Okay, I might be a tad biased .. no, scratch that, I am definitely biased: after all, I’ve been a professional erotica writer since 1993. Which is (counts on fingers, then takes off shoes to count on toes) twenty-five years?!
Man, I feel old … anyway, even with my more-than-slightly slanted perspective, I really do feel that there is something special about erotic storytelling.
Not that there’s anything wrong with other forms of adult entertainment--it’s just that erotica can do what others can’t.
Think of it this way: when you watch a dirty picture, you are inherently a voyeur. The only information you can get out of the experience is what you see. Yes, it’s absolutely immediate: coming -- if you excuse the expression -- straight into your eyes. But there’s no context, no background, no story.
You look, and if what you see turns you on your body follows suit. The same is mostly true for movies: there may be more of a story but it’s purely superficial. You don’t know anything about what the characters are thinking, or feeling. Its a trade between off between immediate gratification and depth.
Maybe it’s me, but there can also be a sense of disconnection. When you watch a movie, or look at a picture, you have no idea if the people involved are actually enjoying themselves. Who knows, maybe they are just thinking of getting paid -- or if they put enough money in the parking meter?
Not only can you read many of my books and stories but did you know you can listen to them as well? Working with the amazing folks at Wordwooze I'm thrilled to share that all of these books are available on Audible!
Here are riveting as well as erotic tales of technology and desire, and arousal and innovation, told in an engaging and evocative style guaranteed to amaze as well as excite. Down and out hustlers, enhanced sex workers, enigmatic aliens, bleeding edge erotic technologies, and more - The Bachelor Machine is a unique vision of the future, while celebrating humanity's oldest pleasure...sex!
Pell was lost, alone, and lonely until Arc appeared. Fiery, enigmatic, with a mesmerizing cybernetic eye, Arc was everything Pell needed, wanted, and most of all, desired.
The next time Pell saw Arc the eye wasn't the only thing artificial about her new lover. And the time after that, and the time after that: each time the passionate and mysterious Arc drifted into her life, Pell saw more and more of her being replaced by refined and precise machinery and with each departure of her natural body for the artificial, Pell grew more and more terrified.
One day, she knew, there'd be nothing left of her lover but the cold, the engineered, the bionic.
Pell knew what she had to do, but the end, when it came, was worse than she ever could have imagined.
Here it is - the Lambda Literary Award Finalist for best gay collection, Dirty Words. M. Christian's extraordinary anthology shows just how hot and imaginative manlove erotica can be! From mischievous Native American spirits, to victims of cybernetic nightmares, these stories will enthrall, arouse, shock and - always - turn you on. They are all well-crafted tales, filled with what some people call dirty words and dirty men, and will touch you in ways you'd never expect.
"M.Christian's stories are the fairy tales whispered to one another by dark angels whose hearts and mouths are brimming with lust. He goes beyond the pale, ordinary definitions of sexuality and writes about need and desire in their purest forms. [Listeners] daring enough to stray from the safety of the path will find in his images and words a garden of delights to tempt even the most demanding pleasure-seeker." - Michael Thomas Ford, Lambda Award winner.
Set in San Francisco's past, present and near-future, the stories in this anthology provide imaginative, urbane, and even humorous glimpses into Sapphic love and lust that will both arouse and entertain listeners. Those who have never heard M.Christian's erotica are in for a treat. There are no clichés or hackneyed plots to be found in these erotic tales; instead they are filled with substance, creativity and diversity that encompass sweet innocence, sensual tenderness, raw lust, pleasure-pain and more.
One of the pleasures of a dystopic future is the erotists, professionals who paint their clients' bared skin with neurochemicals that induce all forms of sensation - even pain. Erotists offer landscapes of ecstasy, sexual extremes, joy, and delight. Few citizens can afford the skills of the talented Domino. Fewer still know her identity is but a mask. Beneath the facade, Claire hides from a vicious crime lord who would not only kill her but her childhood lover. But the mask of Domino is beginning to crack. Strange sexual pairings and strange sexual practices highlight this futuristic noir tale, set in a wildly imaginative erotic future, exploring who we are and the sexual awakenings that occur when we become someone else.
With The Bachelor Machine, M.Christian set the bar for erotic science fiction stories. Now he has returned to the genre with a brand new collection that will amaze as well as arouse: Skin Effect - tales that push the envelopes of both science fiction as well as erotica in innovative and stimulating ways. Here are stories voyaging to the near as well as the far future, exploring the ultimate limits of sex and arousal.
With an introduction by the Chicano science fiction legend Ernest Hogan (author of High Aztech and Cortez on Jupiter), the stories in Skin Effect - some never before seen - are beyond BDSM, beyond fetish, beyond kink...and even beyond the limits of science fiction!
I am generally bored with the extensive sex scenes in a contemporary romance genre but I love gay erotica, the cradle of the boys’ love genre and all LGBTQ sub-genres that have been resulted from the mother-father of the LGBTQ fiction.
We can have long discussions about broad disparities between the genres and sub-genres and their missions but, without appearing too vulgar, no doubts, the main target of erotic literature is to arouse the reader sexually.
To write GOOD erotica is not easy, don’t underestimate it. Not only sexual fantasy has to be impressive in its own way, but the PLOT itself and the WRITING have to be in harmony with each other. M. Christian with his Finger’s Breadth met all the criteria for a fascinating erotic novel. Not what I expected, but it made this book even more impressive.
I won’t qualify it as horror, but I read not too many horror books to be a judge. There is a touch of romance, suspense, psychological thriller and a social satire. It is kinky and philosophical. Erotic. Terrifying. Fascinating. Disturbing. Intriguing. Haunting.
A gay community of San Francisco is terrified, anxious and insecure. A maniac is at large with an eye for mutilation. No one is safe from him. He drugs his victims and cuts off the top of their little fingers. Cops and freelance agents are hunting him but all they have are dead-end leads. The number of gay men with nine and a half fingers grows up and with it a spirit of solidarity. You have still 10 fingers? Maybe you ARE the Cutter?
We learn from different men and the way they deal with the fears and handle their lives in these gloomy times. It is like an analogy of a short stories that in some way are connected with each other. But WHO does it and in the first place WHY. Don’t expect a clear statement at the end, don’t hope too early that you get it, and you know what is going on here. Very intriguing.
I listened to an audiobook, and I would like particularly to mention an extraordinary writing style that A.A. Ron, the narrator, emphasizes even more.
It has an invisible strong rhythm that is SIMPLY impossible not to hear. Very creative and captivating.
A.A. Ron did a fantastic job. I have to admit, it was not love from the first tone. His style appeared a bit robotic. But once the story started to unfold, his voice grew on me and I asked myself how I couldn’t have seen it from the very beginning.
I’m glad to discover M.Christian, a new interesting writer of erotica genre. My first but for sure not the last book by the author.
After asking everyone here on my site as well as with people on Tumbr, Twitter, Instagram, and Facebook the verdict has come in ... and the winner for the cover of my upcoming book, HARD DRIVE: The Best Sci-Fi Erotica Of M.Christian is...
Stay tuned for more info on when
HARD DRIVE: The Best Sci-Fi Erotica Of M.Christian
This is flat-out AMAZING! Frankie Hill at Sizzler Editions has always done fantastic covers but this time ... well, wow and more wows: Frankie has done not just one but THREE staggering covers for my upcoming collection, Hard Drive: The Best SciFi Erotica of M.Christian.
The problem is I have no clue which one to pick! That's why I'm asking the three or four people who are nice enough to still be checking out my site to help me choose.
So just share in the comments which you like the best and that will help me make my mind up!
It rolled around just recently that my buddy, famous dirty scribe, kink class teacher M. Christian and I were invited, once again, to Sin in The City, in Las Vegas. Chris and I managed to teach at this convention three years ago, when it was held at the Riviera Hotel and Casino, a mere week before it was torn down. (This is the casino that stands in as the “Tangiers” in the movie Casino). Way back when, we had a grand old time teaching our dirty writing class, a cupping class and one on alternate bondage. This year we came in to manage the writing class and alt. bondage again, with Chris also managing double duty as one of the judges of the conventions’ International PERSON of Leather Contest.
Last time I was in town for this particular convention, I met and interviewed Dr. Victoria Hartmann at the Erotic Heritage Museum (see here) which proved to be one of those serendipitous moments for me, as I have come now to not only work for the EHM but call Dr. V one of my friends. This trip, I managed to get down to the EHM once again, to ‘take a meeting,’ as well as see my friend Dr. V. Alas, I wished I had had the time beyond just this short weekend to hang more with her and her wonderful husband Rev. Phil, a major player in infamous World Naked Bike Ride, that happens around the world). But there is just so much time during a quick weekend jaunt.
The convention happened slightly off the strip (across from the Hard Rock Hotel and Casino) at the spacious and lovely Alexis Park All Suites Resort. It’s a very comfortable, multi-building, multi-pool space, each room a suite and very welcoming to the people who attend SITC. On these weekends you will catch most of the attendees in various forms of ‘interesting’ attire (sometimes out of it) and a hotel where one feels comfortable to dress how they want is most welcomed. In fact, I had occasion to speak briefly with someone manning the check-in desk and heard how the Sin-sters were a true delight to the hotel staff.
Time and again, I hear and see how kinksters really turn out to be the most polite and sweetest folks you might ever want to meet.
Chris and I availed ourselves of Lyft the best we could, seeing how that service and Uber has taken quite a bite out of the taxi business in town (and rightly so, with taxis being so pricey). I managed some gambling, the Willy Wonka slots pulling me in (yes, I am a big time gambler, I know) but mainly Chris and I walked the strip to see what there was to see…basically lots of people about on the Super Bowl weekend, a new observation Ferris Wheel and hotels and casinos pretty much crushing on top of one another on the strip.
Now, either, Chris and I are doing things right, or the bribes we pass around are finally reaching their intended targets (kidding about this last bit) but we received quite a few compliments over our two classes. At one point a very nice lady came up to congratulate us both about the writing class (this was the first class we had for the weekend) gave us a both a big hug each and said she’d be attending our second class to be sure…which she did. We saw plenty of people return in fact, even though that second class was 9am Sunday morning. Feedback like this, as much makes you feel like a rock star (with a little r) as it is really a good barometer for us that we are doing something right. Yes, these conventions always hand out pencils and report cards for the audience to rate teachers after each class, but Chris and I never see these results. A person taking the time to say hi to us in the lobby, give us a hug or after class stop up to our table and keep asking questions, means so so much to us.
And being the sociable animals (ok sluts) that we are, Chris and I love to gab with everybody.
I got lucky, through my connections at Vintage Rock (yeah sorry, I write for other sites than just S&SNYC here) to catch Styx and Don Felder at their residency at The Venetian Hotel. It was a two-hour greatest hits extravaganza of classic rockers showing off how well they can still do that which they have been doing for decades.
I can’t rightly say how the Sin In The City dungeon play spaces were as I did not step into any and Chris and I were in our beds by the latest eleven across the weekend (crazy Vegas parties/kinksters that we are) but we had a grand time and hope Sin will have us back. Mainly, and we never say this aloud to the people who have us to these conventions (so shhh, don’t tell anybody) but for Chris and I, he living in the San Francisco Bay Area and me in Northern N.J., the best part of being invited to these conventions is that Chris and I get to hang-out and see one another where we don’t get to do this all that often. Thanks Sin In The City 2018, it was another great time!
This is going to be a BLAST! We're not only going to be attending and teaching for the upcoming Sin In The City (Las Vegas), February 2nd to the 4th, but M.Christian is a judge for their International Person Of Leather contest!
The schedule is still being worked out but we will be teaching our fan-favorite classes, Sex Sells: How To Write and Sell Erotica and Alternative Bondage: Beyond Rope And Restraints.
The market for erotic fiction and nonfiction is booming! There actually is a secret to writing great erotica - and you'll discover just what that is in this fun, hands-on workshop with well-known erotica writers and teachers R.Greco and M.Christian. For the beginning writer, erotica can be the ideal place to begin writing, getting published, and - best of all - earning money. And for the experienced writer, erotica can be an excellent way to beef up your resume and hone your writing skills. M. Christian and R.Greco will review the varieties of personal and literary expression possible in this exciting and expanding field. He'll also teach you techniques for creating love and sex scenes that sizzle. Plus: current pay rates, how to write for a wide variety of erotic genres, where and how to submit your erotic writing, and more.
Alternative Bondage: Beyond Rope And Restraints
While immensely popular among beginning BDSM aficionados – as well as long-time players – restraining a person always carries with it the possibility of serious injury. But that doesn’t have to be: in this special class participants will not just learn how to use rope, restraints and many other traditional bondage devices and techniques effectively and safely but also that there is an entire universe of new and exciting ways of making someone stay put ... in a very erotic and sensual way.
For the first time you can not only read my stories (in print or ebook) through Renaissance E Books/Sizzler Editions but also hear them through Audible.com ... and now you can also feel them via the b.sensory system: where their Little Bird vibratory interacts with my stories to give you an extra sensory wheeeee!
Here's a bit about each format as well as links to all my books and stories that are currently available:
Sometimes you just have to blink, and maybe blink again, and think to yourself Did I really just see that? There’s been a lot of talk lately about the importance of representation: how crucial it is for people to be able to see themselves in the arts ... to know that they aren’t alone.
While there’s been some truly memorable films lately that have worked hard to be inclusive of sexual identity, orientation, gender preference, cultural identity, ethnicity, and neurodiversity we in the kink community have remained unseen and, even worse, humiliated by mainstream cinema.
Until now -- and not just in one film but in two, and not just in limited run arthouse productions but in a pair of productions that are playing in many major multiplexes.
Let’s begin with a hearty and sincere yell: if you are queer, if you are bi, if you are poly, if you are kinky … or if you simply want to see two really magnificent films you have to go see Professor Marston and the Wonder Women and Tom Of Finland.
Ironically, both of these films also deal with the arts. In the case of Professor Marston and the Wonder Women it’s a fictionalized depiction of William Moulton Marston’s creation of Wonder Woman -- and for Tom Of Finland it’s the life story of the iconic queer artist.
It’s actually hard to write a totally unbiased review of either of these productions, mostly because both of them were seen through a blur of joyous tears. “I know this, I’ve felt this, I know this … these are my people, this is my life …” kept going through my mind. With both, I didn’t have to shoehorn myself into the narrative--to have the emotional pain of having to leave most of my life on the cutting room floor to fit into the worlds being projected onto the screen. Both films have their faults---in fact both films have the same one: being biographies there is much that has been streamlined, compressed, or even outright changed to make the drama, especially fitting it into a movie’s run-time. But this is true of any film of this type: it’s just part of the territory. Accuracy is not important. What is important is that both films depict, with skill and sensitivity, the pain and joy of being bi, being queer, being poly, being creative … and, especially, being kinky. In both we see a hostile and abusive world, punishing with emotional and physical violence those who simply want to love who they want to love. In both we see happiness in personal acceptance, in making a home, creating a family ... finding a tribe. For Professor Marston and the Wonder Women, the story is about two psychologists, William Moulton Marston (Luke Evans) and Elizabeth Holloway Marston (Rebecca Hall) who at first struggle but then come to beautifully accept their mutual love for one of their students, Olive Byrne (Bella Heathcote). Eventually, they create a beautiful queer/bi/poly/kinky family--and even raise 5 children together. When faced with hard times, mainly due to William and Elizabeth losing their teaching positions because of the scandal, William pitches the idea of a brand new kind of superhero to a comic book publisher, the Amazon we all know and love: Wonder Woman. The performances are perfectly nuanced: never once did I feel “kicked out” of the film because of a clumsy moment. The direction, by Angela Robinson, is simple and smooth. Reminiscing about the experience of watching it, I can’t remember it as being dramatically--and annoyingly--cinematic but rather as a series of emotionally powerful moments.
Tom Of Finland, meanwhile directly addresses the institutionalized homophobia that far too many experienced, especially in Europe after the Second World War. The film is painful to watch, especially through contemporary eyes--but that is its strength. It is a reminder that for so many, for so long, even being suspected of being homosexual meant loss of job, imprisonment, or even “corrective” therapy. For Touko Laaksonen (played beautifully by Pekka Strang) being queer is a terrifying spy drama: where one wrong action, one wrong word, could mean the end of everything. But instead of succumbing, denying who he is, he finds a way to reach out. At first his sketches are illicit, done for his own pleasure, but then he makes the decision to try and find a sympathetic audience--which leads to not just his personal liberation but the creation a true artistic icon. And, for the most part, the leather community itself.
One of the most striking things about Tom Of FInland is that, even though it does feature English speaking actors and the latter half does take place in America, it is a Finnish production. The director, Dome Karukoski, has created a perfect capsule of what life was like for Touko, and how he must deal with his queer identity in his suppressive homeland as well as when he discovers that the impact his artwork has had on gay men like himself.
Both of these films are currently in theaters--and you should go out and see both of them as soon as possible: not just because they are both excellently crafted, full of beautiful performances, and directed with consummate skill, but because THEY ARE IMPORTANT.
We need to be in those seats, to show the people involved in their production that we appreciate their work and thoughtful representation of our own lives. But we also need to demonstrate to the entertainment industry that films like this can be both be responsibly inclusive of our communities as well as profitable.
If there’s a single message that both Tom Of Finland and Professor Marston and the Wonder Women embraces it is the one that all of us --queer, bi, poly, kinky, and more--know so well: that all of us should be proud of who and what we are--and that love will always trump hate.
TOP 100 IN SF ANTHOLOGIES AMAZON KINDLE -5 THRILLING PEEKS INTO THE FUTURE FROM 5 VISIONARY WRITERS!
What will tomorrow look like? Here are five speculative answers from top science fiction authors.
Another outrageous act of science fiction by self-described “recombocultural Chicano mutant” Ernest Hogan, a soul-touching tale of furry friends and bittersweet affection by Emily Devenport, a neon-highlighted '80s love letter to a classic anime by Cynthia Ward, a multi-dimensionally kaleidoscopic tale of love beyond reality by Arthur Byron Cover, and M.Christian’s standout novelette about the Soviet-era practice of smuggling Western music impressed onto discarded X-rays.
M.Christian‘s published fiction includes science fiction, fantasy, horror, thrillers, erotica and even non-fiction. His fantasy and science fiction have appeared in Talebones, Space & Time Magazine, Skull Full of Spurs, Graven Images, Horror Garage, Song of Cthulhu, and other science fantasy publications. The best of his short SF/H/F has been published in the collection Love Without Gun Control. Multiple Hugo and Nebula winner Mike Resnick has hailed M.Christian’s sf as "unique and truly fascinating." In addition to writing, he is a prolific and respected anthologist whose credits include The Mammoth Book of Future Cops and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi), and many more.
Arthur Byron Cover is the author of the Nebula-nominee novel Autumn Angels, part of his Great Mystery trilogy, a saga of godlike men—which also includes An East Wind Coming, a novel pitting Sherlock Holmes against Jack the Ripper. His short stories have been widely anthologized, and often selected for The Year’s Best Horror Stories and other collections. He has also written works set in the Buffyverse and in Asimov’s Foundation Universe.
Emily Devenport is the author of Shade, Larissa, Scorpianne, EggHeads, The Kronos Condition, GodHeads, Broken Time (which was nominated for the Philip K. Dick Award), Belarus, and Enemies. Her newest novels, The Night Shifters and Spirits of Glory, are in ebook form on Amazon, Smashwords, and more. She is currently working on a novel based on her popular novelette, “The Servant.” Her short stories were published in Asimov’s Science Fiction, Full Spectrum, The Mammoth Book of Kaiju, Uncanny, Cicada, Science Fiction World, Clarkesworld, and Aboriginal SF, whose readers voted her a Boomerang Award (which turned out to be an actual boomerang).
Ernest Hogan is a six-foot tall Aztec leprechaun who was born in East LA back in the Atomic Age. Because he is the author of High Aztech, Smoking Mirror Blues, and Cortez on Jupiter, he is considered to be the Father of Chicano Science Fiction. His short fiction has appeared in Amazing Stories, Analog, Science Fiction Age, and many other publications.
Cynthia Ward has published stories in Asimov's Science Fiction, Shattered Prism, Weird Tales, Athena's Daughters (Silence in the Library Publishing), and other anthologies and magazines. Her stories "Norms" and "#rising" made the Tangent Online Recommended Reading List for 2011 and 2014. She edited the anthologies Lost Trails: Forgotten Tales of the Weird West Volumes One and Two for WolfSinger Publications. Her short alternate-history novel, The Adventure of the Incognita Countess, is now available from Aqueduct Press.
These prescient and creative minds join forces to offer you a don't-miss anthology of the year!
To all the folks great behind, and attending, Beat Me In St. Louis (BMISL) we want to give an ernest and heartfelt THANK YOU: everything was a delight and beyond. If you ever have the chance to attend you really should - hands-down this is our favorite event to teach for or just attend.
Digital Parchment Services (distributed by Futures-Past Editions) and M.Christian are pleased to announce the imminent release of a brand new science fiction anthology edited by M.Christian:
Five To The Future
All New Novelettes of Tomorrow and Beyond
Featuring never-before-published work by Ernest Hogan (Locus Award Finalist), Arthur Byron Cover (Nebula Award Finalist), Emily Devenport (Boomerang Award winner), Cynthia Ward (Asimov’s SF Magazine), and M.Christian (Lambda Award Finalist):
Here’s what editor M.Christian says about this new anthology:
And here we are: a Chicano fiesta of multicultural caliente salsa from Ernest Hogan, a soul-touching tale of furry friends and bittersweet affection by Emily Devenport, a neon-highlighted 80s love letter to a classic anime by Cynthia Ward, a multi-dimensionally kaleidoscopic tale of love beyond reality by Arthur Byron Cover, and even my own modest contribution in four stories as one, about the Soviet-era practice of smuggling Western music impressed onto discarded X-rays.
About the contributors to Five To The Future:
Extensively published in science fiction, fantasy, horror, thrillers, and non-fiction, it is in erotica that M.Christian has become an acknowledged master, with more than 400 sales in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and in fact too many anthologies, magazines, and sites to name.
But M.Christian has other tricks up his literary sleeve: in addition to writing, he is a prolific and respected anthologist, having edited twenty-five anthologies to date including The Mammoth Book of Future Cops, The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, Amazons (with Sage Vivant), and many more.
As a novelist, M.Christian has shown his versatility with books such as the queer vamp novels Running Dry and The Very Bloody Marys; the erotic romance Brushes; the science fiction erotic novel Painted Doll; and the rather controversial gay horror/thrillers Finger’s Breadth and Me2.
Arthur Byron Cover is a former bookseller, critic, and big mouth. He published several sf novels in another era. He was raised in Tazewell, Virginia, which is in Tazewell County, which was named after a man who opposed the formation of the county until he learned it was going to be named after him. He is one degree of separation from F. Scott Fitzgerald, former President Clinton, Nelson Mandela, and a whole lot of rich and famous people in liberal Hollywood, many still alive. He currently lives with his wife and six pets in the middle of nowhere called Packwood, Washington, where the elk roam and the volcanoes haven’t erupted for thirty years.
Nine of Emily Devenport’s novels were published in the US by NAL/Roc, under three pen names. She has also been published in the U.K., Italy, China, and Israel. Her novels are Shade, Larissa, Scorpianne, EggHeads, The Kronos Condition, GodHeads, Broken Time (which was nominated for the Philip K. Dick Award), Belarus, and Enemies. Her newest novels, The Night Shifters and Spirits of Glory, are in ebook form on Amazon, Smashwords, etc. She is currently working on a novel based on her popular novelette, “The Servant.”
Her short stories were published in Asimov’s SF Magazine, the Full Spectrum anthology, The Mammoth Book of Kaiju, Uncanny, Cicada , Science Fiction World, Clarkesworld, and Aboriginal SF, whose readers voted her a Boomerang Award (which turned out to be an actual boomerang). She blogs atwww.emsjoiedeweird.com.
One day Em hopes to become a geologist. She volunteers at the Desert Botanical Garden in Phoenix and works in the Heard Museum bookstore (Books & More). She is married to artist/writer Ernest Hogan, and they live in Arizona, the Geology Capital of the World.
And she really loves cake. You should send her cake. (But not pineapple upside-down cake. That’s fake cake.)
Ernest Hogan is a six-foot tall Aztec leprechaun who was born in East LA back in the Atomic Age. His mother’s name was Garcia, and his parents weren’t aware of Ernest Hogan, the Father of Ragtime. He grew up in West Covina, considered to be one of the most boring places in California. Monster movies, comic books, and science fiction saved his life. Because he is the author of High Aztech, Smoking Mirror Blues, and Cortez on Jupiter, he is considered to be the Father of Chicano Science Fiction, though there hasn’t been any kind of DNA test. His short fiction has appeared in Amazing Stories, Analog, Science Fiction Age, and many other publications, His story “The Frankenstein Penis,” has been made into student films. He is also an artist and cartoonist. He has been recently been discovered by academia, which may bring about the end of Western Civilization. His “Chicanonautica Manifesto” appeared in Aztlan: A Journal of Chicano Studies. He is married to the writer Emily Devenport.
They live in Arizona, and enjoy exploring the Wild West. He blogs at mondoernesto.com and labloga.blogspot.com. Currently, he’s trying to finish several novels, but keeps getting distracted by all kinds of weird shit.
Cynthia Ward has published stories in Asimov's Science Fiction, Shattered Prism, Weird Tales, Athena's Daughters (Silence in the Library Publishing), and other anthologies and magazines. Her stories "Norms" and "#rising" made the Tangent Online Recommended Reading List for 2011 and 2014. She edited the anthologies Lost Trails: Forgotten Tales of the Weird West Volumes One and Two for WolfSinger Publications, and has a pair of anthologies forthcoming in collaboration with Charles G. Waugh, the first science fiction professional she ever met. With Nisi Shawl, Cynthia co-created the groundbreaking Writing the Otherfiction writers workshop and coauthored the diversity fiction-writing handbook Writing the Other: A Practical Approach (Aqueduct Press). Her short alternate-history novel, The Adventure of the Incognita Countess, is now available from Aqueduct Press. She lives in Los Angeles, where she is not working on a screenplay.
Five To The Future will be formally released in April, 2017. Pre-release copies for review are available now by writing M.Christian: email@example.com.
ISBN (print): 978-1544125367 PRICE: (print) $14.99/(ebook): $2.99 (free on Amazon Unlimited) eBook and Trade Paper Editions available April, 2017
Digital Parchment Services is a complete ebook and print service for literary estates and literary agents. The founders of Digital Parchment Services are pioneers in digital publishing who have collectively published over 2,500 ebooks and PoD paperbacks since 1998.
DPS clients include the estates of multiple Hugo winning author William Rotsler, and science fiction legend Jody Scott; authors such as Locus Award finalist Ernest Hogan, Hugo and Nebula nominee Arthur Byron Cover, prize winning mystery author Jerry Oster, psychologist John Tamiazzo, Ph.D., award winning nutritionist Ann Tyndall; and Best of Collections from Fate Magazine and Amazing Stories.