- thanks to all the great folks who made it to my classes. It was an absolute treat to teach all of them - and I hope everyone had a good time. Keep an eye on my site here for updates, fun, and even more class announcements very, very soon!
Saturday, April 28, 2012
Thursday, April 26, 2012
Acceler8or.com Likes Finger's Breadth
Wow - and I mean wow - this is very, very cool: the great Sasha Mitchell over at R.U. Sirius's site Acceler8or.com just posted this very cool review of my dark gay thriller Finger's Breadth. Here's a tease:
Did Oscar Wilde ever mention a baby-shit sofa, as fetishized by Tom of Finland, and crusted with salty, sweet sticky? Cliche to throw out Wilde when reviewing a piece of m4m fic? About as cliche as including a reference to Sex in the City in said fic.
Really, I josh. Because apart from a (for me) slightly delayed pick-up—and the more obvious fact that yours truly is of the vaginal realm—I had fun with, and eventually became engrossed by, M. Christian’s Finger’s Breadth.
Boilermakers, mambo-fuck you gay bars, scenarios seemingly inspired by a homoerotic Misery, and of course the ever prevalent ”asses flexing into handful-sized tightened cheeks” (is that your technology chirping, or is throbbing a better adjective?), Christian flaunts a downright capacity for electric lyric as well as (sorry mum, must include this in such a review) all the “hard cocks, strong cocks, long cocks, thick cocks – bobbing up and down, swinging right and left, even swirling in a sweaty circle,” that you could empty.
Not to mention a devilishly intricate plotline, which goes as follows: Fanning is a freelance cop on a most perplexing case. He kicks himself for not having caught whoever is terrorizing the tequila sunrises of Boyz Bay (did I just coin that?) by luring men for nonconsensual finger lobotomies.
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Tuesday, April 24, 2012
Sunday, April 22, 2012
Thursday, April 19, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
Wednesday, April 11, 2012
Tuesday, April 10, 2012
Confessions Of A Literary Streetwalker: Self Or Not?
Check this out: I just wrote a neat little "Confessions Of A Literary Streetwalker" for the great Erotica Readers & Writers site about the perils of self-publishing. Here's a tease - for the rest just check here.
Before I begin, a bit of disclosure: While the following has been written in an attempt to be professionally and personally non-biased I am an Associate Publisher for Renaissance E Books.
Before I begin, a bit of disclosure: While the following has been written in an attempt to be professionally and personally non-biased I am an Associate Publisher for Renaissance E Books.
Now, with that out of the way...
So, should you stay with the traditional model of working with a publisher or go the self-publishing route?
I'd be lying if I said I haven't been thinking – a lot -- about this. The arguments for stepping out on your own are certainly alluring, to put it mildly: being able to keep every dime you make – instead of being paid a royalty – and having total and complete control of your work being the big two.
But after putting on my thinking cap – ponder, ponder, ponder -- I've come to a few conclusions that are going to keep me and my work with publishers for quite some time.
As always, take what I'm going to say there with a hefty dose of sodium chloride: what works for me ... well, works for me and maybe not you.
Being on both sides of the publishing fence – as a writer, editor, and now publisher (even as a Associate Publisher) -- has given me a pretty unique view of the world of not just writing books, working to get them out into the world, but also a pretty good glimpse at the clockwork mechanisms than run the whole shebang.
For example, there's been a long tradition of writers if not actively hating then loudly grumbling about their publishers. You name it and writers will bitch about it: the covers, the publicity (or lack of), royalties ... ad infinitum. Okay, I have to admit more than a few grouches have been mine but with (and I really hate to say this) age has come a change in my perspective. No, I don't think publishers should be given carte blanch to do with as they please and, absolutely, I think that writers should always have the freedom to speak up if things are not to their liking, but that also doesn't mean that publisher's are hand-wringing villains cackling at taking advantage of poor, unfortunate authors.
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Monday, April 09, 2012
Sunday, April 08, 2012
Friday, April 06, 2012
My Desk
This is fun: the great folks at Novelspot asked for a pic of my workspace - so, naturally, I had to share. The stained glass window, by the way, was created by my late father...
Thursday, April 05, 2012
Monday, April 02, 2012
The Moving Finger - On Lisabet Sarai's Beyond Romance Blog
This is extremely excellent: my pal (and a wonderful write) Lisabet Sarai asked me to write a bit about the inspiration behind Finger's Breadth for her Beyond Romance blog. Check it out here ... and, meanwhile, here's a tease:
The Moving Finger writes; and, having writ,Moves on; nor all your Piety nor WitShall lure it back to cancel half a Line,Nor all your Tears wash out a Word of it. -- The Rubaiyat of Omar Khayyam
I may have said this before but it's always worth repeating: here's a hearty thank you to Lisabet for the opportunity to write a little piece for her excellent blog.
This time, Lisabet has asked me to write a bit about the how my newest novel, Finger's Breadth, came to be.
In a nutshell, Finger's Breadth is ... well, maybe too weird for a nutshell (perhaps even too much for a coconut shell) but I'll give it a shot. Basically, it's a near-future gay erotic horror/thriller with a hefty dose of social commentary. Less-than-basically, it's a series of characters dealing with "the cutter:" the nickname given to a mysterious figure drugging random men and amputating the first digit of their little finger.
I told you it was weird.
In many ways I see Finger's Breadth as a thematic sequel to my previous novel,Me2. In that book I had a lot of fun playing with the idea of identity. Less-than-basically that because of peer pressure, mass-produced lifestyles and fantasies, we are all becoming more or less interchangeable.
I say "thematic sequel" because after writing Me2 I was itching to challenge myself with a new project – one that allowed me to explore human nature again. With Finger's Breadth, I tried to reach down even deeper and get even dirtier with how we relate to one another: socially, sexually, you name it.
The seeds that would eventually sprout become Finger's Breadth came from a wide variety of sources – or threads that would become the quilt if you don't like plant metaphors – but, botany or fabric, they have more in common than you might think. One of them came from my fascination good versus evil. Yeah, yeah, I know: lots of people have done – and will do – the exact same thing. But I've always been frustrated at how cowardly a lot of authors have been on the subject -- cowardly, because very few people seem to be willing to honestly look at the question.
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Sunday, March 25, 2012
How To Wonderfully WriteSex (16)

Check it out: my new post at the fantastic WriteSex site just went up. Here's a tease (for the rest you'll have to go to the site):
Like bestiality—and unlike underage sexuality—incest is a tough nut: it’s not something you might accidentally insert into an erotic story. Also like bestiality, it’s something that can definitely push—if not slam—the buttons of an editor or publisher. Yet, as with all of these “sins,” the rules are not as set in stone as you’d think. Hell, I even managed to not only write and sell an incest story (“Spike,” which is the lead story in Dirty Words) but it also ended up in Best Gay Erotica. The trick, and with any of these erotic button-pushers, is context. In the case of “Spike” I took a humorous, surreal take on brother/brother sexuality, depicting a pair of twin punks who share and share alike sexually, until their world is shattered (and expanded) by some rough S/M play.
As with any of the “sins,” a story that deals with incest in a thought- provoking or sideways humorous manner might not scream at an editor or publisher I’M AN INCEST STORY. Instead, it will come across as humorous or thought-provoking first, and as a tale dealing with incest second. Still, once it comes to light, there’s always a chance the story might still scream a bit, but if you’re a skilled writer telling an interesting story, there’s still a chance quality could win over the theme.
Unlike bestiality, incest has very, very few stretches (like aliens and myths with bestiality). It’s very hard to stumble into incest. In short, you’re related or you’re not. As far as degree of relationship, that depends on the story and the intent: immediate family relations are damned tough to deal with, but first cousins fooling around behind the barn are quite another.
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Thursday, March 22, 2012
Fingers And Gothic.net
And the crazy publicity spreads: the cool folks at Gothic.net just posted this cool thing about my (ahem) 'unique' approach to getting the word out about Finger's Breadth:
Author M. Christian, upon seeking publicity for his newest novel, “Finger’s Breadth”, has threatened to cut off the tip of his little finger. This idea goes in line with the books character that does a similar fashion of chopping in a futuristic noir San Francisco world. Acknowledging how tough it is to spread the word about new books, Christian readily admits that this is a public relations stunt. His theory is that it takes someone to think outside of the box in order to garner the attention it requires for the novel to reach a wider audience. Christian has an impressive list of accomplishments, including six novels, over four hundred short stories, nine author collections, editing twenty-five anthologies, and being a contributor to Gothic.net. “Finger’s Breadth”, published by Zumaya Publications, is a gay erotic science fiction horror thriller. More of an intense psychological ride, the novel serves to dissect human nature rather than to deliver surface scares. So far he still has all of his digits, but who knows what will happen in time.
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Wednesday, March 21, 2012
Tuesday, March 20, 2012
Saturday, March 17, 2012
I'll Be At Fogcon
If you happen to be in Walnut Creek towards the end of March I'll be attending Fogcon, the Bay Area SF con, and being on several panels and such - including a (ahem) x-rated reading on Saturday night with other Sizzler Editions authors.
Wednesday, March 14, 2012
M.Christian Teaches!
If you live in the San Francisco Bay Area, here's not one, not two, but THREE chances to attend one of my celebrated classes!
Magic Words: Using Erotic Writing To Explore Your Hidden Sexuality And Spirituality
Tuesday, March 27, 2012, 07:30pm
$15-30 sliding scale
Center For Sex And Culture
1349 Mission Street (at Grace Street between 9th and 10th streets) in San Francisco
There are many ways to reach your inner sexual and spiritual self -- but one of the most surprisingly powerful paths is through the written word. In this lecture/workshop, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, help make personal discoveries and to assist in a personal journey of self and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence -- and when to listen -- to the inner critic.
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Sex Sells: How To Write & Sell Erotica
Tuesday, April 24, 2012, 07:30pm
$15-30 sliding scale
Center For Sex And Culture
1349 Mission Street (at Grace Street between 9th and 10th streets) in San Francisco
The market for erotic fiction and nonfiction is booming! There actually is a secret to writing great erotica - and you'll discover just what that is in this fun, hands-on workshop with well-known erotica writer and teacher M. Christian.
For the beginning writer, erotica can be the ideal place to begin writing, getting published, and -- best of all -- earning money. And for the experienced writer, erotica can be an excellent way to beef up your resume and hone your writing skills. M. Christian will review the varieties of personal and literary expression possible in this exciting and expanding field. He'll also teach you techniques for creating love and sex scenes that sizzle.
Plus: current pay rates, how to write for a wide variety of erotic genres, where and how to submit your erotic writing, and more.
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Sex Magic: Manifesting Positive Life Energy Through Erotic Play
Thursday, April 26, 2012 · 7:00 PM – 9:00 PM
$20 Non-Members, $15 Members (smOdyssey, Inc.)
Private Location in San Jose
RSVP To Education@smOdyssey.com
Sex, without a doubt, is a powerful personal force: it has the ability to not only give tremendous pleasure but also lift us up beyond our normal selves, and sometimes even to higher states of consciousness. Whether through sex with a partner or via masturbation, this class will explore how sex can be used to explore sometimes hidden spiritual and sensual dimensions, grow as a sexual being, manifest positive life-changing energy, or simply have a lot of wonderfully erotic fun!
But sex also has its emotional risks as well, and participants will also learn how to protect themselves as they explore sex magic and deal with sometimes shocking revelations about who they are as a sexual being.
Tuesday, March 13, 2012
Future Fire Likes Finger's Breadth
(Happy dance) Here's something very cool: a nice review for my gay sexual thriller Finger's Breadth by the fantastic folks at Future's Fire. Here's a tease:

M. Christian is well-known for his erotic stories, as well as editing several erotic anthologies, so I wasn’t surprised to find that his newest novel, Finger’s Breadth, was pretty explicit. This is not a book to read if you are easily offended. Published by Zumaya Boundless, the gay, lesbian, bisexual or transsexual-themed imprint of Zumaya Publications, which has been putting out both e-books and print since 2001.
Finger’s Breadth takes place in San Francisco in the near future—someone is drugging random gay men and cutting off the tip of their little finger. The gay bars in the area are almost empty; men are staying home, scared it might happen to them. The police are baffled; there are no suspects. The first victim, Varney, works for the newspaper and becomes a celebrity of sorts. But his celebrity isn’t exactly earned, and this is eating Varney up inside. He debates with himself whether to confess his sin while still using his infamy to reach out to the public.
Then a gradual change comes over the gay population—those who have been cut are looked at as desirable, exciting. Those who have not been cut now begin to feel left out, even ashamed—aren’t they good enough to be approached by the cutter? Are they unattractive? The bars fill up again; the patrons divided between victims and wanna-bes. It’s rarely said aloud, but those men who are whole are hoping to be the next victim. The internet burns with men in chatrooms, looking for the cutter or a reasonable facsimile. Although the story is seen through the eyes of several characters, quite a bit of the book is written in chatroom format, with the cutter—or supposed cutter—looking for victims.
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