erotica), Speaking Parts (lesbian erotica), The Bachelor Machine (science fiction erotica), and Filthy (more gay erotica); and have edited 20 or so anthologies including Confessions, Amazons, and Garden of Perverse (with Sage Vivant), and the Best S/M Erotica series. I also have written five novels and am working on my sixth: Running Dry, The Very Bloody Marys, Me2, Brushes, and Painted Doll – of which only a couple are erotic.
CA: When did you first realize you wanted to be a writer?
MC: I was in the fourth grade or so when I first realized that I liked the idea of writing, and that people could actually make a living at it, but it wasn’t until high school that I really gave it a shot. Alas, it took close to ten years before I sold my first story – a smut story, by the way – but after that I’ve been really working on getting stuff out there and working even harder on having fun doing it.
CA: Who or what was your inspiration for writing?
MC: I’d like to say some of the great and noble gods like Hemmingway and such but I found most of my true inspiration from, and admiration for, honest working writers in science fiction and comics. Okay, I really do love Steinbeck, Kipling, Hugo, and Dickens, but William Gibson, Alan Moore, Alfred Bester, Adam Warren, Ted Sturgeon, Alexander Jablokov, and Phil Dick are who I adore. I also really love classic movies, especially directors like Frankenheimer, Billy Wilder, and Wim Wenders.
I also can’t say enough for writers of simple, beautiful prose who are too often dismissed because they happen to write for things like television; Paul Dini, Hilary J. Bader, and Joss Whedon, and so forth. As I like to say: good writing is good writing, and it doesn’t make a difference if it’s for the New Yorker or a Saturday morning cartoon.
CA: When writers block attacks, what do you do to get back on track?
MC: I have a rather strange work ethic in that I don’t believe in talent, a muse, or suchlike. I’ve always just plain worked at my writing. Sometimes a story isn’t going well but I try to push through it nonetheless, trying to get to the heart at why it might be trouble. I also don’t wait for inspiration: most of the time what I’m doing is because someone, somewhere, asked for it. But that doesn’t mean I sell my soul. I really do simply love to write, to tell stories. When I get an assignment, or an opportunity crosses my path, I always try to make whatever it is ‘mine’ with a story I want to tell, no matter what the eventual market might be.
CA: What is your work schedule like when you're writing?
MC: I don’t really have a set schedule but I’m always very much aware of what has to be done and when it has to be turned in. Right now, for instance, I’m writing a bi-monthly article for Dark Roasted Blend (www.darkroastedblend.com), getting the word out about my four new books (Me2, Painted Doll, Brushes, and The Very Bloody Marys), and working on a new book for Zumaya – one I hope to get done in a few more months. Beyond that I’m trying to round up some new novel gigs and trying to find a new day job … after getting laid off recently from my last one, which I had for over ten years (sigh). Between all this I also have a wonderful partner in all things, Sage Vivant, who I adore, and various hobbies I’ve been regretfully ignoring. Maybe one day, I’ll be able to write for a living but until then I’m working as hard as I can to get myself out there: opportunities don’t come to you, you have to look for them.
CA: Your book is about to be sent into the reader world, what is one word that describes how you feel?
MC: One word: sigh. I’ve never been a huge self-promoter but I’ve been forcing myself to work harder at it. Like I just said: things don’t find you, you find them. Sitting in the dark hoping someone, anyone, will call just doesn’t work. That doesn’t mean I like having to send out press release after press release or do interview after interview (no insult) but to get where I want to be, which is to be able to write more books, it takes getting people to know who you are. It’s not fun, but it has to be done.
CA: What do you like to do when you're not writing?
MC: Alas, I’ve been ignoring a lot of my hobbies lately but I do plan on getting back to them eventually: robots and fun electronic stuff, little art projects, photography, food (eating and cooking), and travel. One of these days I’ll be able to get back to them but for right now the writing and the job search is taking up a lot of my time …probably too much of my time, but them’s the breaks.
CA: What is something shocking or weird about you that your readers don’t know about?
MC: Well, the biggest one I can think of is that even though I write a lot of gay themed books, for a lot of gay publishers and anthologies, I’m straight – but certainly not narrow, as the joke goes. I'm actually pretty proud of being able to make my projects, whatever they are, respectful of the audience and the ‘theme.’ I'm happy that my publishers don’t mind who I am, and that so many of my readers like my work --it's something that keeps me going. I just hope it continues because while it can be challenging, there’s a lot of enjoyment that comes with that challenge, and I really think it’s helped my writing.
CA: How many books have you written? Which is your favorite?
MC: I’ve already nattered about what I’ve done, so I don’t need to do that again. As for my fave … well, I don’t really have one. Sure I thought that Me2 came out really well and Painted Doll, Very Bloody Marys, and Brushes were lots of fun – and collections are always a kick -- but I like to say my favorite is the one I’m either working on right now or will be working on next. I just don’t like to look back, I guess. Besides, if you think your best is behind you, it doesn’t push you forward. I like the books I’ve written but I also think I could do better, which is what I try to remember whenever I do something new. I also try to stretch as much as possible, taking risks each time so I can learn and grow.
CA: Do you tend to base your characters on real people or are they totally from your imagination?
MC: That’s a toughie: I do but I don’t. I don’t put ‘real’ people in my stuff, meaning friends and such, but I do put a lot of myself into whatever I do. I’m not gay man – and I’m not equipped to know what being a lesbian is like – but I do know what desire, hope, fear, embarrassment, pride, and love feels like so I write all of that into my stories and books. I also try to project as much of myself as I can into whatever I’m doing, to really get into the people I’m writing about. Occasionally, though, I do borrow an actor or actress though it never feels … ‘real’ I guess you could say.
CA: Do you have any advice for aspiring writers?
MC: I once wrote a column called “Confessions of a Literary Streetwalker” for the Erotica Readers & Writers site, which I’ve been reposting on my own site at www.mchristian.com. Part of the reason I did those columns was because I was tired of the poor advice teachers and other writers were dishing out. Some of the more important topics I addressed was that writers, especially new ones, shouldn’t try and be the next ‘fill-in-the-blank’ celebrity author. Instead, they should work where there’s work and not be biased about different genres. I got my start in smut and am now writing novels for a wide range of audiences. I also think writers should focus on the writing and not spend too much time ‘playing the game’ of being a writer instead of actually writing. Finding publishers, agents, and such is important but doing the work is what it’s all about. Lastly, but not leastly, writing should be fun: if it’s not then you’re not doing it right. Being a writer sucks: the pay is cruddy; no one gives you any respect; and it’s a lot of hard, emotionally brutal, work – but if you enjoy writing then it becomes something truly amazing, and totally worth it.
CA: How can a reader contact you or purchase your books?
MC: All of my books are on Amazon.com under “M.Christian,” and I have links to all of them from my page at www.mchristian.com. I’d check that page out first and go from there. I’m also very free with my email address, so please feel free to write me anytime: firstname.lastname@example.org or email@example.com.
CA: Is there anything you would like to add?
MC: Just that I also have a pair of fun blogs I post to quite often: Frequently Felt is a place for fun and strange sex stuff, and Meine Kleine Fabrik is for fun and strange stuff (no sex). I’ve been posting my “Confessions of a Literary Streetwalker” columns on my main site as well
CA: I’ll have to hop over and check out your blogs, Confessions of a Literary Streetwalker is an attention grabbing title : )
Tuesday, July 22, 2008
M.Christian has been called “one of the greatest living writers of erotica” (mostly by himself) and a “hack who shouldn’t quit his day job” (by everyone else). The author of more than three hundred short stories, he’s appeared in pretty much every “Best Erotic” anthology there is, from Best American Erotica, to Best Gay Erotica, Best Lesbian Erotica, Best Fetish Erotica, and many others. He is the editor of twenty anthologies including Confessions, Amazons, and Garden of the Perverse (with Sage Vivant) and The Mammoth Book of Future Cops and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi). His stories have been published in five collections: Dirty Words (gay erotica), Speaking Parts (lesbian erotica), The Bachelor Machine (SF erotica), Filthy (more gay erotica) and-–coming soon–Licks & Promises (the straight stuff). He is also the author of five novels: Running Dry, The Very Bloody Marys, Me2, Brushes, and Painted Doll. His site is www.mchristian.com.
How did you start writing erotica and/or how did you start writing sf/fantasy?
The answer is the same for both, really: after trying to get published for about ten years I took a class from Lisa Palac, who was editing the magazine FutureSex at the time, on a whim. At the end of the class I gave her a story I had written, a fun little SF thing, not really expecting much of anything. I was shocked a few days later when she wrote to say that she wanted to publish it. “Intercore” was then picked up for Best American Erotica–-and everything just sort of took off from there.
Is there something particularly compelling to you about combining sf/f with erotica?
Well, I’ve been a pretty hardcore geek/nerd/fanboy for a long time, so wanting to write SF has always been in the back of my mind–though a lot less now than when I first started to write. Mixing the two was really just a marriage of convenience: editors and publishers seemed to want erotica so why couldn’t I try to mix them?
Beyond that, I’ve always felt that, except for a few rare exceptions, sex has been the one thing that SF really hasn’t speculated about. After all, how many future shock stories have you read where the world has been completely transformed by technology or social change yet the characters still get it on like a pair of teenagers in the backseat of a Plymouth? Just think about how things have changed in the past few years: AIDS, Viagra, gay rights, the Net, implants… Our sex isn’t our grandparents’, or even parents’, sex so why shouldn’t it be even more wild/radical/amazing/scary in just a few more years? And who knows what it could be like in a decade or the next century?
To be fair, I haven’t really worked to push those boundaries myself–I still have to sell my work to people of this century–but I’ve always wanted to really have fun and experiment with what sex might eventually become. One of these days… One of these days….
How does your real life experience get translated into erotic sf?
It does and it doesn’t. It doesn’t because even though I write a lot of gay fiction as well as gay erotica, lesbian fiction as well as lesbian erotica, bi fiction as well as bi–well, you get the idea–I actually a pretty simple guy, sexually. Sure, there’s that Michael Rosen picture of my ex-wife and I, but when the lights are low I’m not that sexually complicated.
But it does because even though I haven’t had gay sex, and am simply not equipped to have lesbian sex, I do put a lot of my emotional self in what I do. I can’t say I know what the sex feels like but I certainly can write about what it feels like to be excited, frustrated, disappointed, ecstatic, etc. I also take a lot of pride in the fact that I treat my subjects with dignity and respect, that I try exceptionally hard to make my characters as three-dimensional as possible. After all, no matter [what] our genders or orientations [are] we have more things in common with each other than [not]. I’ve been lucky–so far–that folks have been very kind about my attempts, and some have even made me very happy by saying that my work has touched them, but being thought of as rude or disrespectful is still is something I worry about.
Is writing erotic sf different from writing other genres?
Well, aside from what I already mentioned (that it’s hard to SF-up sex without completely losing your reader) I think that SF erotica is different–for me at least–because I always try to put in social commentary, which is what many of the SF greats have used the genre for as well.
There’s always a bit of pressure to world-build, which can make the process a bit tougher than simply writing about modern people having modern sex. Sometimes, though, putting in a bit of SF can make everything easier, like with the book I have coming out very soon from Lethe Books, called Painted Doll. I knew I wanted to make it noir-SF but didn’t want to make it really heavy-hitting technology-wise. I also wanted to add a new dimension to what sex could become, so I thought of giving the dominatrix-type lead character a neurochemical brush she could use to paint her clients with sensations and emotional cues. What happened was very fun because it meant I could also make her a storyteller as she painted, so what she told would add a whole new level to the story. What she was telling her clients could also reveal her state of mind to the reader.
What is your writing process like?
Ah, here’s where I really am a weirdo. A lot of writers I know have to have the room dead quiet, or only have on classical music or such but, because I first started to write without any privacy at all, I’ve gotten used to working with a lot of stimulation. Right now, for instance, I’m watching the Japanese henshin series Garo while answering your questions. Often I pick a vid to match what I’m trying to do, to set the mood. I don’t have a lot of DVDs but the ones I have I must have seen dozens of times: Wender’s Hammett; Frankenheimer’s Seconds, Seven Days In May, and the Manchurian Candidate; Paul Dini’s Batman and Justice League series; the wonderful new French film Renaissance; lots of anime; The Avengers TV series; lots of J-Horror (especially Uzumaki) and lots of others I can’t remember, and I’m too lazy to get up to see what else is on my shelves.
I’m also very lucky to have a fantastic partner-in-all-things, who also happens to be the writer Sage Vivant. I’ve said this a few times but it’s always worth repeating: writing can be … Hell, it totally is a vicious, awful, ugly, and emotionally devastating business and every writer needs, and deserves, someone in their life to be there. I am very damned lucky to have found my one special person.
What’s it like sharing your life with another erotic writer? How does that affect your creative process? How much input do you to have on each other’s work?
WAITAMINUTE! Are you saying… Are you IMPLYING… That my girlfriend is some kind of a pornographer!? I’m shocked, I tell you, SHOCKED!
Okay, I’m kidding. I’m tremendously lucky to have found Sage, and thank that fortune every day she’s with me. Writers are–for the most part–completely bonkers. It’s the business that does it: we expose our hopes, dreams, fantasies, and the rest of our so-fragile stuff to people who only care about money, or to other writers who’ve been smashed up the same bad experiences. It makes us insecure, competitive doubtful, depressed, and even arrogant… Like I said, bonkers.
I’ve always dreamed I’d find someone who was at least creative, a person who understood how much fun it can be when it works, and who’d understand how much it hurts when it doesn’t. Not in a million years did I think the person I’d fall head-over-heels for would also be a writer, let alone a writer I admired.
I can’t say that enough: not only do I love Sage but I respect her tremendously. For close to ten years she ran Custom Erotica Source, where she wrote stories for over one thousand clients. That alone is totally remarkable but it still doesn’t say enough: the stories she wrote not only touched people but were also so brilliantly well-written [that] editors and publishers snatched them up for all kinds of anthologies.
But she is also just a wonderful person: kind, funny, supportive, smart, as well as totally gorgeous — absolutely my partner in all things. We work very well together and, even though she just sold CES and is taking a break from writing, her help, opinions, and support are a huge part of my writing life… Well, every part of my life, period.
Are/were there authors who influence your writing?
I feel like I’m always learning from, and trying to be as good as, the folks I admire and respect. I wish I could say those were high-end classic writers–and, sure, a few are there, like Steinbeck, Kipling, Dickens, Hugo, and such–but for the most part I adore and want to be as good as modern comic writers like Alan Moore, Adam Warren, and Grant Morrison; classic SF writers like Bester, Dick, Sturgeon, and Zelazny; and non-fiction writers like Karl Taro Greenfeld, Paul Kirchner… And a few others I’m, again, too lazy to get up and go to my bookshelf for. I’m weird in that I actually don’t read a lot of erotica–unless I have to when I’m editing an anthology–and [I] don’t read any new SF, mostly because I rarely have the time. Again one day I hope to… One day….
Do you have a favorite story or work of yours, and why that one?
Not really–I don’t like to look back. It kind of scares me, actually, to read something I wrote–especially when I think it’s good because then I worry if I’ll ever be able to write that well again. It’s kind of pat but I like to say that my favorite thing is what I’m going to write next. I do think my book, Me2, recently out from Alyson Books, came out well (even though there’s some debate going on [about] if I even wrote the damned thing), and I really enjoyed writing my new and upcoming books Brushes and Painted Doll. I just hope the book I’m working on right now will come out well, but so far–fingers crossed–it’s been fun.
There’s a common theme in many of your stories and novels of showing what goes on behind-the-scenes in an erotic scenario, whether it be elaborate sex play or something constructed by a professional sex worker. What fascinates you about this flip-side? What do you think this has to say about the nature of sexual fantasy?
I’ve always been fascinated by the faces we wear. Like a lot of folks I don’t think we have one personality. This “voice” for instance–the one you’re reading and I’m writing–it isn’t “me,” at least not the “me” that’s the voice in my head, and it’s not the “me” that talks out loud. It’s not the “me” in my fantasies, and it’s not even the “me” that is my sexual self.
Maybe I’ve been doing it too much and it’s time to change my schtick but I like experimenting with how those faces can work against or compliment each other. Like with Painted Doll, where the main character has been forced to hide under a false personality, where one self looks like an opposite but is actually more of a different “flavor;” and how those interactions change the character, revealing a lot about her true self, and if she, and we, really have one.
I also love to play with identity and how it’s formed by those internal “faces” but also by everyone around us. In Brushes, we’re exposed to this notion of one bastard of a painter through the people in his life. (What is it with me and artists anyway? They keep showing up in almost everything I do…) But is he really such a bad guy or have everyone’s impressions been twisted by misconceptions and illusions? If I did write Me2 (and I ain’t saying) I would have done the same kind of thing, having fun with who we are and if we are really unique.
On your blog you wrote that you wished that erotica as a genre would end, and that sex writing would become integrated into other genres. If this happened, how would that effect you as a writer? Which genres do you think you would like to explore?
I guess it might put an end to my luxurious and so well-respected career, but it’s something I honestly wish would happen. Not because it would mean the death of the genre but because sex is a part of life and it should be a ubiquitous part of literature as well. Why do we have books that clearly have, or are even about, sex but you never see it? Why shouldn’t the sexual self of the characters be on stage like their other selves? The moment we actually show sex in a story it gets shunned or buried behind a beaded curtain in the back of the store. No wonder we have such a screwed up culture! I’ve said it before but it’s always worth repeating: what kind of a world have we made where giving head gets an X but cutting someone’s head off only gets an R? One day, perhaps, we’ll be honest and happy about sex… One day….
As far as where I want to go, I really don’t have any burning desires. I just love to be wanted, so I’ll do pretty much whatever someone wants… Writing-wise, I mean. I’m not being passive, it’s just that many of the best things that’ve happened to my writing have come as complete surprises: erotica, gay fiction, non-fiction, etc. Sure I’d love to write a Great-American-Novel kind-of-thing, and then there’s that book on movie villains I keep playing with, but for the most part I love working with a challenge and seeing what fun things might come out of it.
Do you have anything new coming up that you want to tell people about?
Let’s see… Me2 is out there (if I wrote it, that is) and doing pretty well. It’s a gay horror/thriller/comedy thing from Alyson Books. Brushes, a romantic/erotic book just came out from Phaze Books. My gay vampire horror/comedy, The Very Bloody Marys, just got reprinted from Lethe Books and coming soon, also from Lethe, is my SF erotica novel, Painted Doll. I also just sold a new collection to Phaze, called Licks & Promises and I’m working on a new book, a gay/horror thing that should be out next year sometime.
Beyond that I’ve been having fun putting cool stuff on my site at www.mchristian.com and digging up erotic things for my sex blog at frequentlyfelt.blogspot.com and REALLY wonderful and strange things for the site my brother and I do: meinekleinefabrik.blogsopt.com. Come check them out and feel free to write me at firstname.lastname@example.org.
Wednesday, July 09, 2008
My pal Matt Skaggs over at Enter the Octopus was kind enough to interview me about me, Me2, and all kinds of other fun things. Here's a quick taste:
It’s my true pleasure to introduce you to my friend Chris, also known as M. Christian. He’s a fine writer and is capable of incredible range, from the erotica he cheerfully describes as “smut” to haunting science fiction and engrossing nonfiction. Get to know this “literary streetwalker with a heart of gold” here, and at his website http://www.mchristian.com.
Would you mind introducing yourself to my readers?
Well, let’s see … Hello, my name is Chris, and I’m an alcohol .. I mean I’m a writer, usually under the name “M.Christian.”
When did you start writing?
I’ve pretty much always known I wanted to be a writer .. hell, I remember trying to write my first story in the 4th grade … but it wasn’t until high school that I really began to work at it. Unfortunately it took about ten years or so of trying before I got enough of the bad stuff out of my system to get published. But since then I’ve done okay: 300 short story sales, edited 20 anthologies, and published five novels (Running Dry, The Very Bloody Marys, Me2, Brushes, and Painted Doll) and four collections (Dirty Words, Speaking Parts, The Bachelor Machine, and Filthy). Oh, and some articles, reviews, couple of columns, two felony … I mean, a whole bunch of other things as well. Yeah, that’s what I meant ….
How would you describe your work?
I like to call myself a “literary streetwalker with a heart of gold,” meaning I consider myself a noble hack: willing to do pretty much anything for anyone anytime … just leave the cash on the dresser. Kidding aside I really just love to write, to tell stories. When I first started out I tried to be the next R. A. Lafferty, Sturgeon, Bester, Zelazny, Dick, etc. — pretty much what every writer does but then something clicked and I really started to enjoy the work itself. When I got an opportunity to write smut I gave it a shot — and sold my first story, and then another, and another, and another, and so on. I still write a lot of erotica but because I’ve published so much of it, I’ve been able to expand out into lots of other genres: horror, SF, thrillers, non-fiction.
To this day I love a challenge, more than anything because I didn’t know I’d be a good smut writer until I tried. Who knows what else I might be good at? Sometimes it doesn’t work, but when it does … oh, man, it’s a kick in the pants.
Wednesday, October 31, 2007
Here’s an intro taste:
If you read short erotica in book form -- gay, straight, bi, queer, trans, mixed or just about anything else -- you've read a story by M. Christian. As one of the English-speaking world's most widely-published authors of erotic fiction, he's seen his short stories in literally hundreds of anthologies. But he's also known as an author of science fiction, fantasy and horror, most recently with his gay San Francisco vampire mystery The Very Bloody Marys. Though he's straight, he writes some of the hottest and filthiest gay -- and lesbian -- erotica around, as well as telling the gay coming of age story (as in Marys) with moving inspiration, proving that the erotocreative impulse is nature's guaranteed genderfuck, a font of imaginative subversion that crosses, blurs and at times obliterates all gender and orientation lines.
As if that weren't enough, Christian, Chris to his friends, also blogs extensively and writes uproarious articles about weird history, science and the arts, exploring a list of obsessions that ranges from robots to Japanese culture to classic film to spy novels and Victorian crime fiction, publishing hundreds of articles in addition to his fiction output. If any writer out there can keep up with M. Christian, I'm betting they sport a chrome skeleton and radionuclide power source crammed up their ass.
We caught up with Chris for a long-overdue chat about writing, sex, history, death, and perversion.